More than 400 drawings – most of them new pieces – in various media and formats make up this, the first major solo exhibition held so far of work by Azucena Vieites.

Das Künsterbuch stellt verschiedene seiner Projekte dar, die jeweils in Zusammenarbeit mit dem Leipziger Grafiker Till Gathman individuell und auf unterschiedlichem Papier gestaltet wurden. (German/English)

"This is an important book . . . [that] must be viewed as Cahun and Moore's crowning artistic achievement. . . . The feat of translation that brings Disavowals to English readers is worthy of respect and gratitude. The handsomely conceived publication advances a project of illumination that will permit Anglophones to better appreciate a figure Breton described as `one of the most curious spirits (among four or five) of our times´." (Tirza True Latimer, H-France Review)

“One comes home tired after having worked all day and finds an uncomfortable chair.”

Counter-Signals is a bi-annual journal addressing, in variable iterations, different aspects of the intersection of design, media, and politics. The first issue — Militant Print / A Form Oriented to Its Own Circulation — documents and theorizes forms of militant aesthetics in the history of self-organized print publishing, among other things.

A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.

Meet the Popular Republic of Photosynthesis; learn how thin and blurry the boundary between living and inanimate can be; read challenging reflections about our interpretation of the theory of evolution; discover how cleverly Queen Dido took advantage of the isoperimetric problem; watch gossip stars morphed into Poltergeist; download the second great selection of music compiled by Onga Boring Machines.

Counter-Signals, eine neue Zeitschrift aus Chicago

Counter-Signals, eine neue Zeitschrift aus Chicago

Die Geschichte von Schloss Buchberg bei Gars am Kamp reicht bis in das 12. Jahrhundert zurück. Seit 1979 beherbergt das Schloss zeitgenössische Kunst. Aus der Anregung Dóra Maurer, leer stehende Räume für permanente Kunstinstallationen zu nutzen, ist ein vielschichtiges Gefüge entstanden, das landschaftliche, architektonisch, geschichtliche und künstlerische bestimmte Räume einmalig ineinander verschränkt.

This book is designed to feel the strange and complex quality of the artist's sculptures, and at the same time proves the great unsuspected relation between his work and the public.

(Engl./Spanish)

The drawings engage with a corporate space of institutionalised observation and monitoring.

Günter Karl Bose´s Werk über "Die Fahne der Hochschule für Grafik und Buchkunst".

The book Public Sphere by Performance results from a two-year research project Performance and the Public that Ana Vujanović, Bojana Cvejić and Marta Popivoda carried out in 2011 and 2012, during the residency of TkH (Walking Theory) platform (Belgrade) at Les Laboratoires d’Aubervillier.

Liquid Door is a project that grew out of the aquatic experiments of Jacques Cousteau, experiments that the Italian artistic duo of Hilario Isola and Matteo Norzi (both born in Turin in 1976) took as a starting point for exploring the aquarium and the “underwater museum”.

Der Leser erfährt in diesem Buch mehr über die Funktion von Ideologie und den Abgrund des Humanen, als er sich zu erinnern wünscht.

This catalogue presents some of the most interesting characters on the north Italian art scene, focusing on the cities of Milan and Turin during the period 1958-1968, to give a rounded and extensive picture of the issues artists were working with at the time.

This publication was published on the ocassion of the solo exhibition "Constant Traveller" by Tina Gverović at BOP Gallery in Zagreb, March 2008.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream.

Clemens Marschall’s book "Avant-garde from Below: Transgressive Performance from Iggy Pop to Joe Coleman and GG Allin" is an account, through the 20th century and beyond, of a dangerous bastardisation of punk spirit and avant-garde theory.

Bruch is a nationally and internationally awarded design studio based in Graz. It develops visual design concepts and appropriate strategies for the fields of branding, editorial design, packaging and signage.

The pilot issue addresses the twin themes of Time generally and Libraries specifically, and includes texts by Angie Keefer, Rob Giampietro and David Reinfurt, and Bruce Sterling.

In dieser Anthologie untersuchen die in verschiedenen Teilen der Welt lebenden Autorinnen die gegenwärtige Situation des Feminismus.

Images by Colter Jacobsen.
Stories by Jane Bowles and Denton Welch.

A Short History of Video Art is a compilation of the fundamental contributions of artists from diverse cultural backgrounds involved in the developments of Dutch video art.

Awarded with the 'Best Dutch Book Design 2005'.

From the 1970s to the early-1990s, the discourse surrounding aesthetics largely disappeared from the study of art history, theory and cultural studies. Claims for the aesthetic value of art-works were thought of as elitist and politically regressive. The 1990s witnessed a return to aesthetics, but one that stressed the independent claims of beauty, in reaction to its perceived suppression by ethical and political imperatives.

In his book, Julian Stallabrass attempts to map the socio-political context that has given rise to artistic projects designed for the Internet and categorized today as Net.art. The practices commented on by the author began appearing as the Web was developing the hybrid form we know today. Stallabrass believes that the dissipation of the Internet’s utopian potential and its evolution toward a sphere that is increasingly dominated by commercial trade invalidate the very idea of an independent history of Net.art and its definition as a medium. Hence, Stallabrass gives equal attention to the cultural issues raised by the Internet in an advanced stage of capitalism and to artistic practices.

When Warren Fischer and Casey Spooner founded their art, music, and performance project FISCHERSPOONER in 1998 in New York, they had a mission—to make the stuffy and elitist art scene more open and accessible.

Contributors: Peter Bexte, Thomas Brandstetter, Johann Feichter, Peter Galison, Gabriele Gramelsberger, David Alan Grier, Sybille Krämer, Thomas Lange, Johannes Lenhard, Erika Mansnerus, Renate Mayntz, and Sergio Sismondo.

TEL-AVIVIS is a series of analogue portraits of young Israelis posing on the beach in Tel Aviv.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet’s eponymous joint exhibition and explores the intergenerational differences between two unique artists.

Printed in burgundy, blue and dark green versions, Issue 3 of Amc² is a commemorative visitor’s guide to London 2012.

Das Pendel, die Grube und andere Absonderlichkeiten / The pendulum, the pit and other peculiarities "Der tschechische Künstler und Trickfilmmacher

The summer of 1975 was hot. A heatwave of eighteen consecutive days singed Western Europe and turned its capitals into seething cauldrons. Ira Cohen landed on the soft tarmac of Charles de Gaulle Airport, Paris, in August - his mind still filled with the opiate clouds over Kathmandu, where he had lived since 1972 - and stepped into a wildfire of events...

"The ISEA2010 Conference Proceedings" documents the conference presentations held at ISEA2010 RUHR, 16th International Symposium on Electronic Art.

In addition to Miki Kratsman’s comprehensive archive, which documents the development of the Israeli-Palestine conflict and its consequences for the daily life of the civil population, his first solo exhibition in Europe focuses on new work that selects the Bedouin population as a central theme. The Bedouin—a minority of the Arabic minority

Publikation über Geschichte und Bedeutung der Medienkultur-Plattform Public Netbase

"Starting out from painting, Madalina Lazar reveals the valencies of collage as an alternative means of expression.

Helen Major is a non-fictional account. The adventure began in August 2008 when A. M. Szaflarski placed classified ads in The Vancouver Sun and The Province newspaper.

The urban future is a primary concern of urban planners, artists, architects, designers, activists, and myriad other practitioners who have begun to feel an urgent need to respond to the current and impending challenges of the urban environment.

Ninja Turtle Sex Museum by James Unsworth

'There is a thinking that happens in contemporary art that I believe can be productively seen as ‘non-philosophy’. The act of non-philosophy transforms the complex experience of life into something new.

Occulto Issue √-1 features stories about urine tests and work conditions; sea urchins and Magnetic Resonance Imaging; oscillations applied to neuroscience and electronic music; delirious theories about how sistematic blood transfusions can heal any mortal disease; reflections on the damages caused by scientific illiteracy in the last centuries and more more more.

The time was not ripe to settle down and get a range life, so here’s the new Occulto issue. It’s dedicated to Constants & Variables, and to our friend 3.14.

The fifth release of Occulto Magazine, Issue δ (4,66920160910299067185320382…) is dedicated to a very special topic: dreams.

Wir träumen vom endlosen Genießen und von grenzenloser Ektase. Wir wollen expandieren, fordern ewiges Wachstum und streben nach dem multiplen Orgasmus. Wir sind besessen von der Obsession "noch weiter" zu gehen und illusionieren

The artist describes different archaeological finds in short texts.

In this group exhibition, curated by Xabier Arakistain, 28 artists from the Basque Country, Spain and elsewhere in the world redefine the traditional concept of the public space.

Bringing together for the first time an extensive selection of Spencer's key letters and theoretical writings, unpublished manuscripts in the Tate Archive and important sections of his unfinished autobiography.

"Brilliant and insightful, throwing light into the murkiest corners of his art and his mind." (Financial Times)

Publication by the Van Abbemuseum in collaboration with Platform Garanti, Centre for Contemporary Art, which specifically addresses the art books by Stilinović.

This is a Facsimile of a third edition copy of Gilbert H. Grosvenor's Scenes From Every Land.

These drawings engage with a corporate space of institutional observation and monitoring. The imagery addresses the notion of the immaterial workforce,a form of contemporary work which takes place everywhere and nowhere. Hands are slowly feeling and sensing a keyboard, amouse, a screen, a chair, hair...

The two north Italian cities of Milan and Turin came to play a vital part in Italian cultural life in the 1950s and 1960s. The years between 1958 and 1968 developed into a highly dynamic period for art, design, architecture and film, in the wake of Italy’s economic boom, which was commonly referred to as an economic miracle.

"Liverpool, Marseille, Naples,Istanbul - great cities, historic cities, difficult cities, colourful cities, cities with secrets - truly, four cities on the edge." (Sir Bob Scott)

The main question we raise with this book is how performance can be political in present day European representative democracy, a system which no longer draws on the live gathering of people.

Eleven students from the Werkplaats Typografie asked an equal number of Dutch graphic designers to join forces with them during their work period in the Chaumont Graphic Arts Festival (2006, F).
language: english, french

Social Housing—Housing the Social: Art, Property and Spatial Justice examines ongoing transformations in social housing and asks how these transformations are reflected in the aspirations and practices of artists.

The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. (Quelle: Verlag)

Since the beginning of the 2000's, Jacques André has developed a conceptual art practice that questions our consumption habits and our relationship to material goods and ownership. To this end, he has adopted ways of working that do not follow traditional artistic practices.

Every item on the List is a transcript of a part of Kasper Andreasen‘s ongoing work Proofs. Since 2004, he collects sheets of paper: receipts, newspaper articles, packaging, tickets and other written traces which he is confronted with on a daily basis.