1818 First edition of Mary Shelley’s classic: Frankenstein
2018 Frankenstein gone mad: the many horrifying uses of technology, such as Web 2.0 that encourages you to give your time and personal information up to faceless IT companies or worse…

Bird guide I and II, is a collection of texts from classical mythology related to concrete bird species, which the artist's aunt, a professor of ornithology Zora Feriancová Masárová, helped to identify.

The primer is divided into three parts: Liberal Education with essays establishing the centrality of enlightenment thinking, and the moral virtue of education and tradition.

„To be a poet is to be a visitor on a distant shore until one dies.“ Halldór Laxness

There is no offline space. Or at least the experience of the Internet so deeply affects media users today that it influences their perspectives of the world outside the Web.

The wider project of perpetually wry Swiss artist Florian Graf, FG Artist Service Group has manifested as an installation, extended performance and book project.

UKRAINIANCOLDWARNEGATIVES is based on anonymous black and white negatives, discovered in 2010 by photographer Burkhard von Harder on the former territory of the UDSSR.

Choreo-graphic Figures: Deviations from the Line
is an interdisciplinary research collaboration involving artist Nikolaus Gansterer (AT), choreographer Mariella Greil (AT) and art-writer Emma Cocker (UK) in dialogue with a team of international critical interlocutors including Alex Arteaga (ES/D), Lilia Mestre (PT/BE) and Christine de Smedt (BE).

Invisible Beauty,” the title of this book and of the Iraqi Pavilion at the 56th Venice Biennale, refers both to the unusual or unexpected subjects in the featured works and to the inevitable invisibility of Iraqi artists on the international stage.

This manual, which includes texts, interviews and artwork from five decades of practice, is intended as a tool for any artist or practitioner looking to find a meaningful relationship with contemporary society.

The constellations of footnoted ads throughout these pages retell the story of American Psycho in absence of the original text.

Language: English

A book published by Traumawien containing almost a decade of Mez Breeze's "Mezangelle" writings. Mezangelle is a hand-crafted text with the aesthetics of computer code or protocols.

Cao Fei zählt zu den interessantesten chinesischen KünstlerInnen der Gegenwart. Ihre Arbeitsweise ist durch ungewöhnliche Innovations- und Experimentierfreude gekennzeichnet, was sich in der Vielgestaltigkeit ihres Werks widerspiegelt.

For over a month I traveled through Sardinia, exploring its towns and villages to learn more about one of the oldest traditions on the island and in the Mediterranean basin: textiles.

The publication series The Shadowfiles aims to make the undercurrent of (hidden) ideas and desires, thoughts and texts, which for de Appel functions like a permanent source of energy, accessible.

What?! A free zine?! oh hahaha, no, thats just the title.

Die Ausstellung Break it / Fix it ist die erste Zusammenarbeit von Monica Bonvicini und Sam Durant und reflektiert deren gemeinsames Interesse an Architektur und Kunst seit ihrer Bekanntschaft im Jahr 1991. Monica Bonvicini untersucht in ihren Videoarbeiten und Installationen das Geschlechterverhältnis und die Macht-Parameter von Architektur auf politischer, sozialer und historischer Ebene. Sam Durant setzt sich mit Populärkultur auseinander und legt in seinen Arbeiten besonderes Gewicht auf die historische Rezeption von Architektur.

In 1952 the 24-year-old Yves Klein left Paris for Japan, to pursue his first love; not art but judo.

In this book the artist has taken two separate stories and interwoven them.

Ulay/ What Is This Thing Called Polaroid verkent de bijzondere kwaliteiten van Polaroid-fotografie en de rol die dit medium speelt in het werk van de kunstenaar Ulay.

n a book, how to share the sensitive and private dimension of such a subjective experience of nature with the reader?

This publication shows the works of Frederick Charles Herko.

A new zine created during a residency at Open Studio.

“A Metaphysical Interior” is the title of the book that was published on a proposal from Luca Lo Pinto during the exhibition “D’après Giorgio”, which was held at the Fondazione Giorgio e Isa de Chirico from 27th January 2012 to 27th January 2013.

Loft P is a full scale experiment in architecture theory and practice.

The 6th installment of the Social Life of the Book series is a section of the catalogue of publications from english conceptual artist Helen Chadwick’s personal library, reproduced by Will Holder …for Single Mothers. The library was acquired in 2006 and is held by The Henry Moore Institute Archive, Leeds, UK.
The Social Life of the Book is a collaboration between castillo/corrales, the EBABX – School of Higher Education in the Arts of Bordeaux (F), the Gerrit Rietveld Academie (NL), Amsterdam, San Serriffe, Amsterdam (NL), with the support of the Centre national des arts plastiques (aide à l’édition), ministère de la Culture et de la Communication (F).

Ubiscribe is a book on on-line and off-line publishing. The first issue of this experimentally composed and edited book contains essays, project descriptions, links, practice instances and anecdotes on personal publishing through the Internet and new media.

Weisbecker's art consist of depicting elements of our daily life untouched by the sometime devastating effects of fashion's changing mood. Greenhouses were created for the purpose of preserving an inner world from the outside world they haven't changed much over time.

Einstein is emerging ever more clearly as one of the most representative and complex figures in the commitments of European artists and intellectuals between the First World War, revolution, avant-garde art, the Spanish Civil War and National Socialism.

"ETIOLATION I is the first result/residue - what is left after deeply cleasing his mind/studio space from the inside. Most of the content of this fullcolourful art publication will/can not be found or displayed outside this custom created condition."

Espaco Aberto/Espaco Fechado (Open Space/Closed Space) explores Brazilian Modernism - its new and old centres, its new and old generations, its arriving and departing artists and the importance of sculpture in official spaces and in unofficial interventions.

Within the last decades, art from Turkey and artists with a Turkish (migrational) background have become highly visible in the contemporary art scene. This book offers an insight to this production with texts by

This publication presents the first comprehensive survey of the works of the artist duo UBERMORGEN.COM (lizvlx and Hans Bernhard).

Die Publikation bildet einen status quo Kateřina Šedás Arbeit an diesem Langzeitprojekt ab. I Am Trying To Steal It Back verbindet Erwägungen und Vorhaben, Rückschauen und Resultate, die im Laufe von Šedás Auseinandersetzung mit dem Ort Nošovice sowie seinen Bewohnern entstanden sind.

From a refugee camp to a working-class neighbourhood in small town Kollum, The Netherlands. Hamida from Somalia exchanged her mud hut for a three storey row house and can now send her children to school and learn how to read and write herself for the first time. But she has also been subject to racism and incomprehension.

In India, the joint family is a sacred institution deeply rooted in Hindu heritage. New lifestyles and social codes pose a growing challenge to traditional values and established roles and rites. But what still remains is the idea of Family Comes First even in a fast-growing city like Bengalore.

"Album" was published alongside the eponymously titled exhibtion at De Hallen Haarlem, 13 Septmeber - 23 November 2008.

A Biopolitical Inquiry analyzes modern and contemporary art’s drive to blur with life, and how this is connected to the democratic state’s biologized control of life.

Bears--stocky, hairy gay men--have moved from the margins of gay culture to the mainstream. This volume presents Bear-centric work by 30 international illustrators, photographers, designers and artists from around the world, including Walter Van Beirendonck, Costello Tagliapietra, Jean-Charles de Castelbajac, Franko B. and Nayland Blake.

"After all, each piece of music once upon a time was the newest music on earth."

The Chap takes a wry look at the modern world through the steamed-up monocle of a more refined age, occasionally getting its sock suspenders into a twist at the unspeakable vulgarity of the twenty-first century.

The Laundry Room is a project curated by Maiko Tsutsumi & Eduardo Padilha (BalinHouseProjects).

Moyra Davey’s practice of photography is closely connected to the history and the experience of reading. In The Wet and the Dry, autobiography and considerations on the medium mixes with the lives of Goethe, Mary Wollstonecraft and the Shelleys. This text was also the basis for Davey’s acclaimed video work The Goddesses.

"The 'Z'-Boats" began on July 30 2007 in Aggsbach Markt, Austria, on the bank of the river. In the course of a ten week boat trip to Ruse, Bulgaria, I built a sculpture based on a simple, swimming frame construction together with Eva Grumeth and two alternating guests.

Im Mittelpunkt der Ausstellung stehen nicht medieorientiere, nach Ländern ausgerichtete, den aktuellen Stand traditioneller Bildgattungen untersuchende, nach tilistischen Veränderungen fragende oder thematisch eng umrissene Projekte. Im Mittelpunkt steht die Haltung.

An attempt to rethink, analyse, debate, but most of all, celebrate Christoph Schlingensief´s work.

"Dove viviamo" is the result of the first stage of a long-term project realised by Cesare Fabbri and Silvia Loddo. Young artists are invited to work on photographic campaigns on Ravenna and its suburbs, in order to document the daily life and the transformation of the town.

The exhibition is based on The Projective Cast, a book published in 1995 by architectural historian Robin Evans that defines a new way to explain how we "see" architecture by incorporating all sensations that underpin the human experience of built structures (mental, physical, and emotional).

This libretto is part of an installation by Eric Baudelaire titled "The Anabasis of May and Fusako Shigenobu, Masao, Adachi and 27 Years without images".

240 Houses in 16 settlements, built in Nazi Germany between 1933 and 1945, photographed by Van der Weijde in the spring of 2008

A Selection of Snapshots Taken by Felix Gonzalez-Torres brings together private photographs that resist the conventions of both documentary and artistic authorship.

American artist Kay Rosen has been exploring the possibilities of words as images for over 25 years. She delights in the small shift; the subtle change that subverts meaning and reveals the unexpected.

With: Giorgio Agamben, Mikhail Bakhtin, Roland Barthes, Walter Benjamin, Homi K. Bhabha, Judith Butler, Gilles Deleuze & Felix Guattari, Jacques Derrida, Frantz Fanon, Michel Foucault, Francoise Frontisi-Ducroux, René Girard, Philippe-Alain Michaud, Fernando Pessoa, Peggy Phelan, Beatriz Preciado, Joan Riviere, Dieter Roelstraete, Suely Rolnik, Peter Stallybrass & Allon White, Michael Taussig.

Spells is the first collection of Irena Haiduk’s writing, gathering her texts and limited-edition publications since 2007.

The Re-print project is a curated series that reintroduces out-of-print artist publications to a contemporary audience. The series also exploits the character of the reprints to insert interventions in public archives: introducing material that was never legally deposited, or reinserting previously archived publications in the form of mediated replications, thereby indexing the originals.

In “Vasarely Go Home” Andreas Fogarasi investigates a double event that took place in Budapest on October 18th, 1969. Opening that day, Victor Vasarely, the internationally renowned artist of Hungarian origin, had a large retrospective exhibition at the Mücsarnok/Kunsthalle in Budapest.

Implicasphere is an occasional mini-publication that seeks to unearth and revive compelling, illuminating and curious ideas in the form of image and text fragments taken unadulterated from fields as diverse as folk craft, nuclear physics, metaphysical poetry, pulp novels, linguistics, criminology, film noir and astrology. Each issue takes the form of a single printed broadsheet and has as its theme an everyday word that seems direct and concrete: mice, string, the nose.

Implicasphere is an occasional mini-publication that seeks to unearth and revive compelling, illuminating and curious ideas in the form of image and text fragments taken unadulterated from fields as diverse as folk craft, nuclear physics, metaphysical poetry, pulp novels, linguistics, criminology, film noir and astrology. Each issue takes the form of a single printed broadsheet and has as its theme an everyday word that seems direct and concrete: mice, string, the nose.

This installment written by LA-based artist and writer Avigail Moss, develops as a thorough analysis of one particular book: Marianne Wex’s outstanding photo-essay Let’s Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures, from 1979.

For the past 15 years, Eijkelboom has gone on walks for two hours every day, taking surreptitious photographs of the first pattern that capture his fancy–one day, it might be “mothers and daughters shopping;” on another, “men in business suits eating lunch;” on another, “young boys in gangster rapper t-shirts;” etc.