Works by three female artists from three generations come together in a dialogue about the body as the origin of all that is perceptible.

Based around an out-of-print anthology devoted to prehistoric collections unearthed by archaeological expeditions in Algeria, French artist Camille Henrot’s latest project treats this ethnographic material as motifs of a contemporary grotesque.

Der Katalog zur Ausstellung Bittersüße Transformation widmet sich dem skulptural geprägten Schaffen dreier Künstlerinnen aus fast drei Generationen.