Kirsten Pieroth uses everyday objects, situations and activities, isolates them from their original settings and inserts them into a different context. This transfer causes an irritation in the interpretation of perception: individual things, which we usually identify according to their form, function, or use, no longer offer this habitual perspective ascribed to them, but instead refer to multiplied readings, strange systems of reference, and absurd chains of association.

The theme of this exhibition is not particularly original. As early as the mid-14th century, art was already exploring the impact of government—on people, animals, landscapes, and economies

Picture postcards celebrating the 1969 maiden flights of the Boeing 747 and Concorde airplanes are juxtaposed with other 1969 events:

This publication shows the works of Frederick Charles Herko.

Hinter dem Titel des neuesten Buches von Matthias Herrmann „270 West 17th Street # 20c NY NY 10011“ verbirgt sich die exakte Adresse des im Herzen von Chelsea liegenden Studios, das die Republik Österreich Fotokünstler zur Verfügung stellt.

Hans Schabus' works are immediately related to a spatial thinking and experience; his sculptures and interventions often refer directly to the artist's mental and physical surroundings, especially to his atelier and the material to be processed there. The place where art is created is investigated in terms of its analogy potential with respect to life. The works can be read as a meditation on the creative act, its aspirations, but also on the difference from everyday activity. The film works that deal with traveling, speed and non-goal-oriented movement refer to the significance of an interdisciplinary reflection for art.

For his solo presentation in the main room of the Secession, Christopher Wool has selected 20 drawings as well as 32 large format works on aluminum and canvas, which were all made during the past year and largely especially for this exhibition. They are particularly distinguished by a new colorfulness.

Matthias Herrmann setzt in seinem neuen Buch Utensilien der professionellen Fotografie − Farbfilter, Fotopapier- und Filmschachteln, analoge Filmkassetten, Objektive usw. − mittels verführerischem Studiolicht in Szene.

Through his pictures, we see how Mr Mullen goes through the world and how he sees the world. (Matthias Hermann) Mr Mullan's ‘city’