Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of austrian, german and swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Loraine, Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.

Loraine, Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Kapitel No 119: „The Candles“, gestaltet von Christian Egger. Über den Zeitraum von 11 Jahren erscheint monatlich ein Kapitel von Moby Dick Filet bis der gesamte Roman wieder zusammengefügt ist.

Die Publikation dokumentiert in Form eines Künstlerbuches das künstlerische Schaffen und die Ausstellungstätigkeit von Manuel Gorkiewicz im In- und Ausland der letzten 6 Jahre.

Der Katalog zur internationalen Gruppenausstellung widmet sich dem gegenseitig durchdringenden Verhältnis von Schrift zu Kunst und Film.

The project “... What is art? ...” takes a fresh stance at Raša Todosijevic’s 1978 performance series of the same name.

The catalogue accompanying the international group exhibition is dedicated to the mutually permeating relationship of the written word with art and film.

Following the 2015 exhibition “Florian Hecker/John McCracken” at Künstlerhaus, Halle für Kunst & Medien Graz, this publication probes the experimental capacity of the white-cube space of the gallery.

In addition to texts on the work of Alexander Wolff by Camila McHugh, Nikola Dietrich, Christian Egger, Kerstin Cmelka, Nora Schultz, Ariane Müller, Sabrina Soyer, also an essay by Marcelin Pleynet entitled "Painting and 'Reality’" from 1969 - translated from French into English for the first time.

With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests. Each issue present around fifteen contributions, in both texts and images. Artists, writers, scientists and specialists in all kind of fields are invited to contribute and intervene in a sober and efficient layout already acknowledged by the London Design Museum in its exhibition Best European Design 2005.