test_unlimited brings together artistic and discursive positions that understand art as an open, experimental field rather than a closed system of results.

The publication foregrounds testing, provisionality, and process as central artistic strategies, emphasizing situations in which meaning is produced through use, repetition, and variation.

Works and texts intersect as parallel modes of inquiry. Instead of illustrating fixed concepts, the book operates as a platform for trial, interruption, and recombination, allowing contradictions and overlaps to remain visible. Art appears here less as an object than as a method—one that unfolds through dialogue, context, and temporal extension.

In this sense, test_unlimited proposes an understanding of artistic practice that resists finality. It frames experimentation itself as a critical gesture and positions the publication as a space in which thinking, making, and reflecting continuously renegotiate their relationships.