The poetic travelogue A Sixth Part of the World and the "visual symphony" The Eleventh Year mark the beginning of Dziga Vertov's most creative period, which peaked in the canonical film Man with the Movie Camera.
(Russ./Germ./Engl.)
(Subtitles Germ./Engl)

Dealing with the Five Year Plan of the late 1920s, Dziga Vertov's Entuziazm was praised by artists like Charlie Chaplin and the avant-garde filmmakers of the 1960s.
(Russ./Engl.)
(Subtitles Germ./Engl.)