Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” games.

For Wasting Time on the Internet 2.0, artists were asked to base a work on at least three hours of ‘wasting time on the internet’. Starting from common ground, each of the works reflect on different aspects of the exhibition concept.

These drawings and inscriptions photographed in this series were left by German prisoners of war, including high ranking SS officers, some of whom would be later tried at Nuremberg.

Published by Optigram, After Us is a new large-format print magazine exploring developments in science and technology, new forms and expressions in art, observations on contemporary culture, and current political thinking

september 2011

In February 2016 I was one of the many young adults, to join an international humanitarian network helping refugees stranded in Greece. I followed and worked with numerous groups, Hot Spots and organisations in the 14 months after my first trip there. Functioning as a photographer with my DSLR for charity and press occasions, I relied on an Instant Camera to capture my personal perspective on what I experienced and the connections I made whilst being there.

A text-collection of 16 text that deal with disguise, written by visual artists like Hannes Schmidt, fashion designers like Henrik Vibskov, journalists like Anne Waak, directors like Jonas Weber Herrera, musicians like Christian Naujoks or catholics like my dad.

A group of Jan van Eyck researchers investigated the public spheres of Brazzaville and Kinshasa, two neighbouring capitals separated by the Congo river. The group subscribed to ‘visualizing the visible’ as a research approach and regarded Brazzaville and Kinshasa as one city: Brakin.

Drawings from 2001-2015

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.

It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

“Museum Off Museum,” the two-part exhibition at Bielefelder Kunstverein, explored the concept of the museum from an artistic and outside perspective. This book documents each of the exhibition phases and outlines all of the contributions to this substantial project.

All photographs are based on the matrix of Stephen Shores legendary 'A Road Trip Journal'. Volker Renner tried to redo all the photographs Shore did on his trip in 1973.
(Engl.)

‘Potential Monuments of Unrealised Futures’ is a folder accompanying the exhibition of the same name curated by Beyond Entropy (Jonida Turrani and Stefano Rabolli Pansera) for the Albanian Participation at 2014 Venice Architecture Biennale.

The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M – Museum Leuven which encompasses fourteen years of Mir’s career.

Mood Disorder documents the propagation of a photograph of David Horvitz across the internet.

Der aus Helsinki stammende Ethnologe und Gymnastiklehrer Maximilian Stejskal (1906-1991) hat in Zusammenhang mit seiner Doktorarbeit eine Studie verfasst zum Thema der Volkswettspiele der männlichen finnenschwedischen Landbevölkerung in Finnland zu Beginn des 20. Jahrhunderts.

The current urban landscape in the Netherlands is more and more derived from neo-traditional architecture: complete suburbs are built in this style. The houses appear old but gleam with newness. Project developers do not sell individual houses but 'images' that look familiar and safe. Colourful artist's impressions on billboards with appealing slogans win still hesitant buyers over. Many picturesque examples from the history of Dutch architecture are nonchalantly copied and some locations could be mistaken for Disneyland. Examples from other countries are also popular; colonial houses from the southern United States and the 'Medieval' Tuscany village are most in demand.

The accompanying catalog Olafur Eliasson – BAROQUE BAROQUE examines some of the trajectories of thought raised by the encounter between Eliasson’s artworks and their temporary baroque housing: in particular, how transformations of space, perception and cognition reflect the realms of politics, technology, and the Anthropocene.

This fascinating book records the long and troubled history of the construction of the Anatomical Theatre of the Earth by the artist Camila Sposati during the 3rd Biennial of Bahia (2014). ). Placing the project in relation to earlier research and works, Stone Theatre brings out the specificity of the artist

Mots Slow will appear every year, one day before the previous issue.

Sequence of newspaper images collected by Raymond Taudin Chabot as source material for his 'men-in-suit' slow motion video works (see: www.raymondtaudinchabot.net).

In this publication trendy pragmatism coincides with the improvisation of jazz music. The result is a plan of action to constructively deal with disorder in urbanism.

Gudrun Olsen’s diploma thesis »Looking-Glass« is a subjective portrait of Vienna, which focuses on the windows of the city. Gudrun Olsen walked through Vienna from its western to its eastern outskirts along a straight line drawn across the city map. (English)

Recognisably and fearlessly designed by Metahaven and densely illustrated, this uniquely original and experimental publication offers a fresh perspective on Metahaven´s exceptional and versatile practice by offering reflections on how to understand the collectiveʼs work within a broader context, as well as by zooming in on their recent shift to moving image work.

René Daniels' work often focuses on the interface between seeing and thinking. Between what you perceive and what you think. He plays an amusing game with the seductive power of the image and the meanings our culture assigns to it.

(Engl./Dutch)

This monograph is the first to focus exclusively on Paul Sietsema's paintings and drawings. With depictions of objects that invoke a sense of history, Sietsema explores how images are made and circulated today. The book opens with a survey essay by Tim Griffin considering the central conundrum of time in the artist's work: "Sietsema outwits his epoch, perhaps, by outlasting it in execution, with his work becoming an article of the past sometimes before being seen, or recognized, in the present."

Landscape photographs are normally full of information about the location, horizon, scale, distances and perspective of the landscape. Not so with the photographs of Frank van der Salm(born in Delft in 1964).

Lingezegen is a large park between Nijmegen and Arnhem with several functions: housing, agriculture and recreation. In Summer School Lingezegen students from different disciplines addressed the identity of the park in construction, their assignment was to stretch its social and natural boundaries.

Every day FoMu is swamped with portfolios, websites, blogs and photobooks, all desperately in search of a platform: which is why FoMu has decided to create one… .tiff is a future-oriented, annual showcase of young Belgian talent.

Initiated by Swedish artist Anna Lundh, Visions of the Now is a reconsideration of the 1966 Stockholm festival Visioner av Nuet (Visions of the Present), which aimed to examine the impact of technology on humanity, society, and art; half a century later, we are immersed in the technology that was still “new” in 1966.

These magazines intend to show another way to appreciate things. The project designing “Ambiguity” and “Simplicity” magazines for Fabrica is an attempt on re-definition of beauty in our daily life.

Das Buch zielt darauf ab, neue Perspektiven wie die Wichtigkeit der Architektur, die künstlerische Forschung, genauso wie die interdisziplinäre Zusammenarbeit in Redondos Praxis darzustellen und die Resonanz seiner Arbeit in Brasilien und darüber hinaus zu beleuchten.

Parterre de Rois is a biannual magazine amalgamating erudite and popular culture.

Marginalia widmet sich den wenig beachteten Randelementen, die ein wesentlicher Bestandteil sorgfältig gestalteter Bücher sind.

Published between 1928 and 1939, along with “Opbouwen”, "L'Equerre" served as a platform for the Belgian and international avant-garde and for the theories developed by the CIAM from 1928 onwards.

First extensive publication by and about fashion designer Alexander van Slobbe. With new photographic contributions by Blommers & Schumm, Joke Robaard, and many others. Designed by Mevis & Van Deursen (winners of the Amsterdam Prize 2009)

Catalogue suggests an artist’s exhibition catalogue, but is rather a chronological compilation of auction catalogues presenting the sales of the mid-century furniture designed by Le Corbusier and Pierre Jeanneret for Chandigarh, India, featured in Amie Siegel’s multi-element film installation Provenance (2013).

Since the late 1980s, Tom Burr has been reusing appropriation strategies in his art. Not confined to his photographic and sculptural works, they also lend momentum to many of his writings.

Abstractionnism, colorful, dayglow, silkscreen… Each book is hand-printed by french-swedish artist duo Christian Gfeller and Anna Hellsgard.

The book by Karen Murillo is an art book with poetry and many illustrations of artificial sculptures and objects connected with nature.

Since 1977 John Miller has been working extensively as artist, critic and writer finding himself in a “singular position of an artist involved in both his own and other artists’ work.” Peep-Hole Sheet #02 comes out in conjunction with the opening of Miller’s solo exhibition at Kunsthalle Zürich, giving evidence to the coexistence of a parallel and coherent artistic and critical activity.

Peep-Hole Sheet is a project designed to host artists’ thoughts, theories and stories.
For this first issue Liam Gillick presents "Stories," a text that was originally intended as a speech at a conference about the roles of galleries and critics held at the Hôtel des Arts, Fondation Nationale des Arts, in Paris in September 1992.

Wham City is a picture book illustrating a poem by Italian Artist Filippo Tassinari.

The long-anticipated comprehensive monograph on the art world’s most admired designer. Roy McMakin is at once an artist, furniture designer, and architect

Over the past decade, artist Lisa Oppenheim (b. 1975, US) has steadily developed a unique body of work exploring the usage of (historical) imagery. Balanced between appropriation and reconstruction, her work relies on substitutions applied to photographic and filmic records through which the historical and the present are transmitted and constituted through a language of today.

"That’s not me" versammelt verschiedene Schnappschüsse der Künstlerin Nuri Koerfer, die in beinahe zehn Jahren (2001-2009) entstandenen sind.

Dieses Werkbuch dokumentiert die Arbeit here and where von Julia Steiner, die 2016 in der barocken Abteikirche in Bellelay im Jura entstanden ist.

This is the introductory volume of a planned 16 volume series presenting nearly 30,000 pages of Wittgenstein's unpublished work for the first time ever.

What side of the present? Has been but still is not. As far as it gets close. May I join you for a while.

WORLD 3, an artist publication by The Otolith Group that assembles a conversation between the philatelic design of independent African states, letters from the diaspora of the digital auction and quotations from Pan-Africanist poetry, fiction, journalism, theory and history.

Sarah Lucas staked her territory during the 1990s heyday of Young British Art with plain-speaking work about gender.

This is the first volume in a series of books by Slovak artist Petra Feriancová involving the contemplation of associations between images drawn from the author’s substantial archive.

Aus seiner intensiven Auseinandersetzung mit Sprachtheorie und den Bedingungen von Wirklichkeitskonstruktion entwickelte Peter Weibel konsequent ein originäres künstlerisches Werk. Die Publikation widmet sich erstmals ausführlich dem Frühwerk des international anerkannten Medien- und Konzeptkünstlers Peter Weibel der Jahre 1964 bis 1979. Weibel begann 1964 als

Den Strom der Alltagsbilder anhalten und schärfer hinsehen, mit den Augen denken - die ebenso konzentrierte wie verschwenderische Malerei von Clemens Krauss (*1981 in Graz), die auch direkt auf der Wand stattfindet, zieht unmittelbar in den Bann.

The exhibition publication "In Absent Places We Dwell" is made up for two sections:

Von Februar 2012 bis Dezember 2015 habe ich den Bau der Schnellstraße S10 mit meiner analogen Großformatkamera aufgezeichnet. Nachdem ich am nördlichen Ende der S10 lebe, war es naheliegend, dass ich mir die Geschichte anschaue.

This book by Joseph Kosuth documents the conception and realization of the work installed on the Island of San Lazzaro in Venice in 2007 for the 52nd International Art Exhibition, La Biennale di Venezia.

The Serralves Museum of Contemporary Art presents the first major exhibition dedicated to Silvestre Pestana (1949, Madeira).

Within her reflexive painting practice Carolina Pérez Pallares uses colors, dry pigment, paper, flour, chalk, sunlight, photographs and several other materials.

o.A.