This room is being constructed by its contributions, it is being modeled by the filling of its parameters. The hinges of this construction might be functions within it that become as yet unknown parameters by the very act of reading them. IT IS A STOPOVER. ...The room it offers is circumscribed and structured by the book’s parameters: format, binding, jacket, title page, layout, preface, postface, table of contents, captions, cross headings, intertitles, annotations, editorial notes, appendix, blurb, names and accessories. THIS BOOK IS A CLASSROOM. We invite you to

Edition Bauhaus 49

NORMAL 2 - direkter Urbanismus x 4 zeigt die Realisierungen der 4 künstlerisch-urbanen Interventionen für NORMAL - ein Projekt für das Graz Kulturjahr 2020 und verortet diese im internationalen Diskurs, basierend auf transparadisos Methode des direkten Urbanismus.

Maximiliane Baumgartner’s Ich singe nicht für Bilder schöne Lieder (I Don’t Sing Beautiful Songs for Pictures) is the first comprehensive publication that contextualizes and traces her artistic practice of the last four years in relation to the fields of painting, action (space) pedagogy, and critical research on the subject of urban planning.

‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin,