Of an obscure disaster / Mracni raspad, realised by former Theory researcher Ozren Pupovac and co-published by Jan van Eyck Academie and Bastard Editions, is the Serbo-Croatian/English translation of an essay by Alain Badiou.

Volume 1 zeigt drei Videos der russischen Gruppe PROVMYZA: „Confusion“ (2010), „Despair“ (2009) und „Fugue“ (2005).

(Englisch/Russisch)

In Volume 2 wird die rumänische Künstlerin Patricia Teodorescu vorgestellt. Ihre Arbeiten waren u.a. in der Tate Modern, der Sammlung Essl und The Kitchen (N.Y.) zu sehen. Zuletzt stellte sie in Wien im Jänner 2011 im Rahmen der Ausstellung „Statement: I Advocate Feminism“ in der Galerie ArtPoint aus.

(Untertitel Englisch)

“This book on labyrinths is wonderful! It enlarges the traditional catalog of labyrinths so much and so well, being itself labyrinthine,” remarked Jean-Luc Nancy, the French philosopher, on the German edition, published by Spector Books, ISBN 978-3-940064-82-0, in summer 2012.

Taking the idea of a place wherein all is the same as its starting point, the issue contains the journal’s broadest set of interpretations to date.

Apart from the legendary and widely extolled exceptions, humans up to this point have fed themselves like ants, mice, cats and oxen. With us, the Futurists, the first human cuisine is born

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

Fillip, REDCAT, and READ Books are pleased to announce a launch event for Hotel Theory Reader, the fourth title in Fillip’s ongoing Folio Series presenting writing by critics, artists, and curators that engages specific and recurring questions on international contemporary art.

Published with the Norwegian Research Fellowship Program at The Academy of Fine Art, Oslo. Includes a conversation between Gerard Byrne and Andreas Bunte.

Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describe art’s transformative potential in conceptual, performative, and emotional terms.

A self-published, thematic magazine that uses graphic design as a starting point to talk about other things. Issue #2, "Not What If, What If Not," looks at Mundane Science Fiction. Co-edited and published with Emmet Byrne & Jon Sueda.
(English)

A group of artists was asked to complete the sentence "The future will be..."
(Chinese/English)

Joan Sallas, a virtuoso of the fold, has meticulously researched and mastered the history and techniques of the art of the fold. With the banquet table as setting, his expertise and philosophy pour forth in the form of splendid, folded linen.

"Instead of discovering the unknown world surrounding him, it turned out easier for him to invent a new one, a world whose center were he and his imagination. Climbing up a mountain to see from above what was unfolding down below, Mircea put a mirror in front of his camera. The world around him was just the world in the reflected image, in the plans behind him." (Cosmin Costinas)

Die Anthologie stellt eine Sammlung von kurzen Texten, Konzepten Zeichnungen, Collagen und Fotografien von bildenden Künstlern_innen vor.

"Artwork vs. The work of artists" is a book that describes some of the constraints of working in the art world, and proposes case studies and ideas for collaborative artist work in other industries and communities.

An investigation into modes of artistic and political production in contemporary Europe, through an investigation of work being produced in the locus of East and West twenty years after the Mauerfall in Berlin.

“…moving closer to the artwork involves moving away from the artwork—to look closer at fringes and margins and representations, and ask what seems to me a very fundamental question: to what extent are these various exhibition conventions actually part of the art—and not merely an extension of it?”

»It's all in the game. It's all in ›The Wire‹.« (English)

Interview between Hans Ulrich Obrist and Erró. (enlish/french)

Over the past four years, the art magazine Contemporary And (C&) has called attention to exhibitions, artists, and curators from diverse African perspectives while boosting new areas of debate. „I am built inside you“ is a compilation of eighteen pieces published since the magazine was launched in 2013.

"This collection of essays and discussions examines the role of judgment in art writing within the context of a renewed interest in the efficacy and function of contemporary art criticism." (Jeff Khonsary und Melanie O'Brian)

Was als banale Reklamation eines MacBook-Akkus beginnt, entwickelt sich zu einer überraschend persönlichen Geschichte globaler Missverständnisse.

Nosso Lar, Brasília explores the relationship between Spiritism and Modernism in Brazilian architecture.

Philippe Parreno is a catalogue that accompanies the fourth exhibition that makes up a retrospective of Parreno’s work. Starting at Kunsthalle Zürich, it has since traveled to the Centre Pompidou in Paris and the Irish Museum of Modern Art in Dublin.

Plassein is a collection of short stories, told through a series of sequential drawings that intertwine to create unsettling, dissonant dreamscapes.

The Psychopathologies of Cognitive Capitalism is an ongoing event structure composed of symposia, workshops, and publications. Our intention is to raise consciousness by disseminating information about cognitive capitalism in general and its associated discourses.

This book presents works on paper from the beginning of Schnabel's career through the early 1990s and includes a rare interview with the artist by Francesco Clemente.

This artist book presents an illustrated account of a text received by the medium Galdys Carrs during a seance in Folkestone, England, on April 30th 2011.

The members of Communists Anonymous (COMA) share an extreme sense of empathy and justice, and therefore detest more or less any form of private property. COMA members restrain themselves from any effort to overcome capitalism before there is a new convincing model at hand of how to actually implement communism.

TRAVERSALS is based on a series of conceptual interviews with Dora Garcia, Chris Kraus, Mark von Schlegell, Charles Stankievech, and Jacob Wren originally produced for an installation in an art gallery.

X-OP – eXchange of art operators and producers is gradually growing network of artists, researchers, operators, producers and centers with the aim to establish European platform for creation of art and exchange.

Fueled by a desire to witness and record, she makes use of a language based on drawing and text, both of them stripped down to essential. She is mostly interested in documenting aspects of urbanity such as everyday street life, various social interactions and "the making-of" behind theater and visual arts productions.

Konrad Pustola's pictures of dark rooms do not make for easy viewing. They do not depict scenes that are in any way horrific, obscene, or even unpleasant, but they do confound many of the customary expectations of what a photograph should look like, and of what it should do.
(Review - Guy Lane)

Publication following Thomas Hörl’s exhibition at the Salzburger Kunstverein
(12/13/2014-02/01/2015).

Die räumlichen Vorstellungen der historischen Periode des Barock sind als aktive Strömung in der zeitgenössischen Architektur zu finden. Barock als Architektur des Erlebens, die ihre Mittel ausbreitet und sich nicht leicht ausschöpfen lässt, die das Unerwartete kultiviert und in der Überraschung ihre Freiheit gewinnt.

at the Museum of Contemporary Art, Belgrade, January 20–March 1, 2007.

Today mediation is a cultural given: an environment, a rhythm, a force. It is a modality for easy exchange, with no apparent beginnings or ultimate reason.

Everywhere animals disappear. In zoos they constitute the living monument to their own disappearance.

This book contains three documents. Each will let you enter and observe a situation I set up: in the imagination, in the memory and in reality.

Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work.

Lapdogs of the Bourgeoisie investigates the latent issue of class underlying the field of contemporary visual art. On the one hand, it raises the question of whether a given socioeconomic background still helps define your artistic career—and to which point the said career might reflect or consolidate the hierarchies in question. On the other hand, the project asks whether the traditional analytical tools at our disposal are helpful in such an examination of the art world today.

For Hegel, the very character and definition of art is anchored in the past. This is the case for many artist, including Dadaists, who declaired that art is „dead“ – that its time has passed. Even in Tristan Tzara’s New York Times obituary from December 25, 1963 the artist and poet is quoted as having declaired that „Dadaism as a movement was dead.“ obituaries!

Paul Gangloff designed this exhibition catalogue in the form of a diary for the year 2020. This diary is based on an eighteenth-century calendar from the French Revolution in which the names of animals, plants and tools replaced heroic religious feats. Gangloff distributed the artists’ specially developed contributions over specific days of the year.

Published on the occasion of the exhibition at Galerie Thaddaeus Ropac, Paris from 25 November 2011 to 7 January 2012

- signed copy

(English/French)

Sunday, June 21, 1964

“Studio—To date have again done mainly drawings. Coming along. Sometimes I feel they’re good, often I get discouraged. Staying at studio gets a little easier + more pleasant. I usually take break + come home. Tom stays.”---Eva Hesse

(English)

Fanzine, 2012

This book presents the winners of the Fernand Baudin Prize 2011 for the most beautiful books in Brussels and Wallonia.

Das Künstlerbuch enthält alle 32 Fotoarbeiten der "Polar Bear"-Serie: Fotos der ausgestopften Polarbären in meist dramatischer Situation in den Panoramen der Naturkundemuseen der Welt.

An artist pamphlet by Silvia Kolbowski that compliments the artist’s audio work of the same name commissioned by Fillip for the Living Clay Art Writing Readings series at Whitechapel, London, last Fall.

Masters of Reality brings together the first collection of texts by Steve Rushton. Second in a series of publications on contemporary art inaugurated by the Piet Zwart Institute, the book explores the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.

Alma Mathijsen is a writer and visual artist from the Netherlands.

W139 is a presentation and production space for contemporary art in the centre of Amsterdam. (Engl.)

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. (engl.)

To accompany his exhibition at the Museum of Contemporary Art Leipzig, this book presents the work of the Swiss-American graphic designer Zak Kyes. In collaboration with the curator, Barbara Steiner, the exhibition and publication bring together a range of works by Kyes, as well as works by a host of collaborators that includes architects, artists, writers, curators, editors, and graphic designers, presenting contemporary graphic design as a practice that mediates, and is mediated by, its allied disciplines.

Four solo exhibitions with Natalie Czech, Bo Christian Larsson, Saâdane Afif, and Maria Loboda, as well as a collaborative project with A Dog Republic

170MB is an accumulation of images that combines personal practice with found material.

170MB is an accumulation of images that combines personal practice with found material.

Ingo Niermann’s provocative new novel imagines a Berlin alternative to the activist occupation of public spaces in 2011.

Series Series is a series of interviews between a contemporary artist and curator Jacob Fabricius.