My projects take their point of departure in social and political structures and question how and for whom things are written.

Poor Man's Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film. The publication is based on the eponymous exhibition in Berlin in 2006, but represents an independent compendium of texts and images beyond the show.

Art After Conceptual Art untersucht aus heutiger Perspektive, wie sich konzeptuelle Kunstpraktiken seit den 1970er Jahren entwickelt, transformiert und in gegenwärtige künstlerische Diskurse eingeschrieben haben.

Starship #19, Apokolypse of the praktikal moment presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith; and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

What art can do in a contemporary world in crisis – that is the question that looms in every facet of the exhibition Fish are folded into the sea just as the sea is folded into fish by Ariane Mueller.