Reed has devised a completely new, site-specific work for Museum Haus Lange, Krefeld (Germany), in the form of one single painting. Extending as it does through all of the exhibition spaces as a moving, “floating” painting, it demands that the beholder takes a kind of cinematographic approach to view it.

Originality, repetition, time and materiality are key concepts for understanding the work of American conceptual artist Sherrie Levine