Doris Lasch and Astrid Seme focus in their project The imaginary museum (2017) on a political text work by US-American artist Barbara Kruger originally shown at Kunsthalle Basel in 1994.

At my request, friends and companions created a portrait of their personal Mark Pezinger in their individual way.

CD (32' 39) in cardboard box with booklet, 100 copies.

There has never been a full agreement as to what were the key influences on Kurt Schwitters when he was preparing the Ursonate.

Astrid Seme (* 1985) beschäftigt sich in ihrer künstlerischen Arbeit verstärkt mit dem Verhältnis aus gesprochener und geschriebener Sprache. Die grafische Notation von gesprochner Sprache und die akustische Interpretation von grafischenen Notationen bilden dabei ein zentrales Thema.

Astrid Seme (*1985) is studying graphic design in the masters program Werkplaats Typografie in Arnhem, the Netherlands. Her main artistic interest is the investigation of the relation between oral and written speech. In this respect, her central theme is the graphic notations of oral speech and the acoustic interpretation of graphic notations.

The graphic notation relies on the original text of “Die Sonate mit Urlauten”. It notates the length of the words in the text as they would be read naturally. (Engl.)

The graphic notation relies on the original text of “Die Sonate mit Urlauten”. It notates the length of the words in the text as they would be read naturally. This book should be open to multiple interpretation and therefore provoke spontaneity and improvisation by the reader. (Engl.)