Pablo Pijnapples subtil erzählte Bildergeschichten sind Portraits von Freunden und Verwandten und bestehen aus gefundenem Fotomaterial und Dias.

The films compiled in this publication are related to the social and economic context of 1970’s socialist Poland, and especially the Edward Gierek-era policy of luring and bribing the public with the vision of ‘socialistic consumerism.’
(Engl./Pol.)

"I can travel and if I'm open, things can happen better, way better than that I can plan them out. When I think about what artistry is and what's the highest level of artistic human expression that I aspire to live, it's Jazz."

(Engl.)

An introduction to the work of New York artist Cory Arcangel, this publication, produced in collaboration with leading design duo Dexter Sinister, is an accompaniment to Arcangel’s installation, "A Couple Thousand Short Films About Glenn Gould".

Young, Fresh and Relevant
is a yearly open submission journal with the aim of carving a space for writing within the visual arts. YFR hopes to be accessible for a new generation of young (in their practice rather than age) artists who may never have had their writing published, as well as aiming to attract practitioners who are more familiar with the Art Writing / publishing scene. (Englisch)

Die Publikation erscheint im Rahmen eines Stipendiums von Neue Kunst in Hamburg e.V. zur Ausstellung On Site von Adnan Softic in der Galerie Mathias Güntner (11.-18. Januar 2014).

F.R.DAVID is a journal concerned with reading and writing in the arts. It has been published by de Appel, Amsterdam, since 2006 and is edited by Will Holder.

A comic zine about unwanted presents, convenient relationships and grumpy fish.
Printed with a risograph.

In cooperation with the Academy of Fine Arts and the University of Applied Arts, the Kunsthalle Wien Prize is awarded for outstanding final projects at the two universities of art in Vienna.

Zina is an ad-hoc illustration and comic anthology created by Budapest based female graphic novelists, illustrators and animation film directors.

Visual music, expanded cinema, live cinema, VJing, live audiovisual performance—these are concepts enough to create some confusion in the wide realm of today’s artistic audiovisual production.

Der Titel spielt sowohl auf den Untertagebau in den südafrikanischen Minen an, als auch auf das „Abtragen“ verschiedener Schichten und Facetten des eigenen „Selbst“. Die ausgewählten Arbeiten zeigen eine große Bandbreite an Themen und künstlerischen Strategien ...

«Das Glas ist ein Höhepunkt der Abstraktion wenn man annimmt, dass die Farbe die Leinwand wie eine Haut überzieht. Beim Glas ist das Glas − bildlich gesprochen − sowohl Leinwand, das heisst Objektträger, als auch die Haut, also das was sie überzieht oder bedeckt. Da es nichts zu bedecken gibt, wird die Oberfläche zum Inhalt, beides in EINEM.» Tony Frey (Quelle: www.periferia.ch)

Trigger is a video installation that combines eye, camera, and weapon in a psycho-physiology of combat. (Quelle:Artists website)
engl./deutsch

At the core of Daniel Hafner’s artistic practice lies a sustained inquiry into perception, mediated experience, and the shifting conditions of reality in the digital age.

A speculative, existentialist fiction on the melancholia of revolutionary politics and good intentions, Tirdad Zolghadr’s novel is composed of the logorrhea of online communication and unpublished manuscripts.

Originally published in 1972 by the Nigel Greenwood Gallery, Book as Artwork 1960/1972 was the first catalogue devoted to the then new medium of the artist’s book and it remains a canonical reference (though one that, due to its scarcity, is not as well known as it should be). (Engl.)

"Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. (Engl.)

The Secession Talks is a compilation of fifty talks and art-specific conversations between artists, critics and curators.

Miha Strukelj gehört zu den Malern der jüngeren Generation.

Die Ausstellung "when home won't let you stay" setzt ihren Schwerpunkt auf die erstaunlich verschiedenen Schattierungen von Menschlichkeit und untersucht die Bedeutung von Humanität im frühen 21. Jahrhundert.

This issue of Metronome is the result of two situations reflected under the chapter headings Magnetic Speech and Le Bâtard, and preceded by introductory texts.

Out of stock / 5 last copies

New York Conversations is a text film. Shot in a Chinatown storefront converted for this occasion into an improvised kitchen/restaurant, the film documents three days of public conversations between artists, critics, curators, and a free floating public. The talks, lunches, and dinners were organized by Rirkrit Tiravanija, Nico Dockx, and Anton Vidokle in response to an invitation by Brussels-based art journal A Prior to be the subject of their new issue. Instead of commissioning essays or producing artwork to be printed in the journal, the artists decided to rethink the structure by which an art publication is produced and to attempt to do this discursively in a public setting.

Issue VII of E.R.O.S. locks itself away behind closed doors. Its subject is the inner sanctum; the projection of the self onto the inside of the shell.

Ever since completing his “Manchester Procession” (2009), British artist Jeremy Deller (born 1966) has described his practice as “Social Surrealism”: “It’s going back to the original idea of carnival and procession, inverting reality and changing reality if only for a day or a week...”.

An audio portrait of British artist Liam Gillick, An Idea Just Out of Reach was recorded at the Hamburger Bahnhof in Berlin in February 2009, and records his thoughts on everything from his own work to larger matters of contemporary art. As a talker and an interlocutor, Gillick proved to be quick-witted and always open to new perspectives.

When the Chapman Brothers' infamous “Hell” sculpture―which featured 5,000 miniature model Nazi soldiers performing atrocities―was destroyed in a London warehouse fire in 2004, they began a modified version called “Fucking Hell.” This audio CD accompanies “Fucking Hell,” and is compiled from live recordings made in 2008.

Sarah Morris (born 1967) has explored surface as a means of investigating power, psychology and urban and bureaucratic structures through her layered artistic practice including films, paintings, drawings and site-specific installations.

1st edition sold out.

Of an obscure disaster / Mracni raspad, realised by former Theory researcher Ozren Pupovac and co-published by Jan van Eyck Academie and Bastard Editions, is the Serbo-Croatian/English translation of an essay by Alain Badiou.

Volume 1 zeigt drei Videos der russischen Gruppe PROVMYZA: „Confusion“ (2010), „Despair“ (2009) und „Fugue“ (2005).

(Englisch/Russisch)

In Volume 2 wird die rumänische Künstlerin Patricia Teodorescu vorgestellt. Ihre Arbeiten waren u.a. in der Tate Modern, der Sammlung Essl und The Kitchen (N.Y.) zu sehen. Zuletzt stellte sie in Wien im Jänner 2011 im Rahmen der Ausstellung „Statement: I Advocate Feminism“ in der Galerie ArtPoint aus.

(Untertitel Englisch)

“This book on labyrinths is wonderful! It enlarges the traditional catalog of labyrinths so much and so well, being itself labyrinthine,” remarked Jean-Luc Nancy, the French philosopher, on the German edition, published by Spector Books, ISBN 978-3-940064-82-0, in summer 2012.

Taking the idea of a place wherein all is the same as its starting point, the issue contains the journal’s broadest set of interpretations to date.

Apart from the legendary and widely extolled exceptions, humans up to this point have fed themselves like ants, mice, cats and oxen. With us, the Futurists, the first human cuisine is born

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

Fillip, REDCAT, and READ Books are pleased to announce a launch event for Hotel Theory Reader, the fourth title in Fillip’s ongoing Folio Series presenting writing by critics, artists, and curators that engages specific and recurring questions on international contemporary art.

Published with the Norwegian Research Fellowship Program at The Academy of Fine Art, Oslo. Includes a conversation between Gerard Byrne and Andreas Bunte.

Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describe art’s transformative potential in conceptual, performative, and emotional terms.

A self-published, thematic magazine that uses graphic design as a starting point to talk about other things. Issue #2, "Not What If, What If Not," looks at Mundane Science Fiction. Co-edited and published with Emmet Byrne & Jon Sueda.
(English)

A group of artists was asked to complete the sentence "The future will be..."
(Chinese/English)

Joan Sallas, a virtuoso of the fold, has meticulously researched and mastered the history and techniques of the art of the fold. With the banquet table as setting, his expertise and philosophy pour forth in the form of splendid, folded linen.

"Instead of discovering the unknown world surrounding him, it turned out easier for him to invent a new one, a world whose center were he and his imagination. Climbing up a mountain to see from above what was unfolding down below, Mircea put a mirror in front of his camera. The world around him was just the world in the reflected image, in the plans behind him." (Cosmin Costinas)

Die Anthologie stellt eine Sammlung von kurzen Texten, Konzepten Zeichnungen, Collagen und Fotografien von bildenden Künstlern_innen vor.

"Artwork vs. The work of artists" is a book that describes some of the constraints of working in the art world, and proposes case studies and ideas for collaborative artist work in other industries and communities.

An investigation into modes of artistic and political production in contemporary Europe, through an investigation of work being produced in the locus of East and West twenty years after the Mauerfall in Berlin.

“…moving closer to the artwork involves moving away from the artwork—to look closer at fringes and margins and representations, and ask what seems to me a very fundamental question: to what extent are these various exhibition conventions actually part of the art—and not merely an extension of it?”

Der sowjetische SETUN-Computer und die besondere Karriere dieses einzigen Terniär-Computers in der damaligen amerikanischen Wissenschaftspublizistik sind Gegenstand des Konzeptbuches Francis Hungers.

»It's all in the game. It's all in ›The Wire‹.« (English)

Interview between Hans Ulrich Obrist and Erró. (enlish/french)

Over the past four years, the art magazine Contemporary And (C&) has called attention to exhibitions, artists, and curators from diverse African perspectives while boosting new areas of debate. „I am built inside you“ is a compilation of eighteen pieces published since the magazine was launched in 2013.

"This collection of essays and discussions examines the role of judgment in art writing within the context of a renewed interest in the efficacy and function of contemporary art criticism." (Jeff Khonsary und Melanie O'Brian)

Was als banale Reklamation eines MacBook-Akkus beginnt, entwickelt sich zu einer überraschend persönlichen Geschichte globaler Missverständnisse.

Nosso Lar, Brasília explores the relationship between Spiritism and Modernism in Brazilian architecture.

Philippe Parreno is a catalogue that accompanies the fourth exhibition that makes up a retrospective of Parreno’s work. Starting at Kunsthalle Zürich, it has since traveled to the Centre Pompidou in Paris and the Irish Museum of Modern Art in Dublin.

Plassein is a collection of short stories, told through a series of sequential drawings that intertwine to create unsettling, dissonant dreamscapes.

The Psychopathologies of Cognitive Capitalism is an ongoing event structure composed of symposia, workshops, and publications. Our intention is to raise consciousness by disseminating information about cognitive capitalism in general and its associated discourses.

This book presents works on paper from the beginning of Schnabel's career through the early 1990s and includes a rare interview with the artist by Francesco Clemente.

This artist book presents an illustrated account of a text received by the medium Galdys Carrs during a seance in Folkestone, England, on April 30th 2011.