Within the Secession, Jiří Kovanda places, with an almost offhand gesture, various objects—though they are taken from domestic life, their subtexts readily suggest erotic connotations—: white blankets, a blue orchid, a red lamp, a yellow broom … In their presentation, Kovanda applies the poetic-Surrealist principle of transforming objects and situations by means of small alterations that displace them into more open significative contexts.