The Morning Line is both ruin and monument, the blackened frame of a cathedral-like structure; a drawing in and of space; an ‘anti-pavilion’.

This monograph is a comprehensive survey of Los Carpinteros’ work since 2003, their most critically acclaimed period. Since their first collaborations, which focused on the traditions of craftsmanship and the colonial architecture of Cuba, as well as the subversion

Passages. Travels in Hyperspace is an exhibition drawn from the collection of Thyssen-Bornemisza Art Contemporary that is conceived as a stroll, an excursion through an interior landscape of sorts.

This publication brings together Sharon Lockhart’s engagement with the work of Noa Eshkol through essays, installation views, film stills, archival materials, and reproductions of Eshkol’s wall carpets.

Within the last decades, art from Turkey and artists with a Turkish (migrational) background have become highly visible in the contemporary art scene. This book offers an insight to this production with texts by

With texts by Denis Hollier, Mark Wigley, Rosalind Krauss, Sabeth Buchmann, Sebastian Egenhofer, Helmut Draxler, Manuel DeLanda, and Johannes Porsch. This books offers an insight to the exhibition Transitory Objects, (July 3 - October 31, 2009) at Thyssen-Bornemisza Art Contemporary, Vienna.

An insight to the work of Jorge Otero-Pailos for the 53rd Venice Biennale. With texts by Thordis Arrhenius, Daniel A. Barber, Daniel Birnbaum, Valeria Burgio, Dorota Chudzicka, Lorenzo Fusi, David Gissen, Francesca von Habsburg, Caroline A. Jones, Adam Phillips, and Raqs Media Collective; as well as a conversation between Francesca von Habsburg, Albert Heta, Jorge Otero-Pailos, Dinko Peračić, François Roche, Andreas Ruby, and Mark Wigley.

This catalogue is an extension of an ongoing research and exhibition project that TBA21 has supported since its inception in 2006. The Sovereign Forest renders visible and collects evidence of what has hitherto been hidden and suppressed within the site of a “modern war,”

A catalogue for the exhibition of the same name which featured works by Amar Kanwar (India), Raqs Media Collective (India), Ritu Sarin & Tenzing Sonam (India/Tibetan in Exile), Nikolaus Hirsch & Michel Müller (Germany) in collaboration with the Cybermohalla Ensemble (India), Marine Hugonnier (France/UK), Pak Sheung Chuen (Hong Kong), Heman Chong (Singapore), Khin Khin Su (Burma), Gonkar Gyatso (Tibetan in Exile/UK) and Qiu Zhijie (China) among others.

Appropriation, storytelling, reenactment, and reportage are some of the strategies that the Mexican artist Mario García Torres deploys to uncover (hidden) histories, narratives, and strategies embedded in sites and places and thereby to highlight the limitations of factual evidence and the agency of historical records and objects.

Box set containing 2 booklets, a fold-out poster, and a postcard.

This catalogue accompanies the eponymous exhibition at TBA21–Augarten in Vienna and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring Cerith Wyn Evans's polyphonic oeuvre.

An investigation of the themes of identity and tradition, the title Shooting Back thus refers to the act of choosing to narrate one’s own history, the deployment of distinctive tools and methods of representation, and the reassertion of ownership over tradition and heritage. The expression is

Published in 2009 as the first comprehensive compilation of the collection and commissions of Thyssen-Bornemsiza Art Contemporary, this book tells the story of the Vienna based art institution. Founded in 2002 by Francesca Thyssen-Bornemisza, TBA21 is committed to supporting the production of contemporary art and is actively engaged in commissioning and disseminating unconventional projects that defy traditional disciplinary categorizations.

The oceans are rising. On the rise are the metrics of accelerated human activities: sea level, water temperature, acidity, algal blooms, and the depletion of fish communities and marine life. The loss of abundance and diversity has devastating effects on the services the oceans render to the earth, exhausting their unrecognized labor of

In over 1,300 pages, The Commissions Book engages in depth with more than one-hundred works of art. The publication organizes and weaves together sequences of potential narratives and interrogations, along with close examinations of different works of art and an archive of images. The stories embedded in these works, as well as in the foundation’s work, and that of TBA21–Academy, an itinerant site of transdisciplinary research and cultural production engaging with the oceans, are stories of making new connections across