Caring Culture: Art, Architecture and the Politics of Public Health examines changing political uses of the concept of care in neoliberal democracies and asks how artists, architects, and designers both contribute to and attempt to critique its social manifestations.

Para-Platforms investigates the social, spatial, and material reality of right-wing populism. Three case studies presented in a symposium organized by Markus Miessen at the Gothenburg Design Festival in November 2017 form the core of this collection of essays.

This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt. (engl.)

The second volume in the Critical Spatial Practice series presents a selection of conversations between Markus Miessen and political philosopher Chantal Mouffe.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid’s “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize–winning architect Luis Barragán (1902–1988), and questions forms of power, public access, and copyright that construct artistic legacy.

What are the processes that enable archives to become productive?

Weizman and the architect Samaneh Moafi constructed a folly composed of seven roundabouts and a round table in front of the Gwangju train station, one of the central points in the events of May 1980.