Soft cover. Matte white paper wrappers, with illustrated dust jacket with French folds, and title printed in white on spine. Drawings and text by Roni Horn. Essay (in English and German) by Lynne Tillman. Includes list of plates. Design by Roni Horn and Thomas Whitridge. 88 pp., with 38 four-color plates. 10-1/2 x 9 inches.

The presentation of Kuehn Malvezzi's new monograph, titled KUEHN MALVEZZI - INDEX is strikingly straightforward: the projects created by the Berlin-based architects over the last decade are exclusively narrated through images, with the sole textual presence consisting of selected reprints of previously published theoretical treatises and interviews.

Autobiographische Versatzstücke Cy Twombly's aus der Sammlung Max Renkel.

Often there are only seconds between the ignition of a blasting charge and the collapse of a building, but the planning for such a demolition can take weeks. Blasting is a profession that relies on experience, and that is conveyed through the medium of the image. The blaster, before he destroys the building, makes a complex technical drawing of the progression.

With texts and images by Yeni Anıt, Volkan Aslan / Nancy Atakan, Irena Eden / Stijn Lernout, Antje Feger / Benjamin F. Stumpf, Mark Henley, Matthias Krause, Matteo Locci / Merve Yücel, Gümüş Özdeş, Iz Öztat, Nadin Reschke, Katinka Theis, Mehmet Vanlıoğlu, Hagen Verleger.

No Wave traces the history of this noisy and uncompromising genre, from its most famous names down to its many offshoots and sidetracks. From early pioneers like Suicide and Richard Hell, to forgotten treasures like Red Transistor and Bush Tetras, and descendents like ESG and Sonic Youth, No Wave charts all the cracks and crevices of a surprisingly diverse movement.

Diese Publikation stellt einen Künstler vor, der trotz seiner Jugend ein Werk von überrraschender Breite vorweist

Es sollen nicht nur Ausstellungen besprochen werden, sondern SUM sieht sich als Plattform, die einer breiteren Öffentlichkeit eine konzentrierte Auseinandersetzung mit Kunstwerken und Trends schafft.

Engl./Danish

Representations of animals are ubiquitous: from advertising hoardings, newspapers, books, magazines, and television shows, to the hundreds of thousands of images uploaded every day to the Internet. During the last twenty years, artists, too, have engaged with the animal in an effort to articulate more “beastly” visions.

Mette Winckelmann`s artistic practice extends across a range of graphic media and materials, including painting, drawing, graphics, paper/photo collage and sewn-together fabric collages which mimic abstract paintings, banners or flags.

The book as an outcome of Jacobi's artistic research provides an understanding of the aesthetic language that emerges from these events.

Bis heute üben gezeichnete Architekturwelten eine ungebrochene Faszination auf den Betrachter aus. Die Ausdrucksmöglichkeiten von Architekturzeichnungen sind so vielfältig wie die Gedanken, an die sich ihr Zeichner wagt. Deshalb nimmt die „Papierarchitektur“ auch eine ganz eigenständige Position innerhalb der grafischen Künste ein.

Lee Lozano war Verfechterin einer radikalen Kunst, die Zeichnung, Malerei und Text gleichermaßen zum integralen Bestandteil ihrer Arbeit machte. Geächtet wegen sexueller Freizügigkeit und dem Experimentieren mit Drogen im Leben wie im Werk, wurde sie an die Peripherie der Kunstgeschichte gedrängt.(English)

This book is published in conjunction with the exhibition "Thinking the Line: Ruth and Gego," curated by Nadja Rottner and Peter Weibel.

The publication offers a new perspective on current fashion developments at the same thime that it pays tribute to the founders of Italy´s unique and significant contriburions to the history of design, from luxurious high fashion to everyday. "Bellissima: Italy and High Fashion 1945-1968" at the NSU Art Museum Fort Lauderdale.

“Vertikal Klub” is a manual for future installations of the “Vertical Club”, a project launched by Willem Oorebeek in 1994 and which has been developing ever since. The book not only compiles in an archaeological

The sculptural works included in the presentation Skin of Mine deal with the subject of surface as a membrane or barrier between an outer and an inner - like that of the skin.

»Shirley – Visions of Reality«, der Titel des Films von Gustav Deutsch, verweist bereits auf dessen Thema: Inszenierung von Wirklichkeit, Imagination von Realität; eine filmische Auseinandersetzung mit der Illusionsmaschine Kino, im Dialog mit der Malerei.

PERFORMING THE COMMON documents an artistic research project about public spaces, private networks and the art of organizing collective meaning.

“Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates” is published on the occasion of the exhibition of the same name.

Aus den rund 10.000 Werken der mumok Sammlung lädt die Ausstellung 55 Dates zur Begegnung mit 55 dieser Arbeiten, zu „Blind Dates“ mit der Kunst. Hier werden Kunstwerke präsentiert, die anstelle eines klassischen Blicks auf die Kunstgeschichte ein vielfältiges Nebeneinander von Denkweisen, Themen und künstlerischen Medien vorführen. Die Auswahl der gezeigten Werke spannt einen Bogen von Paul Klee, Giacomo Balla, Pablo Picasso bis hin zu Andy Warhol und vereint im Ausstellungsraum so unterschiedliche Positionen wie Anna Artaker, Cosima von Bonin, Günter Brus, Friedl Dicker, VALIE EXPORT, Marta Hoepffner, Ed Paschke und viele mehr.

#04
soft urban structure - Mixed low-rise residential areas - Smooth accesses - urban zombies - normal predicaments of human divinity - suburban civilizations - corrosive effe cts on democratic life - spatial patterns of social life - neglected developments and missed pot entials - Fake Items - Chinese Counterfeit Bombs

subtle interventions - administrative fragmentation of the metropolis - real crime - Vandalism and Economics - urban deser- tification – riots and dualization

Mit Beiträgen von Agnes Martin, Tony Oursler, Media and the new Materialism, Joan Jonas

No Order is a research, production and publication machine based in Milan, employing different tools to impact the social, semiotic
and economical assemblages within the contemporary cultural industry.

(Engl./ Italian)

cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities.

Pilot-Nummer einer neuen, aufwendig von der Jan van Eyck Academie, Maastricht, produzierten Zeitschrift, die sich mit Text- und Bildbeiträgen auf das Medium Zeichnung (»Drawing's great!«) konzentriert.

Kristians Brekte became known on the Latvian contemporary art scene more than a decade ago, when he was branded a hooligan.

Backstage Talks is an interview magazine about how design can change business for better by making it both useful and beautiful.

How should we live together? is the central question of this 18th issue of MONU on the topic of "Communal Urbanism", focusing on contemporary communal living in cities.

Die erste Monografie des italienisch-britischen Künstlers Seb Patane (geb. 1970 in Catania, Italien) bietet einen profunden Einblick in ein Schaffen, das seit Mitte der 1990er Jahre konsequent einen frischen Blick auf die vielfältigen Möglichkeiten von Identitätskonstruktion bietet.

The title No Tomorrow refers to Eva Steen Christensen’s solo exhibition at Kunsthallen Brandts.

Continuing the conversation on urbanism, this issue of MONU Magazine picks up on a topic opened in MONU #8 on border urbanism. Transnational Urbanism expands the topic of trans-border relations between cities close to nation state borders, to interrogate the flux of exchanges that crisscross a multiplicity of borders. As MONU has accustomed its readers, architects, urban planners and designers, policy makers, sociologists, educators, photographers and filmmakers take part in the conversation. They make up a transnational community of researchers spanning from Rotterdam, the headquarters of MONU, to the United States, and East Asia, passing through Eastern Europe, Africa, and the Middle East. As Merve Bedir stresses in her essay, they themselves live intense transnational lives.

Hello Everybody! ist der Titel einer Textarbeit von Jytte Høy. Das gleichnamige Buch präsentiert Høys neueste Werke seit 2010. In dieser Zeit spielte Literatur eine immer bedeutendere Rolle in ihrer Skulpturen-basieren künstlerischen Produktion.

Contemporary Art in Turkey 1975–2015 edited by the artist Halil Altındere and the writer Süreyyya Evren, and with texts by some of the leading artists and curators involved in the country’s contemporary art scene.

After his studies at the arts academies in Berlin and Düsseldorf, Ull Hohn (1960–1995) moved to New York to attend the Whitney Independent Study Program in 1987.

A cataloge of 17 Iranian artists' work.

Additional material to the book "The Creative Act" by the Henie Onstad Art Centre.

Mousse was commissioned by LISTE, the young art fair in Basel, to create a journal for its seventeenth edition.

The book brings together for the first time in one place three major early interviews, and adds a new one with Christophe Cherix.

Gaby und Wilhelm Schürmann sehen ihre Sammlung keineswegs nur als ihren privaten Besitz oder als ein Prestigeobjekt an, sondern vielmehr als ein Kulturgut, das einen öffentlichen Austausch verlangt. Ihre seit Ende der 1970er-Jahre kontinuierlich gewachsene Sammlung gibt einen einmaligen Blick auf die Entwicklung der Gegenwartskunst seit den 1980er-Jahren.

MONU - magazine on urbanism is a unique bi-annual international forum for artists, writers and designers that are working on topics of urban culture, development and politics.

MONU - magazine on urbanism is a unique bi-annual international forum for artists, writers and designers that are working on topics of urban culture, development and politics.

This book presents the work of London-based artist Merlin Carpenter.
(Engl.)

MONU - magazine on urbanism is a unique bi-annual international forum for architects, writers and theorists that are working on topics of urban theory, development and politics. Each issue collects essays, projects and photographs from contributors from all over the world to a given topic.
MONU #15 November 2011

Matthew Collings explores Lucas's art and ideas in this first thorough look at one of today's most important artists.
In the first monograph to be published on Lucas, Matthew Collings explores the issues relating to her art and ideas and the historical moment they inhabit. Six key works are examined in depth. The text intends to be witty and accessible, Collings provides a thorough overview of the life and work of one of the most important artists working in Britain today. This title forms part of Tate Publishing's new "Modern Artists" series

The Tate Britain Companion to British Art draws on Tate Britain's unrivalled collection to provide a lively and informative introduction to the story of art in Britain over the last five hundred years. Richard Humphreys examines works by all the major artists, both in their own right and placed in broader contexts to convey their full richness and beauty.

The Prix de Rome, which was instituted two hundred years ago by Louis Napoleon and accommodated in the Rijksakademie van beeldende kunsten in Amsterdam in 1870, is the Dutch art und architecture award for artists under the age of 35. Its purpose is to trace talent ant to pinpoint trends in an international context.

Ram Katzir (1969, Tel Aviv), currently living and working in Amsterdam, studied at the Rietveld Academie, Amsterdam and The Cooper Union, New York. In 1995 he published 'A Book Called Six', winner of the Sandberg Institute Prize 1995, and in 1998 'Your Coloring Book - a Wandering Installation'.

Performing Change, a collection of interviews by artist Mathilde ter Heijne, explores the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art.

Performing Change, a collection of interviews by artist Mathilde ter Heijne, explores the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art.

'when home won’t let you stay' umfasst u. a. ein Musik-Video, Installationen, ein Künstlerbuch, eine Fotografie-Installation, einen Dokumentarfilm, einen Spielfilm, eine Performance und eine performative Lesung. Kuratiert von Isin Önol.

The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College that took place in Arles, France, in 2011.

Claes Oldenburg ist nicht nur ein Hauptvertreter der Pop Art, der Performance- und Installationskunst, sondern prägte auch gemeinsam mit Coosje van Bruggen die Kunst im öffentlichen Raum mit seinen monumentalen Large Scale Projects in zahlreichen Metropolen weltweit. (English)

This, the third book in the celebrated series by Juergen Teller and Nicolas Ghesquière, artistic director of Louis Vuitton, proves that their audacious collaboration is as alive as ever.

MONU - magazine on urbanism is a unique bi-annual international forum for architects, writers and theorists that are working on topics of urban theory, development and politics.

This project based publication edited by Julie Ault documents and analyzes a body of work by the critically acclaimed filmmaker.

At the center of Klaus Mosettig’s work is a series of large-scale pencil drawings based on photographs of a table surface from a Greek reception center for refugees.

37 projects by Slovenian and foreign artists in various public spaces in Ljubljana.

Engl./Slovenian

The Museum of Rhythm is a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience.