Does art have the potential to stimulate and sustain political participation? On behalf of the Galerie für Zeitgenössische Kunst, Joanna Warsza invited the artists Alexandra Pirici, Pablo Helguera, and Ulf Aminde to Leipzig to try out three projects in public and semi-public spaces.

Is it possible to understand graphic design as a practice beyond an object-centric approach, as a practice beyond the conception and production of well-designed and printed artifacts? Which other potentials to create a public should be considered integral to design as an activity?