Sophie Bueno-Boutelliers skulpturale und installative Arbeiten zeichnen sich durch den sensiblen Umgang mit Materialien aus, die in ungewöhnlicher Kombination unmittelbare Wirkung entfalten.

TOTEM UND TABOO thematisiert die Abgrenzungs- und Übertragungsprobleme, die in den Verhältnissen zwischen Kunst und Design diskret Verwirrung stiften.

Can Altay is known for his creative experiments that are built around the concept of space and scale in ways that are not commonly explored in the Turkish art scene. Along with his internationally acknowledged works on the “minibar” phenomena and Turkey's urban paper gatherers, this publication includes works that question the nature of art galleries and the place of art in city life (english/turkish)

If the metaphor of the journey has long been used to describe history, what would it mean to insist that history is a journey taken on foot, such that each stop at a monument to a statesman or war hero also became the opportunity to wander off the given path? This is the implicit challenge posed to our notions of history by the Argentine artist Eduardo Molinari in his book The Unreal, Silver-Plated Book / El Libro Plateado y Real.1 The Unreal Book is among a collection of books Molinari has authored under the aegis of El Archivo Caminante (The Walking Archive).

Sprachen: Englisch und Spanisch
(Quelle: http://hemisphericinstitute.org/hemi/es/e-misferica-91/floressternad)

e-flux video rental (EVR) is a project by Anton Vidokle and Julieta Aranda, comprised of a free video rental store, a public screening room, and a film and video archive.

The magazine is created by and for queer nerds who feel outside the mainstreaming of queer culture. It covers the ordinary lives and interests of queers, because the ordinary is often quite interesting.

This CAG publication was designed by participating artist collective Dexter Sinister, printed by Fillip, and edited by Jenifer Papararo.

Fanzine concerned with US politics, 2012

The magazine is about and for queer nerds who feel outside the mainstreaming of queer culture. The publication covers the ordinary lives and interests of queers, because the ordinary is often quite interesting.

Published by the British Council on the occasion of the exhibition 'Jeremy Deller. English Magic', British Pavilion, 55th International Art Exhibition - la Biennale di Venezia, 1 June - 24 November 2013.

(Englisch)

The current economic situation and society's low confidence in its institutions demands that artists become more imaginative in their self-organization.

This third title in the Exhibition Histories series examines the numbers shows and follows Lippard's trajectory as critique and curator, tracing her growing political engagement and involvement with feminism.

The second book in Afterall's Exhibition Histories series focuses on the third edition of the Bienal de La Habana, which took place in 1989.

Occupation Culture is the story of a journey through the world of recent political squatting in Europe, told by a veteran of the 1970s and ‘80s New York punk art scene.

From handmade fanzines and print-on-demand newsletters to magazines and student journals, ARCHIZINES celebrate the recent resurgence of alternative and independent architectural publishing.

Initiated by a series of events and discussions during the exhibition ‘Gest’ — at the Stanley Picker Gallery, Kingston University, this book Gest: Laboratory of Synthesis, includes a range of essays and interviews bringing together philosophers, artists, theorists and critics to discuss new approaches to art writing.

Lara Favaretto (born Treviso, Italy, 1973) lives and works in Turin. Her works have been featured in the Sydney, Sharjah and Venice Biennials, the Torino Triennial, and exhibited in Castello di Rivoli, MOCA Los Angeles, and Palais de Tokyo, Paris.

Citizen Culture explores the intersection of art and politics and doubles as a platform for open dialogue and engagement.

Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night.

This book extends from Megan Francis Sullivan’s 2016 exhibition at Kunsthalle Bern, titled ‘The Unanswered Question’.

This leaflet is from the Impractical Labor In Service of the Speculative Arts (ILSSA), which is a Membership organization for those who use obsolete Technology in conceptual or experimental ways.

Dieses Zine wurde mit einem Risograph gedruckt.

Cooperatives, sharing communities, co-housing – the collective is in high demand. At the end of the 1920s the Bauhaus took a keen interest in addressing questions surrounding the relationship between society and design, between individual and collaborative creation and production.

The book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends.

It is widely assumed that everyone is ‘interdisciplinary’ nowadays, that we all work at the intersections of conventional disciplines. But if being flexible, multi-skilled and polymathic are the prerequisites of survival in today’s world, why do educators and art marketeers still find it imperative to maintain conditions of production that advocate specialist outcomes?

Great Bear Pamphlet
Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

In a world of constant movement and change, what remains of the life of an object? As we pick it up, leave it, move it, transfer it, into new realms and other worlds. Art objects become part of this cyclic motion of our contemporary life.

The writing of artist Padraig Robinson takes the form of essays published in pamphlets, newspapers, books, and films, investigating overlooked aspects of queer history and visual culture.

b o r n is a book about nudity and silence.
A collection of spontaneous photos of skin as nature, empty spaces and light.
A nonchalant chronicle of texts that document a life, a young perspective on actuality.

The 1998 Bienal de São Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of post-colonial globalisation.

Co-published with Zachęta National Gallery of Art, Warsaw.

At the core of this publication is a 16mm film sequence by Mathias Poledna, portraying a fictional band during rehearsal. Rather than documenting reality, the film meticulously stages a moment that exemplifies the ephemeral aesthetics of late 20th-century popular culture.

What makes crime stories fascinating is that the divisions between the criminal, the victims, and the audience are constantly blurred: we are all potential victims and could perhaps become criminals ourselves.

This hardcover book presents the work of the artist Monica Bonvicini.

The seven most exciting hours… is an adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describes seven hours in the life of Tibor Klaus Trier—Lars von Trier’s father—from the moment that his wife goes into labor early in the morning until Lars is born.

This volume covers Designing Content, a workshop that took place in Skopje, Macedonia, with 20 participants from the new generation of artists, designers, magazine editors, curators and architects working in Albania, Bosnia and Herzegovina, Bulgaria, Kosovo, Macedonia, Montenegro, Poland, Romania, Serbia, Slovenia and Ukraine.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) which uses multicolored, and shifting type-faces to help realize his idea.

For those who would seek to influence others, the dissemination of ideas is
paramount. Similarly, for those holding ambition to secrete knowledge for reasons of authority, or to protect the fruits of intellectual labour for reasons of profit or ethical concern, distribution is key. Certainly before, but more importantly since the Gutenberg Bible, the predicament of the power of knowledge has lain not with its generation but with the control of its dispersion.

"This publications appaered on the occasion of the exhibtion FACING : KOREA, 4 exhibitions of Korean contemporary art. These exhibitions are part of the culturaö activities commemoraarting the arrival of Hendrik Hamel in Korea 300 years ago, which symbolizes the beginning of the korea-Netherlands realations." (Colophon)

Bashir has worked with photography since the beginning of his practice, constantly pushing the limits of this medium. The performative fictional photographs he takes are composed of occasionally autobiographic and absurd synergies, which are in fact mostly inspired by daily life. He has in the last few years been producing a series of photographs that are shaped under a shared concept and format. He creates photographic fictional compositions originating from the new capitalist life formed in his ex-socialist country in 1991. The first of these is the 'Panoramas' series which he produced in his hometown Karaçayevsk. And the more recent, is a collection of fictionassemblage panoramas that he displayed in his first solo exhibition in Gallery Nev, Istanbul in April 2009.

The art project "Organization of Society - Organization of the Mountain" has been realized in three different locations.
The first part of the project was held in July in the southern part of the Velebit mountains, Croatia; the second part was held in August in the Seetaler Alps, Austria; and the third part was held in September in the Black Mountains in Glamorgan, South Wales.

'Alex Morrison: Phantoms of a Utopian Will / Like Most Follies, More Than a Joke and More Than a Whim' is a collaborative endeavor between SFU Gallery and the Burnaby Art Gallery.
This catalogue includes a curatorial introduction, an interview with the artist by Denise Ryner and a commissioned text by Andrew Bernardini.

Catalogue of the exhibition of ‚Roma Publications‘ at Fondazione Giuliani in Rome, from October until December 2014.

In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun.

ublished to accompany an exhibition of the Whitney Museum of American Art's collection of 52 Brice Marden drawings, this book aims to show how Marden's innovative concepts began and evolved through his drawings.

The publication PENISNOW offers a selection of drawings created by the graffiti collective CAP and dedicated to the penis symbol.

Survey of all built, future and never realized projects of OMA in The Hague, presented in the form of a travel guide

The catalogue for the 8th edition of the Furla Prize

Show titles is an ongoing work by Stefan Brüggemann of titles for exhibitions. They may be used freely by others. There is no need for any authorisation, but their use must be credited to Stefan Brüggemann (Show title, #XXX by Stefan Brüggemann) at the back of the invitation.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet
Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet
Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.

The Story of Unknown Youth of Prof. Erna Furman, Prominent Child Psychoanalytic, Friedl Dicker-Brandeis’s Student and Survivor of Terezin Concentration Camp.

This publication is including a CDRom which presents the discussion between Furman and Elena Makarova in Atlanta 2002.

Im Zentrum der Arbeit des 1957 in Biel (CH) geborenen Künstlers steht die Nichtproduktion künstlerischer Objekte, sondern das Nachdenken über Strukturen, in denen er als Künstler agiert. Im Grenzbereich von Kunst, Wissenschaft und Gesellschaft siedeln seine Projekte, die als Foto-, Video- und Textarchive in Rauminstallationen präsentiert werden.

"Looking through some old stickers, I came across a fat stack of Bob Licky joints. Here it is Bob Licky, I´m with Bob Licky, Sample, not for resale, Licky Good, Consumer watchdog, Borracho, DIstilled and bottled by Bob Licky, Say it with Bob Licky, Nobody knows I´m Bob Licky."

Ion Grigorescu’s diaries from the crucial years of 1970 to 1975 are a small literary and art-historical sensation.

Madness & Civilization is a project started in 2014 by Andrea Anghileri on experimental publications in collaboration with a growing number of artists, musicians and researchers.