Contemporary ideas of history have bid farewell to the concept of one big narration as a hegemonic product that excludes other histories.

Linder’s photomontages violate, liberate and celebrate the human body to question the mechanics of gender and its ties to consumer culture and media.

He is the traveller who sends us on our way: Andrei Roiter, born in Moscow in 1960 and oscillating between Amsterdam and New York since 1990, often with detours via Russia to visit family. Bon Voyage is a slogan referring to the work, but at the same time it is an encouragement and greeting to the visitor who comes to that work from the opposite direction.

This book is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. Staging self-initiated actions, and also participating in larger demonstrations organized by ACT UP, Art+Positive practiced an improvisational approach to activism at the intersection of the AIDS crisis and the culture wars of the late 1980s and early 1990s.

Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category.

Sometime after Andy Warhol’s heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as “Downtown.“

Ein Künstlerbuch, 2016 erschienen im Eigenverlag, Hardcover im Format 28 x 21 cm, mit 120 Seiten und 109 Farbabbildungen.

Book about the work and thoughts of the Mexican artist Gabriel Kuri, published in co-production with CoNaCultA, with support from kurimanzutto, Mexico City and Franco Noero Gallery, Torino. Texts by Dieter Roelstraete, and Maxine Kopsa.


(Eng/Spanish)

filmed at Cinecitta; Karl Schmidt-Rottluff Stipendium, Kunsthalle Düsseldorf (10. Okt. - 23. Nov. 2003); hrsg. v. Karl Schmidt-Rottluff Förderstiftung Berlin; Transkription des Film-Originaltons (italienisch/englisch)

Joëlle Tuerlinckx’ price winning Study Book is both an extensive catalogue and an artist book. It features documentation on the artist’s visit to her own exposition at The Drawing Center, New York (2007) as well as documentary images from her exhibition at the Renaissance Society, at the University of Chicago (2003).

A two-part publication co-produced and designed by Mark Beasley and Dexter Sinister will accompany Hey Hey Glossolalia.

Andreas Eriksson employs a variety of techniques and media, including painting, sculpture, photography, installation art and, more recently, film.
(Engl./Swed.)

A voluminous book containing a precise composition of images from other books. The result of a long term investigation, this voluminous encyclopaedia contains solely images collected from other books, and reads as an exhilarating and extremely rich filmic sequence. Suter's interest lies not only in the iconographic value of images and the way that the human brain processes visual information, but also the causes by which images become charged with associative values.

Lilac winds blowing from other worlds.
(English/german)

Germaine Kruip's first monograph The Illuminated Void will be launched to coincide with the exhibition. The Illuminated Void expands on the concept of writing about a body of work of a single artist by extending the context in which the work is discussed. With a series of essays on wider notions such as the history of perception, social conditioning, the performative and the multiple meanings of scripted space, The Illuminated Void is a new look at contemporary modes of making, and an in depth look at Kruip's work.

Material Evidence expands on the formal concerns and critical debates developed through Melissa Gordon’s exhibition of the same name, following a joint residency with Spike Island and Spike Island Print Studio in Bristol, in the summer of 2013.

The Man with a Single Camera provides an extraordinary overview of Ion Grigorescu’s body of work since the late 1960s until today.

Book published by the artist in conjunction with the exhibition I Am Curious Yellow, installed at the Armory Show booth 731 for Nicole Klagsbrun Gallery, 2010.

Fotoreihe, bei der die Wandelbarkeit einer Person festgehalten wird.

A contemporary art exhibition at the Vigeland Museum. November 7 - December 6 1998

Contributions by Belkis Ayón, Claire Bishop, Boris Buden, Amy Cheng, Bojana Cvejić, Adrienne Edwards, Patrick D. Flores, Gauri Gill, Simryn Gill, Inti Guerrero, Tetsuya Ishida, Eisa Jocson, Firenze Lai, André Lepecki, Xavier Le Roy, Miguel A. López, Carol Yinghua Lu, Rabih Mroué, Ruth Noack, Fernanda Nogueira, Manuel Pelmuș, Goran Sergej Pristaš, Nelly Richard, David Riff, Emily Roysdon, Simon Soon, Mårten Spångberg, Catherine Wood, Yangjiang Group, Anthony Yung

A traveling exhibition organized and circulated by Independent Curators Incorporated.

Was macht einen Mann zu einem „echten" Mann? Wie sehen Rituale der Männlichkeit aus, wie begegnen Männer ihren Herausforderungen, wie gehen sie mit dem Scheitern um?

This Lumen Station publication is dealing with the strategies of self-sustenance and survival for individuals, small groups or a whole society, that have emerged primarily but not excluively within art projects and initiatives launches by artists.

"What we are dealing with here is the radical import of strangeness into our language."

Models oscillate between that protective area in which they are still an idea, and the potency with which they already play a role in the world.

The magazin features a selection of the most iconic covers, illustrations and caricatures from the legendary Azeri satirical periodical of the early 20th century, "Molla Nasreddin."

For artists of previous epochs, it was much easier to fall back on the canon of stories of divine intervention and mercy that provide suitable comment upon almost any turmoil or torment. The artist of the present moment has no such repository of sure images to which he can turn, no breviary in which he will find all the answers, no emblem book to provide him with a potent iconography. It must all be created anew.

Physics and painting appear to have nothing in common with each other. Yet artist Dirk Vander Eecken and scientist Stef Van Tendeloo have effortlessly bridged the gap between the two. Dirk Vander Eecken’s doctorate is inspired by a series of black and white images given to him by Stef Van Tendeloo. Nano-science and painting: an intriguing but not a very obvious combination.

Published by the South London Gallery for Gabriel Kuri’s solo exhibition, Before Contingency After the Fact,
29 September – 27 November 2011. The publication includes an essay by the SLG’s Director Margot Heller, a selection of colour photographs of the exhibition and a collection of black and white research photographs.

The publication is based on the documentation of Gasium et Circenses, a complex art project by Katarina Šević and Tehnica Schweiz.

Published on the occasion of the collective's 2008 exhibition at Printed Matter, this poster book reproduces 16 classic posters from fierce pussy in an over-sized format with spiral binding, such that the reader can tear out a poster and install it wherever she wishes. fierce pussy encourages the dissemination of its posters worldwide.

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book—by extension commenting on media’s continuous changes of form and format.

This publication is part of the project The Reminder by Behnam Sadighi, conceived in the frame of the fellowship programme MOP CAP 2013 with an exhibition at The Showroom from September 8 - 13, 2014 and the residency programme Delfina Foundation in London.

Book about new paintings of Kees Goudzwaard (* 1958 Utrecht, NL) on on the occasion of his solo-exhibition in Culturgest, Lisbon, from May 20 until August 27, 2006.

These images represent five European cities through their surface markings. Exploring the interaction between a city and its citizens as recorded by graffiti and advertising.

Die Gruppenausstellung I dreamed we were alive in der KUNST HAUS WIEN Galerie versammelt fünf Positionen internationaler Künstlerinnen, die im Medium Fotografie intime Momente und persönliche Erfahrungen thematisieren. Die oft seriellen Arbeiten von Ekaterina Anokhina (1987 Moskau), Lena Rosa Händle (1978 Berlin), Hanna Putz (1987 Wien) und Yulia Tikhomirova (1981 St. Petersburg) suggerieren oft eine große Unmittelbarkeit und Nähe.

Der Salzburger Fotokünstler Werner Schnelle hat seine Arbeit der Reflexion des analogen fotografischen Prozesses gewidmet. Im Fokus seines Interesses stehen nicht die fotografierten Motive oder die fotografisch-dokumentarische Erkenntnis der Welt, sondern er untersucht in seinen Bildern vielmehr die Art und Weise, wie die fotografische Aufnahme und Aufzeichnung selbst vonstatten geht.

Die Arbeiten von Anne Speier dokumentieren häufig, wie sich Objekte und Figuren dehnen und verformen, um einerseits die Grenzen der ihnen zugeschriebenen Bedeutung, ihre Möglichkeiten und Beziehungen zueinander zu verstehen und andererseits über sie hinauszugelangen.

Die Publikation ist die erste umfassende Dokumentation der Arbeiten der Künstlergruppe subREAL, die in der großen Retrospektive im Bukarester Museum für Gegenwartskunst (MNAC The National Museum of Contemporary Art) zu sehen gewesen waren.

Thomas Demand has received widespread recognition for photography characterized by a continuous shifting between reality and fiction. Photography, sculpture and architecture are combined in his works, often as life-size cardboard models, arranged as a complex passage that leads from the three dimensions to the photograph.

The Expert / Afternoon in the Uganda Forest is an artist book based on two installations with the same titles. Through photographs, drawings and texts the work looks at some of the imaginations about and projections of Africa in Denmark, in the context of Danish development aid.

First extensive publication of American artist, poet and performer's texts, illustrated with 4 screenprintings.

Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one.

Book about the paintings of the Dutch painter Kees Goudzwaard (* 1958 Utrecht, NL).

"Just as painting is a way of speaking about reality which can, if so desired, find its way towards elucidation and/or poeticisation by the most varied and divergent pathways, there are very different ways of speaking about painting. (Art history as a whole largely coincides with the history of this 'speaking', of the various 'readings' that are used by the 'speakers'.)" (DIETER ROELSTRAETE)

JAB37 was offset printed on the Heidelberg GTO52 (eine farben) at the Center for Book and Paper Arts, Columbia College Chicago by Mary Clare Butler and Woody Leslie under the supervision of Brad Freeman.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum.

The publication brings together extensive material from Hamlet, mise-en-scène presented at Portikus, along with recently restored as well as never-published stills, drawings, and writings by American filmmaker and artist Jack Smith, related to his film Hamlet in the Rented World

Issue 32 (Fall 2007), titled "John Gianvito's Profit Motive and the Whispering Wind", of the Canadian cinematic magazine "Cinema Scope".

Cyber-radio comes into conflict with human memory.

Mexican Bun Crumbs featuring Tore’s recent drawings and paintings that were inspired by myths, rock’n roll, India bazaar, Chinese almanac, Japanese erotica and 90’s colour scheme.

Produced in the context of a two-exhibition project in 1993, one at the Consortium in Dijon and the other at Le Quartier, this monograph retraces the evolution of Marc Camille Chaimowicz’s approach.

Göran Gnaudschun fotografierte von 2010 bis 2013 die Szene auf dem Berliner Alexanderplatz, die aus Gestrandeten und Ausreißern besteht, aus Obdachlosen, Randexistenzen und Selbstdarstellern.

Issue 55 (Summer 2013), titled "The Prides of Cannes", of the Canadian cinematic magazine "Cinema Scope".

This journal contains: Flaming Robots, Skull Crystal Friends, Regular Crystal Friends, General images of the Die World, and more. (Engl.)

A book of drawings, maps, and analysis of Berlin by Anna Kostreva.

With the exhibition Ludger Gerdes the Kunstmuseen Krefeld pays tribute to an artist who left a telling mark on the German art scene in the 1980s.

Derby is the result of a project envolving Imprensa Canalha and Mike Goes West print studio.

This issue will take you from Austria to Manhatten, from Rotterdam to Hong Kong, and back Calabasas, examining new epicenters of energy experimentation.

Soft cover. Matte white paper wrappers, with illustrated dust jacket with French folds, and title printed in white on spine. Drawings and text by Roni Horn. Essay (in English and German) by Lynne Tillman. Includes list of plates. Design by Roni Horn and Thomas Whitridge. 88 pp., with 38 four-color plates. 10-1/2 x 9 inches.

The presentation of Kuehn Malvezzi's new monograph, titled KUEHN MALVEZZI - INDEX is strikingly straightforward: the projects created by the Berlin-based architects over the last decade are exclusively narrated through images, with the sole textual presence consisting of selected reprints of previously published theoretical treatises and interviews.