The publication gathers designs and images that translate theatrical thinking into a graphic language

—where figures, gestures, costumes, and spaces are condensed into precise, often playful visual constellations.

Pfüller’s drawings do not document performances; they invent them. Character types, spatial cues, and narrative fragments appear as sketches of potential scenes, oscillating between humor and melancholy. The line is economical yet expressive, allowing ambiguity and movement to remain present.

Seen as a whole, the book treats theater as a mental space rather than a fixed event. Drawing becomes a stage in its own right—an arena for role-play, transformation, and visual storytelling where the imagination performs.