Der Bosnienkrieg spielte sich für die meisten Menschen nur im Fernsehgerät ab. Bilder von bombardierten Städten, Soldaten und humanitären Notständen. Anton Bošnjak war als junger Soldat selbst Teil dieses Krieges und reflektiert seine Eindrücke in der Lothringer13, der Städtischen Kunsthalle, mit der Ausstellung „Heile Kunst“.

Ion Grigorescu’s diaries from the crucial years of 1970 to 1975 are a small literary and art-historical sensation.

By its very nature, graphic design is primarily concerned with giving shape to ideas and information generated by others. For the last decade, Markus Weisbeck has been redefining this prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today.

Július Koller is one of the most important Eastern European artists working since the 1960s, whose art had and has considerable international significance.

Structural models based on urbanistic ideas, architectures and theories make up an essential part of the work of Gregor Eldarb.

Good texts help us to understand more about what we see: in this sense, "The Documenta 12 Magazine" aims to provide background knowledge prior to the exhibition, without restricting in any way the individual experience of viewing the artworks themselves. The broadly conceived themes of Modernity? Life! and Education: are in fact intended to increase our appetite for images, because the significance of art lies within art itself - in its ambiguity, contrariness and stubborn independence. This Sampler comprises all three issues of the printed magazine in book form.

Sweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa. Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the 1960s.

Die Arbeit, von der dieses Buch handelt und das es dokumentiert, setzt sich an der Schnittstelle zweier alter Systeme fest: dem der politischen Repräsentation von Nationalstaaten außerhalb ihres Territoriums -

Walter Obholzer: 7.12.2000 – 21.1.2001 documents the exhibition of works by the Austrian artist Walter Obholzer during the period from December 7, 2000 to January 21, 2001.

Július Koller ist eine der zentralen Künstlerpersönlichkeiten Osteuropas seit den 1960er Jahren, deren Werk von großer internationaler Bedeutung ist.