This is the fourth issue of Uncertain States / Scandinavia, a broadsheet newspaper showing lens-based art.

Architect Iris Lacoudre has been investigating the immediate context, looking for the commons within architecture, for undefined space, for non-monuments within the city of Beijing. Through the lens of common places, Paper investigates the multiple forms of inhabitation at the smallest scale, as accidents within a given structure.

Illustrating three to four spreads from each scrapbook, and including two essays: Patterns and Scraps by Alex Kitnick and Glue and Cum by Richard Hawkins.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

Published in a limited edition, Le Grand Livre accompanies the exhibitions Antigula at the Ursula Blickle Foundation, November 14 – December 14, 2004, and “Zugabe!” at the Frankurter Kunstverein, March 9 – April 17, 2005. Co-produced by the Ursula Blickle Foundation.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

Only Graphic Designers Can See-Magazine, Issue 1.

Prima del diluvio
"Quaderni" series

This book talks by pictures, music and poems about Siria before the war, as a scrapbook.

I.O.O.I.A.M.I.H. is an inexhaustive overview of the human efforts to handle the past, present and future production of information.

"More World Material: Coyote" begins with the peculiar capacity of the cartoon character Wile E. Coyote:

Despite the difficulties that can result in the lack of media in the city or the decline of print there exists a creative, sharp, conceptual and talented contemporary graphic scene.

The fifth issue of Poster Tribune is dedicated to the International Poster Festival of Lucern: Weltformat 2015. The festival organises 7 exhibitions from September 26th to October 4th.

The fourth issue of Poster Tribune is dedicated to the International Poster Festival of Lucern: Weltformat 2014. The festival organises 10 exhibitions from September 27th to October 5th.

Special issue for Weltformat Poster Festival, Luzern. 12–20 October 2013.

For this first issue, Poster Tribune looks into posters that, not content with promoting their specific event, bring a new poetic or offbeat dimension through the skilled use of détournement. The public can relate to these posters because they counter conventional images that we are used to.

Leading up to and during the 7th European Conference on African Studies (ECAS), an extensive arts and culture programme with focus on urban Africa will pervade the city of Basel. Image Afrique presents a programme that invites a rethinking of Africa through imagery.

Just because we work with our eyes does not mean our ears are unreceptive, quite the contrary, music is certainly one of our greatest inspirations. Since the dawn of time, man has produced images just as he has created music, it is certainly vital. These creations, visual or audio, are increasingly omnipresent and invasive.

The artist's book is based on four recent bodies of sculptures by Federico Pepe.

American Magazine founded by Andy Warhol and British journalist John Wilcock in 1969.

This monograph features a new body of work, which artist Ida Ekblad realized for a solo exhibition at De Vleeshal in Middelburg, The Netherlands.

Architecture, although we often don't realize it, always played a central role in our culture and life: in our homes, places of worship, offices, and shops.

This magazine shows the best books 2009.

Each drawing in the Codification of intimacy is based on a chapter, a passage or a key word that Voigt has chosen to distill from Niklas Luhmann's Love as Passion (1982).

The book is a collection of collages and drawings designed by the artist
scanned and printed on coated paper. It is a reproduction of nr. 11 plates in a sequence that ends with a photograph printed on photographic paper.

Barbara Visser is perhaps best known for her photographic series that probe the degree to which the depiction of a situation can be manufactured.

Dreaming It Yourself: Your own black & white copier to make zines in your bedroom. Doring the Night Away. Lekker doe het zelven met je eigen Kopieermachientje. Heb je toch nocg een instrument in handen als het niets wordt met je rock en roll carriere. It's the (un)believable (un)reality of owning your own means of production. Imagine your own colour printer. In the pre-e-media era publishing was a mysterious mystical process.

Reflection Center for Suspended Histories. An Attempt is one of the two national pavilions representing Romania at the 55th International Art Exhibition of La Biennale di Venezia.

First Contact is a newspaper available during the exhibition 'The Fourth Wall.' It includes texts and images from von Wedemeyer's archive, as well as new material, used to develop the ideas behind the project. (English)

Figuring it Out is an art book containing work by Gregory Betts and Gary Barwin, Adam Dickinson, Catherine Heard, Simone Jones, Richard Poplak, Alex Jansen, Jason Gilmore and Nick Marinkovich, Nadia Myre, Carrie Perreault, Aimee Margolis, Glenn Ligon, Ted Meyer, Jay Carrier, Zhang Huan, Karl Vondal, Alexandra Devitt-Lansom, Paddy Hartley.

This collection was supervised by Paul Elliman and shows the special interests of each participant.

Synopsis: Published to coincide with Lisa Anne Auerbach's 2008 exhibition at Printed Matter, this artist's book brings together the various facets of Auerbach's artistic practice, which has included zine making, co-organizing the High Desert Test Sites project, and knitting. Political, relational,

Mappamodello, by clothes designer Nanni Strada, contains the models created in 1974 for the competition “Arab-Islamic National Dress” which subsequently became a classic in the collection produced and distributed by the Milanese shop “Oriente e Cina”.

15 Years of Drawing offers a concentrated overview of Svenja Kreh’s drawing practice, presenting drawing as a continuous mode of thinking rather than a preparatory tool.

Performative interviews with artists and curators, essays on politics, performance, music and science form
the core of USELESS.

Issue of 22nd September 2013, AT&T official guide to the Brooklyn Book Festival, which took place from 16th till 22nd September 2013 at the Brooklyn Borough Hall& Plaza.

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” games.

For Wasting Time on the Internet 2.0, artists were asked to base a work on at least three hours of ‘wasting time on the internet’. Starting from common ground, each of the works reflect on different aspects of the exhibition concept.

These drawings and inscriptions photographed in this series were left by German prisoners of war, including high ranking SS officers, some of whom would be later tried at Nuremberg.

Published by Optigram, After Us is a new large-format print magazine exploring developments in science and technology, new forms and expressions in art, observations on contemporary culture, and current political thinking

september 2011

In February 2016 I was one of the many young adults, to join an international humanitarian network helping refugees stranded in Greece. I followed and worked with numerous groups, Hot Spots and organisations in the 14 months after my first trip there. Functioning as a photographer with my DSLR for charity and press occasions, I relied on an Instant Camera to capture my personal perspective on what I experienced and the connections I made whilst being there.

A text-collection of 16 text that deal with disguise, written by visual artists like Hannes Schmidt, fashion designers like Henrik Vibskov, journalists like Anne Waak, directors like Jonas Weber Herrera, musicians like Christian Naujoks or catholics like my dad.

This publication accompanies Beasts, a photographic series by Irish artist Gerard Byrne made in 2018 within the Biologiska Museet in Stockholm.

A group of Jan van Eyck researchers investigated the public spheres of Brazzaville and Kinshasa, two neighbouring capitals separated by the Congo river. The group subscribed to ‘visualizing the visible’ as a research approach and regarded Brazzaville and Kinshasa as one city: Brakin.

Drawings from 2001-2015

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.

It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

Ai Weiwei – Translocation – Transformation is a publication that accompanies an exhibition project by Ai Weiwei exploring movement, displacement, and cultural change as artistic material and social condition.

“Museum Off Museum,” the two-part exhibition at Bielefelder Kunstverein, explored the concept of the museum from an artistic and outside perspective. This book documents each of the exhibition phases and outlines all of the contributions to this substantial project.

NEW YORK POST flag profile – LEST WE FORGET ist eine konzeptuelle Intervention in das Format einer Tageszeitung.

All photographs are based on the matrix of Stephen Shores legendary 'A Road Trip Journal'. Volker Renner tried to redo all the photographs Shore did on his trip in 1973.
(Engl.)

‘Potential Monuments of Unrealised Futures’ is a folder accompanying the exhibition of the same name curated by Beyond Entropy (Jonida Turrani and Stefano Rabolli Pansera) for the Albanian Participation at 2014 Venice Architecture Biennale.

The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M – Museum Leuven which encompasses fourteen years of Mir’s career.

Mood Disorder documents the propagation of a photograph of David Horvitz across the internet.

Der aus Helsinki stammende Ethnologe und Gymnastiklehrer Maximilian Stejskal (1906-1991) hat in Zusammenhang mit seiner Doktorarbeit eine Studie verfasst zum Thema der Volkswettspiele der männlichen finnenschwedischen Landbevölkerung in Finnland zu Beginn des 20. Jahrhunderts.