The book is dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

The exhibition-dossier is conceived as a methodological dispositif—a mediation space drawn on the narratives of art and artists—, used to explore the spiritual, theoretical and poetical undertakings in art and art practices grounded in the local terrain, in order to complement the existing research and to expand the circle of inquiries.