Die Frage nach dem Wesen der Kunst wird von Gillicks Arbeiten immer wieder produktiv unterlaufen, wenn die in einem Raum versammelten Objekte nicht autonome Werke, sondern diskursive Intrumente sind, die gesellschaftliche, ökonomische und sozio-politische Kontexte als ästhetische Intervention in den Kunstkontext überführen.

Les espaces indépendants / Die unabhängigen Räume / Independent Spaces is devoted to independent art spaces and to the role they play in the production, presentation, and circulation of contemporary art.

Para-Platforms investigates the social, spatial, and material reality of right-wing populism. Three case studies presented in a symposium organized by Markus Miessen at the Gothenburg Design Festival in November 2017 form the core of this collection of essays.

An audio portrait of British artist Liam Gillick, An Idea Just Out of Reach was recorded at the Hamburger Bahnhof in Berlin in February 2009, and records his thoughts on everything from his own work to larger matters of contemporary art. As a talker and an interlocutor, Gillick proved to be quick-witted and always open to new perspectives.

By its very nature, graphic design is primarily concerned with giving shape to ideas and information generated by others. For the last decade, Markus Weisbeck has been redefining this prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today.

Handout zur Ausstellung Gelatin - Loch im 21er Haus von 5. Juni bis 29. September 2013. Text verfasst von Liam Gillick (New York) und ursprünglich veröffentlicht in der Mai/Juni 2013 Ausgabe von "Flash Art International".

Peep-Hole Sheet is a project designed to host artists’ thoughts, theories and stories.
For this first issue Liam Gillick presents "Stories," a text that was originally intended as a speech at a conference about the roles of galleries and critics held at the Hôtel des Arts, Fondation Nationale des Arts, in Paris in September 1992.

Wie häufig in seinem Werk behandelt und hinterfragt Heimo Zobernig auch in dieser Ausstellung gängige, institutionell bedingte Präsentationsmechanismen sowie überhaupt das Zurschaustellen von (Kunst-) Objekten an sich.
(Germ./Engl.)

Pierre Huyghe, born 1962 in Paris, has designed an installation for the Secession which reflects his new interest in the ways in which perceptual processes function - an interest he plans to pursue in further exhibitions.

The symposium reflects on historical and actual models of art institutions and organisations that deal with production and circulation of art and ideas in an experimental and flexible way.

o.A.

This catalogue accompanies the eponymous exhibition at TBA21–Augarten in Vienna and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring Cerith Wyn Evans's polyphonic oeuvre.

Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art.

The starting point here is the relation between writing and time, object and text, hence the title “Schreibtischuhr” (writing desk clock).