The photographer Corinne L. Rusch guides us through the fascinating and surreal world of the major grand hotels in Switzerland and South Tyrol (Alto Adige).

R.A.P.I. presents the “Underground” project, developed between 2014-2015. The duo, Michele Bressan / Bogdan Girbovan, take up the “magnets” myth (locals from Romanian villages that are situated near the WW2 areas, who recovered remains from the battlefields as to benefit from selling them to metal recyclers), in order to structure a photographic index and offer new historical information.

The Kaddu Wasswa Archive by photographer Andrea Stultiens is the visual biography of Ugandan Kaddu Wasswa, born in 1933, who played a an important role in his community as a teacher and social worker.

The major retrospective 'Hélio Oiticica: The Body of Colour' on view at Tate Modern from 6 June to 23 September 2007 and 'Oiticica in London - Tate Collection', which is being shown on the fifth floor of the museum from 19 May to 21 October 2007, present a complete portrait of the artist and his works, from the most formalist to the most conceptual.

The artists Miren Arenzana, Itziar Bilbao Urrutia, Yolanda de los Bueis, Naia del Castillo, Itxaso Díaz, Mikel Eskauriaza, Ismael Iglesias, Abigail Lazkoz, Erlea Maneros, Marina Mendieta andIsabel de Naverán were exhibiting drawings, photographs, installations, videos and performances.

(Spanish/Basque/English)

Initially known for her work in photography—which she has been making over the last three decades—New York–based artist Moyra Davey (born 1958) is also an esteemed writer, editor and, most recently, filmmaker, whose works layer personal narratives with explorations of other authors, filmmakers, and artists.

The subject of this book is a deceased prop, an object of a particular color, the green of cinematic trickery and special effects.

Ni Co Lo Di not only provides an overview of 10 years of artistic practice by Renato Nicolodi (° 1980), but also brings seven tributes to sources of inspiration.

I usually find it hard to speak about myself. I always stumble in the paradoxes of «who am I ?».

philippen and son love their camera. The father may have a preference for landscapes and architecture, the son be fascinated with feminine beauty, but conceptual their work is not. Both are delightedly devoted to the framing eye of the camera. Their works keep each other in balance. They are different but also related in their dislike of great narratives, of critical stances, of drama, of emphatic rhetoric.

(D/ Engl./ Frz./ Dutch)

Erschien anlässlich einer Ausstellung in der Landesgalerie OÖ. (engl./dt./ital.)

This publication brings together three newly commissioned essays by art historian Ian McLean and curators and arts writers Helen Hughes and Julie Nagam. The selection of works from the Estate of Gordon Bennett comprises drawings,

Painting belongs together with cults, magic, miracles - and illusions.

With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.

A book full of powerful photographs of mysterious monuments in former Yugoslavia.

Examples of categories for walks made between 1971 and 2000.
First coast to coast road walk - across the neck of England 1971.
A walk up to 20.000 feet on Illampu Bolivia 1972.
1022 mile walk (1635 kilometres) Scotland England and Wales 1973.
A two week adventure trek - Zanskar to Kishkwar Northern India 1978.
Seven consecutive one day walks on the same route - Mount Hiei Japan 1991.

Yazd "Jewel of the Desert", Yazd "City of Wind Towers", Yazd ...
In trying to inform ourselves about this city, we will eventually encounter these and other designations. We will also soon find out that the city of Yazd is situated at about 1,200 m above sea level in a shallow valley in central Iran, covers an area of 2,397 km², is the capital of a province of the same name and has about 500,000 inhabitants. (Preface: Nariman Mansouri und Stephan Schwarz)

Published on the occasion of the exhibition Roman Signer. Films and Installation, hosted at the MAN (Nuoro, Italy, April – July, 2016), A Step Towards the Sea is not only a catalogue, but a book to all effects and purposes, which tells the relationship between one of the most acclaimed contemporary artists and Italy.

As a photographer Charlotte Lybeer combines the curiosity of a journalist researching actual phenomena - symptoms of the global, capitalist crisis - with the empathy of a detective infiltrating enclosed worlds and with the sensibility to capture how fiction transforms reality.

A Case of Hysteria draws on Freud’s analysis of Dora, a young woman who is brought to him by her father.

Pa.LaC.E architecture group’s first monograph documents the “Paris Hermitage”, a building serving as a large temporal oscillator constituted by quartz articulations.

The Austrian artist Edgar Honetschlaeger makes his way through a de-serted Tokyo in the early hours of the morning. The skies are overcast and leaden, and pedestrians in the narrow streets are few. That is how he portrays the city he moved to in 1991, a city he likes to call his own.

We encounter so many things in our daily lives, but do we still experience a sense of wonder? Artist-explorer Doina Kraal takes us along a journey of discovery and shares her findings. She reinvents old devices but also uses modern tools to experience the world we know, in ever changing ways.

The publication documents the development of Franz Erhard Walther’s artistic practice from the early 1960s onward, focusing on

Für Leser, die eine Reise nach Wien planen oder mehr über professionelle Partner, Ausbildungsorte, Kontakte, die Szene und die Brands erfahren wollen.

This reader drew its inspiration from encounters and conversations with activists, artists, critical thinkers, curators, militant researchers and writers.

By turning the direction and intensity of the light, a variety of stage effects is produced: the Diorama, compartment within which, through a window, the viewer can discover new worlds and observe them from kaleidoscopic perspectives.

Inhalt concentrates on Eberhard Havekost's painting from the past ten years, focusing on work first exhibited at KINDL – Centre for Contemporary Art, Berlin (October 23, 2016–February 19, 2017).

This issue of the magazine consisted of three versions of Fluxus, one being Maciunas’ historical diagram and the others being two essays (one in English and one in Swedish) summarizing the movement by Mats B. on the poster’s sleeve.

«Columnist» nennt Boris Rebetez seine Einzelausstellung im Kunsthaus Baselland und auch die nun neu vorliegende Publikation.

This publication accompanies the exhibition Desiring the Real. Austria Contemporary,
which is going to be presented in several states as of April 2012.

The first part of this two-volume publication juxtaposes two institutes: the Jan van Eyck Akademie and the KSA:K Center for Contemporary art, in Moldova.

U. Mayer collected all the newspaper articles in the days that followed Thatcher’s death, programmatically positioning these four words at the forefront of her exhibition in Vienna, and in a phase of her work that foregrounds questions about the opportunities offers by neoliberal identity, about consumer culture in a post-capitalistic society, and about their precursors.

This exhibition brings together a group of new and rarely seen works by Paul McCarthy (b. 1945), one of the most influential American artists of his generation. The show focuses on a core strand of McCarthy’s work: the use of architecture to create perceptual disorientation in the viewer through spinning mirrors, rotating walls, projections, and altered space.

In Bang Bang Room (1992), the space almost seems to come alive as the walls of a free-standing domestic room move slowly in and out, the doors in each wall wildly slamming open and shut. In Spinning Room (2008), first conceived in 1971 but being realized for the first time for this show, live images of viewers are rotated and projected onto double-sided screens that appear infinitely reflected on four surrounding mirrored walls, enclosing the viewer in a wildly disorienting space. In Mad House (2008), being created for this show, a room spins disconcertingly on its axis. Two recently rediscovered films by McCarthy, one made in 1966 and one in 1971, reveal the artist’s interest in perceptual puzzlement from the very beginning of his career.

In different formats -performances, dialogues, research and work-in-progress presentations, lectures and a mini-marathon of statements, questions & events - and in different medias, the third edition of the artistic theoretical parcours SCORES that Tanzquartier Wien organized in collaboration with Tim Etchell in 2010 brought together different artists, writers and thinkers.

The publication is the first book to present a selection of Gregory Battcock s prefaces and essays (from Minimalism, Idea Art, Why Art?, and other books), as well as columns published in underground newspapers in the 1970s.

Living Earth is a new book filled with ideas, conversations, lectures, and documentation relating to commissioned installations, soundwalks, concerts and performances made for and during the Dark Ecology project.

Das Buch stellt Feiersingers Werk der letzten Jahre vor und verdeutlicht seine Auseinandersetzung mit Fragen zur Singularität, zur Beziehung von Objekt und Raum sowie zur künstlerisch-handwerklichen Fertigung im Vergleich zur industriellen Produktion.

Based on Fariba Mosleh´s book "Vienna Chinatown INvisible.

Hassan Khan

Null Object charts the collaboration between London Fieldworks (Bruce Gilchrist and Jo Joelson) and internationally celebrated artist Gustav Metzger to create a 3D sculpture from EEG readings of Metzger's brainwaves as he attempted to think about nothing.

This exhibition's title is taken from a visionary essay by the Scottish author Alexander Trocchi, published in Internationale Situationiste in January 1963. Recognising creativity as the major force of the modern economy, Trocchi urges a cultural revolt that seizes "the grids of expression and the powerhouses of the mind." The Invisible Insurrection of a Million Minds – produced by rekalde – takes this spirit of emancipation as the starting point for a presentation of artistic proposals for social transformation.

Utilizing an unconventional design layout in which imagery has been dropped in with a complete disregard for page breaks and centerfolds, this compendium quickly establishes itself as something other than a straightforward photo book.

Augustin Rebetez, born in 1986, lives and works in Mervelier (JU). Photography, drawing, video art

Mit der «Collection Cahiers d’Artistes» unterstützt die Schweizer Kulturstiftung Pro Helvetia vielversprechende Schweizer Künstlerinnen und Künstler aus dem Bereich der Visuellen Künste, die noch nicht im Besitz einer eigenen Publikation sind.

Manon Bellet, geboren 1979, lebt und arbeitet in Berlin und Basel. Zeichnung, Installation.

Contemporary dance and performance art frequently takes place on the margins of the economies of utility, exploitability and classifiability. As a cultural practice, it not only reproduces existing agency and thought and the their immanent structures and strategies of deciding, of sharing and transmission, but makes visible precisely these arrangements and obligations to the Other.

Vestoj is a forum where academia, the museum world and the fashion industry can work together and with active communication.

This fourth issue of the Fama & Fortune Bulletin, edited by Franz West, represents a key example of his explorations in artist-led publishing.

Alongside the literal form of ornament a contemporary form has emerged, which shares the ascribed characteristics of the literal ornament, but has an even more pervasive effect.

With the global pervasiveness of social deracination, cultural decimation, environmental destruction and the impoverishment of ever greater segments of the population, neo-liberal market liberalization has left an indelible mark on our social, political and economic world.

The booklet is an illustrated zine created during an artist residency in lucerne, switzerland in summer 2015.
It was exhibited at NEUBAD along with prints and original drawings

Mai Hofstad Gunnes’ artist’s book Baby Snakes Hatching. Ruins. Ruins. accompanies her exhibition in Oslo from 3 May to 17 June 2012

David Horvitz’s Sad, Depressed, People looks at a set of images circulating within stock photography collections.

Language: English

This publication, designed by Studio Manuel Raeder in close dialogue with Pedro Barateiro, is published after the exhibition Palmeiras Bravas / The Current Situation at the Museu Coleção Berardo in Lisbon from February 11 to May 24, 2015.

This book was published as a result of Philipp Messner's six-month residency at a-i-r laboratory and the exhibition 'On Gravity' in Foksal Gallery, Warsaw, Poland.

In der konzentrierten Kuratierung SCORES#1: touché, die Teil einer intensiven Auseinandersetzung mit dem Choreografischen am Tanzquartier Wien ist, beschäftigen sich KünstlerInnen und TheoretikerInnen mit den vielfältigen Schichten der Berührung.

This anthology gathers writings on art and gender in Eastern Europe, contributing almost neglected historical and contemporary aspects to present debates, thereby shedding new light on the field as a whole.

The studies of Gendering Post-Socialist Transition presented in this volume follow the economic, political, social and cultural effects and traces of system changes in the lives of women and men after 1989 in eleven countries of Central and South Eastern Europe.

Jos de Gruyter & Harald Thys’s art casts a merciless perspective on reality. Through their numerous artistic approaches—including installations, video, drawing, sculpture, performance, and photographs—