A Selection of Snapshots Taken by Felix Gonzalez-Torres brings together private photographs that resist the conventions of both documentary and artistic authorship.

A witty and elegant visual exchange around the uses and functions of chairs doubles as an excuse to address a number of the artists’ interests and working methodologies.

Bowers and Opie reveal the many similarities in their backgrounds and discuss ideas concerning documentary methodologies and community based work. The conversation spans many of the topics they regard central to their practices and responsibilities as artists, from memories and community, to activism, documentary, feminism, war, and environmentalism.

Reviewing several bodies of work the two artists expose their working strategies, interests and inspirations. The conversation ranges from, among other topics, climate changes to personal ads, from Seth Siegelaub’s “Artist’s Contract” to Duchamp’s “Monte Carlo Bond,” and from the machinations of capital to American game shows

Harrell Fletcher and Michael Rakowitz share a lively conversation largely composed of anecdotes and first person narratives that addresses central and shared concerns in both artists' practice.

The work of Nicolás Guagnini and John Kelsey manifests itself in distinctly different forms, yet the two share an affinity for playing with the roles and structures of the art world. The conversation includes discussions of some of their recurring topics and themes: gossip, the jeune-fille, institutional critique, the abject, humor and their participation in collaborative ventures.