Vinyl LP, erschienen anlässlich der Ausstellung "Dave Allen / Douglas Gordon / Jonathan Monk / Ross Sinclair - For Those About To Rock" in der Galerie der Stadt Schwaz, 12.02 - 15.04.2000

Jonathan Monk’s work is grounded in repetition, appropriation, and conceptual displacement.

Continuous Project Altered Daily marks the first comprehensive survey of British artist Jonathan Monk and offers an extensive overview of his exceptionally prolific artistic practice

"To keep things simple, 100 (1-100) mit Claude Closky (12)-(35), Jonathan Monk (41)-(64), Alexis Saile (70)-(91) und Ohio (94, Insert)." (Lex Trüb)

An artist book by Jonathan Monk.

Das romantisch-emphatische Bild des Künstlers und das Klischee vom verrückten Künstler, der bis zum Letzten geht, hat einen tragisch-absurden Höhepunkt im Tode von Bas Jan Ader gefunden.

British artist Jonathan Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means.

Meeting #13 is one in a series of text works by Jonathan Monk. In this series, the artist attempts to organise meetings somewhere in the world.

Was bedeutet es, wenn sich die Grenzen zwischen Kunst und Alltag auflösen? Und welche Rolle spielt politisch nicht korrektes Verhalten?

A copy of an original is a duplicate.

Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...]

Intro by Adam Carr

Jonathan Monk (born 1969 in Leicester, UK) is a conceptual artist whose practice centers on appropriation, repetition, and displacement.

This publication documents the 2016 exhibition “One, No One and One Hundred Thousand,” which took place at Kunsthalle Wien, Karlsplatz.