This publication brings together Sharon Lockhart’s engagement with the work of Noa Eshkol through essays, installation views, film stills, archival materials, and reproductions of Eshkol’s wall carpets.

Appropriation, storytelling, reenactment, and reportage are some of the strategies that the Mexican artist Mario García Torres deploys to uncover (hidden) histories, narratives, and strategies embedded in sites and places and thereby to highlight the limitations of factual evidence and the agency of historical records and objects.

This catalogue accompanies the eponymous exhibition at TBA21–Augarten in Vienna and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring Cerith Wyn Evans's polyphonic oeuvre.