Die abstrakten Skulpturen des amerikanischen Künstlers Vincent Fecteau widersetzen sich einer einfachen Beschreibung.

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter, other forms of life—not only as works, but as a basic condition for being able to perceive artworks in the first place. (engl.)

This companion publication to Luke Fowler’s film of the same name features essays by architecture critic and cultural commentator Owen Hatherley and historian Tom Steele.

A project by Alfredo Jaar in homage to Pier Paolo Pasolini.

The writing and objects seen here in this book comprised part of the solo exhibition "The Making of the Means", which took place at Wiels in Bruessels during the Summer of 2009. This book is not a record of that exhibition, but rather intends to focus on representing the conversations and dialogues that were key components of this show.

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404.

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art—which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.

With essays by Franco Berardi Bifo, Keti Chukhrov, Diedrich Diederichsen, Antke Engel, Liam Gillick, Tom Holert, Lars Bang Larsen, Marion von Osten, Precarious Workers Brigade, Irit Rogoff, and Hito Steyerl

Other People Think is a project by Alfredo Jaar in homage to John Cage on the occasion of the 2012 John Cage Centennial.

Series Series is a series of interviews between a contemporary artist and curator Jacob Fabricius.

THE MUSEUM TOOK A FEW MINUTES TO COLLECT ITSELF is a new book of short stories by Joseph del Pesco. Based in Baltimore, del Pesco is a curator, writer and publisher and is the International Director of KADIST.

Series Series is a series of interviews between a contemporary artist and curator Jacob Fabricius.

Solution 196–213: United States of Palestine-Israel is an anthology of texts proposing a doable solution for the region. With contributors based in Ramallah and Tel Aviv-Jaffa, Beirut and Jerusalem, New York and Bethlehem, Nazareth and Warsaw, the book offers solutions that will make life better, and proposes ways to do it.

With contributions by Etel Adnan, Douglas Coupland, Eva Illouz, Martti Kalliala, Ben Marcus, Chus Martínez, Momus, Eva Munz, Ingo Niermann, David Pearce, Beatriz Preciado, Emily Segal, Alexander Tarakhovsky, Ignacio Vidal-Folch

The Year we have been nowhere will have two parts. This is the first one.

This book is one out of an edition of 300 copies.

Championed by Dadaists and Surrealists as the first absurdist drama, the play features a main character that is cruel, gluttonous, and grotesque—the author's metaphor for modern man.

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.

Both an artist’s book and a would-be practical guide, this beautiful volume offers occult instructions for becoming invisible by meditating on the color spectrum.

Seventy years ago, the small island nation of Lavapolis was founded.

Solution 168-185: America is the fourth book in the Solution series.

Having furnished solutions for Germany and Dubai, Ingo Niermann takes a new look at what nationhood can mean and accomplish today, finding inspiration, of all places, in North Korea.

Solution 186–195: Dubai Democracy is the fifth book in the Solution series.

In Solution 1-10: Umbauland, Ingo Niermann devises ten provokingly simple ideas which would see Germany work it out after all, including a new grammar, a new political party, assigning allotment gardens to unemployed people and retirees, and the Great Pyramid, the tallest building of the world which would serve as a democratic tomb for millions of people.

A cycle of 24 poems, in which a melanoma-ridden nose embarks on a series of whimsical adventures.

This publication is a small pocket guide into the fringes of the urban landscape. Sections like Food, Shelter, Equipment and Dangers give you a wide variety of tips and tricks based on the daily survival techniques of homeless people.
(english/dutch)

Book published on the occasion of the exhibition at the AA Gallery, London from 15 January - 9 February 2011

(English)

Das Notizbuch ist auf Umweltpapier gedruckt. INDEX in englischer Sprache!

The series of seven books, plus two copies lettered A and B, form an edition with unique variants, as each copy has nine original watercolors of completely different subjects commissioned either by Aldrovandi or by Manfredo Settala (1600-1680) for their collections of curiosities.

Mit Beiträgen aus Kultur- und Medienwissenschaften, Philosophie, Soziologie und Kunst / With essays from the fields of cultural and media studies, philosophy, sociology and art: Olaf Arndt, Günter Burkart, Kenichi Fujimoto, Dominic Johnson, Christiane Mennicke-Schwarz, Sadie Plant, Paul Feigelfeld & Jan Wenzel, Miya Yoshida.
(English/German)

Andreas Sell developed the work that is presented at Platform China. In cooperation with four other people, he collected 6,380 personal resumes of passers-by in Beijing.

Researching invasive non-native species of plant and animal life, this collaborative project documents, through drawing and text, the discovery and history of selected alien species introduced to the British Isles, and the effect on native wildlife.

In 2012 Simon Starling presented Black Drop, a film about the transit of Venus observations and their relationship to early Cinema. Predicated on the idea that the 2012 transit may be the last to be recorded on celluloid (the next transit will occur in 2117), Black Droptracks the development of the French astronomer Jules César Janssen’s innovative “photographic revolver”, a device designed to counter human error in timing the crucial moments of Venus’ contact with the edge of the sun. The device was influential in the development of the Lumiére brothers’ cinematograph.Together with a small film crew, Starling travelled to Hawaii and Tahiti to observe and film the 2012 transit of Venus, and the sites of previous observations and photo-documentation (Point Venus, Tahiti and Honolulu). The recording of the event formed the basis for the production of a film about the relationship between the transit of Venus and the history of cinema, as framed by the parenthesis formed by the 1874 and 2012 transits.

”The end of art is not the end.“ as Ad Reinhardt once said.

Das Künstlerbuch von Stefan Sulzer mit dem Titel The Day my Mother Touched Robert Ryman erzählt von einem Besuch der Dia Art Foundation in Beacon NY, bei welchem sich die Mutter des Künstlers so durch die elegante Einfachheit eines Ryman Bildes dupiert sah, dass sie in langsam und konzentrierter Art mit ihrer Hand darüber fuhr.

„Ancient Erotic“ initiates a dialogue between two works with corresponding aesthetic principles.

"how to make a delicious tea" reflects on artistic production in terms of subtle and layered processes; as well as methods of material accumulation and juxtapositions.

"how to make a delicious tea" reflects on artistic production in terms of subtle and layered processes; as well as methods of material accumulation and juxtapositions.

The Finnish artist Mikko Kuorinki interpreted Foucault`s The Order of Things literally and put all the words of the book in alphabetical order: From A to Zoophytorum.

The first English translation of a famous 1972 debate between Dutch graphic designers Wim Crouwel and Jan van Toorn.

A Brief History of the Future is a book born from a discursive collective will based around the notion of the future through a series of interviews with the participation of Basel Abbas and Ruanne Abou-Rahme, Iván Argote and Pauline Bastard, Lúa Coderch, Sonia Fernández Pan, Boris Groys, Cristina de Middel, Regina de Miguel, Raimunda Malašauskas, Agnieszka Polska and Jaron Rowan.

"Being at once a school and at the same time not a school, a workspace, the Werplaats Typografie tends to want to comment on its own distinctive form of academic pursuit ( by way of, amongst other outlets, these School Journals)." (Maxine Kopsa)

You Only YOLO Once ist ein Reisebericht von Istanbul über, Alexandroupoli, Thessaloniki, Skopje, Pristina, Belgrad und Zagreb.

Wrapped leporello inside translucent sleeve (six b/w and two color sections).

The exhibition presented in this catalogue was inspired by an unexpected incident. A tree fell on the Finnish Aalto Pavillion in 2011 an the exhibition had to be closed. What was originally an inconvenience became a source of inspiration for three curators from Finnland.

Hinter dem Titel des neuesten Buches von Matthias Herrmann „270 West 17th Street # 20c NY NY 10011“ verbirgt sich die exakte Adresse des im Herzen von Chelsea liegenden Studios, das die Republik Österreich Fotokünstler zur Verfügung stellt.

François Girard-Meunier was born in 1990 in Montréal and works in Amsterdam.

A meditation on Conrad's Heart of Darkness. Bugge is interested in aggression as both a constructive and destructive force in society. Her practice incorporates a range of different mediums, in which video often plays an important part.

This double-reared, pocket-sized zine is a soy-based ink cmyk offset print on 50% recycled fiber paper in an edition of four 69.

Made of words and exchanges, with no images, "Drawing Room Confesstions" is open to diverse practices and voices.

What if time was an illusion and past, present and future would all exist simultaneously? According to a thesis by physicist Craig Callender, it only depends on which method we use to segment continuous space-time.

Made of words and exchanges, with no images, "Drawing Room Confesstions" is open to diverse practices and voices.

Polaroid is a beautiful small-format, two-volume set: one book is themed Exterior, the other is themed Interior. This 2018 reprinted edition also comes with a new booklet, Living The Light: A Visual Essay which was created by Müller himself.

By its very nature, graphic design is primarily concerned with giving shape to ideas and information generated by others. For the last decade, Markus Weisbeck has been redefining this prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today.

Little Annie also known as Annie Anxiety, singer, writer, composer and against all odds, survivor, takes us on a crazy journey to Mexico to find something she lost in New York City - faith.

o.A.

Writing starts with an assumption.

This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt. (engl.)

This pocket-size booklet is designed by Julie Peeters and contains an insert by Matthias Schaufler.

“If there is “the world” on the opposite bank of the river,it is only adolescent youth and some madman to be going toswim across, the fucking others surely will not cross untilthe bridge is built.

Martin Arnold’s latest publication is the first comprehensive monograph to document his artistic development, focusing on the cartoon films created in recent years.