In 2002 Hans Ulrich Obrist began his conversation with a diverse and influential group of Mexican pioneers during an exhibition at Luis Barragán's house in Mexico City.

Nachdem 2005 die "Gesammelten Gespräche und Interviews" von Franz West erschienen, werden nun erstmals die von West sogenannten "Schriebe" zugänglich.

Without a trace of nostalgia and with great enthusiasm, the artist—now well over eighty years old—recalls his life, his work,

With an introduction by the renowned architect Rem Koolhaas, this book gathers for the first time a selection of writings by Hans Ulrich Obrist.

Les espaces indépendants / Die unabhängigen Räume / Independent Spaces is devoted to independent art spaces and to the role they play in the production, presentation, and circulation of contemporary art.

Interview between Hans Ulrich Obrist and Erró. (enlish/french)

The point d'ironie originates from a talk between agnès b., Christian Boltanski and Hans Ulrich Obrist in 1997. Six to eight issues are published each year.

A stroll through a fun place - Cedric Price
Pavillon suisse de la 14e Biennale d`architecture de Venise, juin 2014

This catalogue is an extension of an ongoing research and exhibition project that TBA21 has supported since its inception in 2006. The Sovereign Forest renders visible and collects evidence of what has hitherto been hidden and suppressed within the site of a “modern war,”

Anlässlich "Lucius Burckhardt and Cedric Price - A stroll through a fun palace" im Pavillion der Schweiz auf der 14. Architekturbiennale in Venedig.

What are the processes that enable archives to become productive?

11 interviews with curatorial pioneers

Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book. Spanning the beginning of his “career” as a young curator in his Zurich kitchen to his time most recently as the Co-Director of Exhibitions and Programs, and Director of International Projects at the Serpentine Gallery in London, the book is a “production of reality conversations.” It undertakes the impossible: pinning down this peripatetic curator, attempting to map his psychogeography so that silences may be transcribed. In a sense, it organizes a “protest against forgetting” and affirms the sagacity of an artist who told this dontstop curator “don’t go” when he “contemplated leaving the art world” for other fields—“to go beyond the fear of pooling knowledge”—in lieu of bringing other fields into the (then) hermetic art world.

Following Everything You Always Wanted to Know About Curating But Were Afraid to Ask, this second volume in the series on international curator Hans Ulrich Obrist presents a selection of his key writings from the past two decades, which elaborate on the manifold thinkers, curators, and events that influence his interdisciplinary practice of exhibition making.

o.A.

Dieses Buch enthält 79 Gespräche mit Künstlern, Schriftstellern, Architekten, Musikern, Philosophen, Fotografen, Designern, Wissenschaftlern und Filmemachern, die Obrist seit Anfang der 90er Jahre führte.

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

Als führender Filmemacher seiner Generation wurde Derek Jarman bezeichnet. Mit seinen Experimenten mit Licht, Farbe

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as