Hard Cover, English, Thread Stiching, 322 Pages, 2011
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The essays collected in this book were first presented in the autumn of 1990 as part of a lecture series entitled Vancouver Anthology, a forum in which each contributing writer could test his or her research on the question of art and politics in public, before their papers were sent into print.
Every piece of writing included here has changed dramatically since its initial presentation, in part as a reflection of the immediate response it received from the local art community at the forum and, more significantly, as a reflection of responses which continued long after that first instance of presentation. What these presentations are clearly able to provide is a critique of the institutionalization of what had been previously considered alternative art practices, a contemporary notion not unrelated to what the artistic milieu of another generation, continent and historical age might have called the “avant-garde.”