Within the last decades, art from Turkey and artists with a Turkish (migrational) background have become highly visible in the contemporary art scene. This book offers an insight to this production with texts by

Erstmals werden die gesamten Arbeiten des Künstlerduos UBERMORGEN.COM – lizvlx und Hans Bernhard – in einer gedruckten Werkschau gezeigt und einer kritischen Betrachtung unterworfen.

Die Publikation bildet einen status quo Kateřina Šedás Arbeit an diesem Langzeitprojekt ab. I Am Trying To Steal It Back verbindet Erwägungen und Vorhaben, Rückschauen und Resultate, die im Laufe von Šedás Auseinandersetzung mit dem Ort Nošovice sowie seinen Bewohnern entstanden sind.

From a refugee camp to a working-class neighbourhood in small town Kollum, The Netherlands. Hamida from Somalia exchanged her mud hut for a three storey row house and can now send her children to school and learn how to read and write herself for the first time. But she has also been subject to racism and incomprehension.

In India, the joint family is a sacred institution deeply rooted in Hindu heritage. New lifestyles and social codes pose a growing challenge to traditional values and established roles and rites. But what still remains is the idea of Family Comes First even in a fast-growing city like Bengalore.

"Album" was published alongside the eponymously titled exhibtion at De Hallen Haarlem, 13 Septmeber - 23 November 2008.

A Biopolitical Inquiry analyzes modern and contemporary art’s drive to blur with life, and how this is connected to the democratic state’s biologized control of life.

Bears--stocky, hairy gay men--have moved from the margins of gay culture to the mainstream. This volume presents Bear-centric work by 30 international illustrators, photographers, designers and artists from around the world, including Walter Van Beirendonck, Costello Tagliapietra, Jean-Charles de Castelbajac, Franko B. and Nayland Blake.

"After all, each piece of music once upon a time was the newest music on earth."

The Chap takes a wry look at the modern world through the steamed-up monocle of a more refined age, occasionally getting its sock suspenders into a twist at the unspeakable vulgarity of the twenty-first century.

The Laundry Room is a project curated by Maiko Tsutsumi & Eduardo Padilha (BalinHouseProjects).

Moyra Davey’s practice of photography is closely connected to the history and the experience of reading. In The Wet and the Dry, autobiography and considerations on the medium mixes with the lives of Goethe, Mary Wollstonecraft and the Shelleys. This text was also the basis for Davey’s acclaimed video work The Goddesses.

"The 'Z'-Boats" began on July 30 2007 in Aggsbach Markt, Austria, on the bank of the river. In the course of a ten week boat trip to Ruse, Bulgaria, I built a sculpture based on a simple, swimming frame construction together with Eva Grumeth and two alternating guests.

Im Mittelpunkt der Ausstellung stehen nicht medieorientiere, nach Ländern ausgerichtete, den aktuellen Stand traditioneller Bildgattungen untersuchende, nach tilistischen Veränderungen fragende oder thematisch eng umrissene Projekte. Im Mittelpunkt steht die Haltung.

An attempt to rethink, analyse, debate, but most of all, celebrate Christoph Schlingensief´s work.

"Dove viviamo" is the result of the first stage of a long-term project realised by Cesare Fabbri and Silvia Loddo. Young artists are invited to work on photographic campaigns on Ravenna and its suburbs, in order to document the daily life and the transformation of the town.

The exhibition is based on The Projective Cast, a book published in 1995 by architectural historian Robin Evans that defines a new way to explain how we "see" architecture by incorporating all sensations that underpin the human experience of built structures (mental, physical, and emotional).

This libretto is part of an installation by Eric Baudelaire titled "The Anabasis of May and Fusako Shigenobu, Masao, Adachi and 27 Years without images".

240 Houses in 16 settlements, built in Nazi Germany between 1933 and 1945, photographed by Van der Weijde in the spring of 2008

The snapshots are quick poetic communiqués, a visual report on Felix's outlook at particular moments in time, small gestures of hope, pleasure, and desire.

American artist Kay Rosen has been exploring the possibilities of words as images for over 25 years. She delights in the small shift; the subtle change that subverts meaning and reveals the unexpected.

With: Giorgio Agamben, Mikhail Bakhtin, Roland Barthes, Walter Benjamin, Homi K. Bhabha, Judith Butler, Gilles Deleuze & Felix Guattari, Jacques Derrida, Frantz Fanon, Michel Foucault, Francoise Frontisi-Ducroux, René Girard, Philippe-Alain Michaud, Fernando Pessoa, Peggy Phelan, Beatriz Preciado, Joan Riviere, Dieter Roelstraete, Suely Rolnik, Peter Stallybrass & Allon White, Michael Taussig.

Spells is the first collection of Irena Haiduk’s writing, gathering her texts and limited-edition publications since 2007.

The Re-print project is a curated series that reintroduces out-of-print artist publications to a contemporary audience. The series also exploits the character of the reprints to insert interventions in public archives: introducing material that was never legally deposited, or reinserting previously archived publications in the form of mediated replications, thereby indexing the originals.

In “Vasarely Go Home” Andreas Fogarasi investigates a double event that took place in Budapest on October 18th, 1969. Opening that day, Victor Vasarely, the internationally renowned artist of Hungarian origin, had a large retrospective exhibition at the Mücsarnok/Kunsthalle in Budapest.

Implicasphere is an occasional mini-publication that seeks to unearth and revive compelling, illuminating and curious ideas in the form of image and text fragments taken unadulterated from fields as diverse as folk craft, nuclear physics, metaphysical poetry, pulp novels, linguistics, criminology, film noir and astrology. Each issue takes the form of a single printed broadsheet and has as its theme an everyday word that seems direct and concrete: mice, string, the nose.

Implicasphere is an occasional mini-publication that seeks to unearth and revive compelling, illuminating and curious ideas in the form of image and text fragments taken unadulterated from fields as diverse as folk craft, nuclear physics, metaphysical poetry, pulp novels, linguistics, criminology, film noir and astrology. Each issue takes the form of a single printed broadsheet and has as its theme an everyday word that seems direct and concrete: mice, string, the nose.

This installment written by LA-based artist and writer Avigail Moss, develops as a thorough analysis of one particular book: Marianne Wex’s outstanding photo-essay Let’s Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures, from 1979.

For the past 15 years, Eijkelboom has gone on walks for two hours every day, taking surreptitious photographs of the first pattern that capture his fancy–one day, it might be “mothers and daughters shopping;” on another, “men in business suits eating lunch;” on another, “young boys in gangster rapper t-shirts;” etc.

Die Publikation dokumentiert die Arbeiten von 20 zeitgenössischen Künstlern aus Ländern wie Albanien, Bulgarien, Kasachstan, Polen, Russland, Serbien und der Ukraine aus der gleichnamigen, von Boris Groys kuratieren Ausstellung im KW Institute for Contemporary Art Berlin.

While the death of radio as a mass medium is once again being predicted as imminent, recent developments in transmission technology underline what has long been evident: radio is not about the transmission of sound, but of signal. After over a century of innovation, appropriation, and mutation, radio is now being re-invented to become what it has essentially always been - a communications space in the widest possible sense.

Shishmaref is disappearing. The village on an island off the coast of Alaska is slowly but surely being swallowed up by the sea. Global warming is causing the island's protective permafrost layer to melt.

With texts by Denis Hollier, Mark Wigley, Rosalind Krauss, Sabeth Buchmann, Sebastian Egenhofer, Helmut Draxler, Manuel DeLanda, and Johannes Porsch. This books offers an insight to the exhibition Transitory Objects, (July 3 - October 31, 2009) at Thyssen-Bornemisza Art Contemporary, Vienna.

A short piece of fiction by the Amsterdam-based graphic designer and writer Louis Lüthi, "Infant A" follows famous book artist Ulises Carrión as he walks on the High Line in Chelsea, discussing a book simply titled “A.”

"It begins with a color slide and a fast print. An image of sky, no location. Then the scan on the screen. Then, chasing traces that flit across the picture, noise, dust and scratches, artifacts—zoom. There are multiple possibilities to continue from here. Along the way you may want to consider the following few: ..."

This project started with a deck of wrestling cards and a survey about the wrestler's body image.

Begleitheft zur gleichnamigen Show in der Matthew Marks Gallery, 2014.

A small publication without a predetermined brief. "DESIGN: AN INTRODUCTION" attempts to archive informal modes and references of nOffice's design production: archive, inventory, retrieval, obsessions, limits—the publication as design method.

Fowre #1 includes a 60-minute audio supplement of beautiful rare and early synth music on cassette tape, curated by Leo from Vermont, and is accompanied by this free synth playlistcurated by editor Andrew Siskind.

A selection of works from 2009 to 2012 over various pages of the original title Missiles of the World, 1972.

Lisl Ponger beschäftigt sich seit vielen Jahren mit der Konstruiertheit von (kultureller) Identität, den – oft stereotypen – Vorstellungen und Wahrnehmungen des „Anderen“ und damit verbundenen Fragen bildlicher Repräsentation.

"A Circular" contains 16 stories from different authors. Some of the stories contain pictures, photographs and graphics.

Als der Belgrader Künstler Uros Djuric im Herbst 2001 die Räumlichkeiten von betrat und eine Menge bekannter Gesichter aus den Kunstszenen Südosteuropas erblickte tätigte er spontan den Ausspruch: »You are the Balkan Consulate!« Ein Jahr später wurde dann tatsächlich das »Balkan Konsulat« im eröffnet. Doch dieses Konsulat agierte nicht im diplomatischen Sinne, sondern war als Ausstellungsprojekt angelegt, im Rahmen dessen KuratorInnen aus sechs Städten eingeladen waren, Präsentationen relevanter künstlerischer Positionen in Hinblick auf ihre Städte zu entwickeln. 2003 war Graz Kulturhauptstadt Europas.

Josef Straus experimentelle künstlerische Praxis entwickelt sich aus dem geschriebenen Wort. In seinen Installationen schafft er vielfältige Verbindungen zwischen Text und Objekt. Die Texte selbst sind dabei zum einen durch das typografische Spiel mit Text und Leerstellen gekennzeichnet, zum anderen durch Straus spezifischen Schreibstil, der schnell und spielerisch seinem Bewusstseinsstrom folgt. Zwischen dem Bedeutenden und Bedeutungslosen changierend, verbindet er alltägliche Geschichten urbaner Szenen mit persönlichen Blickwinkeln und literarischen Motiven.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists:

This is the first monograph on the artist, edited and by artist Harrell Fletcher, with a discussion between Fletcher and White Columns director Matthew Higgs, and an introduction by Patterson-Carver

In the exhibition Peterson Kamwathi shows current drawings, woodcarving and graffiti, negotiating the historical, social and psychological mechanisms of conditioning and manipulation not only in his own society.

This Book was published on the occation of the exhibition at Kunsthalle Basel, Prisoners of Shothik.

Influenced by friend and musician Robert Alfons (Trust), Seth Fluker’s version of Dressed for Space is a study of sound through figurative and abstract imagery.

This book offers a first report on the activities of the Cercle d’art des travailleurs de plantation congolaise (CATPC), an association based in Lusanga, in the Democratic Republic of Congo.

Edited by Bruce Hainley, Commie Pinko Guy is the first European monograph devoted to the photo-based work of artist Larry Johnson (born 1959, Long Beach, California).

This publication features a letter that Alexander Berkman wrote to Emma Goldman in 1917 when he was being held in Tombs Prison.

Please Be Here Now was the first in a series of laboratory-pieces consisting of exposed inhabitations. They form the settings for live, embodied discourses on different aspects of our way of being in the world.

This text sheds light on the conflict between Israel and Lebanon, and the complexity of its recent history, of drafting borders, mobility of individuals, and the concept of “the Enemy,” while simultaneously questioning what it means to be a documentary filmmaker today

(English) Amalgam is a free quarterly magazine, published in Vienna.

Published on the occasion of the exhibition "Coca-colonized" at the Galerie Hilger BrotKunsthalle.

The contributors to Experience, Memory, Re-enactment employ reconstructions and re-enactments to explore how experience and memory are simultaneously culturally constructed and personally lived. (Engl.)

1/2 is a biannual original self-published hand-made zine.

1/2 is a biannual original self-published hand-made zine.

I found a cafe named Downey’s in Amersfoort which is run by a family and their son Arjan with Down syndrome. There are several Down syndrome people working in the cafe as well as volunteers who support them. However the Down syndrome people have to pay for their labour to the cafe, which in return supplies them with a form of traineeship.