These images represent five European cities through their surface markings. Exploring the interaction between a city and its citizens as recorded by graffiti and advertising.

Die Gruppenausstellung I dreamed we were alive in der KUNST HAUS WIEN Galerie versammelt fünf Positionen internationaler Künstlerinnen, die im Medium Fotografie intime Momente und persönliche Erfahrungen thematisieren. Die oft seriellen Arbeiten von Ekaterina Anokhina (1987 Moskau), Lena Rosa Händle (1978 Berlin), Hanna Putz (1987 Wien) und Yulia Tikhomirova (1981 St. Petersburg) suggerieren oft eine große Unmittelbarkeit und Nähe.

Der Salzburger Fotokünstler Werner Schnelle hat seine Arbeit der Reflexion des analogen fotografischen Prozesses gewidmet. Im Fokus seines Interesses stehen nicht die fotografierten Motive oder die fotografisch-dokumentarische Erkenntnis der Welt, sondern er untersucht in seinen Bildern vielmehr die Art und Weise, wie die fotografische Aufnahme und Aufzeichnung selbst vonstatten geht.

Die Arbeiten von Anne Speier dokumentieren häufig, wie sich Objekte und Figuren dehnen und verformen, um einerseits die Grenzen der ihnen zugeschriebenen Bedeutung, ihre Möglichkeiten und Beziehungen zueinander zu verstehen und andererseits über sie hinauszugelangen.

Die Publikation ist die erste umfassende Dokumentation der Arbeiten der Künstlergruppe subREAL, die in der großen Retrospektive im Bukarester Museum für Gegenwartskunst (MNAC The National Museum of Contemporary Art) zu sehen gewesen waren.

The Expert / Afternoon in the Uganda Forest is an artist book based on two installations with the same titles. Through photographs, drawings and texts the work looks at some of the imaginations about and projections of Africa in Denmark, in the context of Danish development aid.

First extensive publication of American artist, poet and performer's texts, illustrated with 4 screenprintings.

Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one.

Book about the paintings of the Dutch painter Kees Goudzwaard (* 1958 Utrecht, NL).

"Just as painting is a way of speaking about reality which can, if so desired, find its way towards elucidation and/or poeticisation by the most varied and divergent pathways, there are very different ways of speaking about painting. (Art history as a whole largely coincides with the history of this 'speaking', of the various 'readings' that are used by the 'speakers'.)" (DIETER ROELSTRAETE)

JAB37 was offset printed on the Heidelberg GTO52 (eine farben) at the Center for Book and Paper Arts, Columbia College Chicago by Mary Clare Butler and Woody Leslie under the supervision of Brad Freeman.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum.

The publication brings together extensive material from Hamlet, mise-en-scène presented at Portikus, along with recently restored as well as never-published stills, drawings, and writings by American filmmaker and artist Jack Smith, related to his film Hamlet in the Rented World

Issue 32 (Fall 2007), titled "John Gianvito's Profit Motive and the Whispering Wind", of the Canadian cinematic magazine "Cinema Scope".

Cyber-radio comes into conflict with human memory.

Mexican Bun Crumbs featuring Tore’s recent drawings and paintings that were inspired by myths, rock’n roll, India bazaar, Chinese almanac, Japanese erotica and 90’s colour scheme.

Produced in the context of a two-exhibition project in 1993, one at the Consortium in Dijon and the other at Le Quartier, this monograph retraces the evolution of Marc Camille Chaimowicz’s approach.

Göran Gnaudschun fotografierte von 2010 bis 2013 die Szene auf dem Berliner Alexanderplatz, die aus Gestrandeten und Ausreißern besteht, aus Obdachlosen, Randexistenzen und Selbstdarstellern.

Issue 55 (Summer 2013), titled "The Prides of Cannes", of the Canadian cinematic magazine "Cinema Scope".

This journal contains: Flaming Robots, Skull Crystal Friends, Regular Crystal Friends, General images of the Die World, and more. (Engl.)

A book of drawings, maps, and analysis of Berlin by Anna Kostreva.

With the exhibition Ludger Gerdes the Kunstmuseen Krefeld pays tribute to an artist who left a telling mark on the German art scene in the 1980s.

Derby is the result of a project envolving Imprensa Canalha and Mike Goes West print studio.

This issue will take you from Austria to Manhatten, from Rotterdam to Hong Kong, and back Calabasas, examining new epicenters of energy experimentation.

Soft cover. Matte white paper wrappers, with illustrated dust jacket with French folds, and title printed in white on spine. Drawings and text by Roni Horn. Essay (in English and German) by Lynne Tillman. Includes list of plates. Design by Roni Horn and Thomas Whitridge. 88 pp., with 38 four-color plates. 10-1/2 x 9 inches.

Autobiographische Versatzstücke Cy Twombly's aus der Sammlung Max Renkel.

Often there are only seconds between the ignition of a blasting charge and the collapse of a building, but the planning for such a demolition can take weeks. Blasting is a profession that relies on experience, and that is conveyed through the medium of the image. The blaster, before he destroys the building, makes a complex technical drawing of the progression.

With texts and images by Yeni Anıt, Volkan Aslan / Nancy Atakan, Irena Eden / Stijn Lernout, Antje Feger / Benjamin F. Stumpf, Mark Henley, Matthias Krause, Matteo Locci / Merve Yücel, Gümüş Özdeş, Iz Öztat, Nadin Reschke, Katinka Theis, Mehmet Vanlıoğlu, Hagen Verleger.

No Wave traces the history of this noisy and uncompromising genre, from its most famous names down to its many offshoots and sidetracks. From early pioneers like Suicide and Richard Hell, to forgotten treasures like Red Transistor and Bush Tetras, and descendents like ESG and Sonic Youth, No Wave charts all the cracks and crevices of a surprisingly diverse movement.

Diese Publikation stellt einen Künstler vor, der trotz seiner Jugend ein Werk von überrraschender Breite vorweist

Es sollen nicht nur Ausstellungen besprochen werden, sondern SUM sieht sich als Plattform, die einer breiteren Öffentlichkeit eine konzentrierte Auseinandersetzung mit Kunstwerken und Trends schafft.

Engl./Danish

Representations of animals are ubiquitous: from advertising hoardings, newspapers, books, magazines, and television shows, to the hundreds of thousands of images uploaded every day to the Internet. During the last twenty years, artists, too, have engaged with the animal in an effort to articulate more “beastly” visions.

Mette Winckelmann`s artistic practice extends across a range of graphic media and materials, including painting, drawing, graphics, paper/photo collage and sewn-together fabric collages which mimic abstract paintings, banners or flags.

The book as an outcome of Jacobi's artistic research provides an understanding of the aesthetic language that emerges from these events.

Bis heute üben gezeichnete Architekturwelten eine ungebrochene Faszination auf den Betrachter aus. Die Ausdrucksmöglichkeiten von Architekturzeichnungen sind so vielfältig wie die Gedanken, an die sich ihr Zeichner wagt. Deshalb nimmt die „Papierarchitektur“ auch eine ganz eigenständige Position innerhalb der grafischen Künste ein.

Lee Lozano war Verfechterin einer radikalen Kunst, die Zeichnung, Malerei und Text gleichermaßen zum integralen Bestandteil ihrer Arbeit machte. Geächtet wegen sexueller Freizügigkeit und dem Experimentieren mit Drogen im Leben wie im Werk, wurde sie an die Peripherie der Kunstgeschichte gedrängt.(English)

This book is published in conjunction with the exhibition "Thinking the Line: Ruth and Gego," curated by Nadja Rottner and Peter Weibel.

The publication offers a new perspective on current fashion developments at the same thime that it pays tribute to the founders of Italy´s unique and significant contriburions to the history of design, from luxurious high fashion to everyday. "Bellissima: Italy and High Fashion 1945-1968" at the NSU Art Museum Fort Lauderdale.

“Vertikal Klub” is a manual for future installations of the “Vertical Club”, a project launched by Willem Oorebeek in 1994 and which has been developing ever since. The book not only compiles in an archaeological

The sculptural works included in the presentation Skin of Mine deal with the subject of surface as a membrane or barrier between an outer and an inner - like that of the skin.

»Shirley – Visions of Reality«, der Titel des Films von Gustav Deutsch, verweist bereits auf dessen Thema: Inszenierung von Wirklichkeit, Imagination von Realität; eine filmische Auseinandersetzung mit der Illusionsmaschine Kino, im Dialog mit der Malerei.

PERFORMING THE COMMON documents an artistic research project about public spaces, private networks and the art of organizing collective meaning.

“Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates” is published on the occasion of the exhibition of the same name.

Aus den rund 10.000 Werken der mumok Sammlung lädt die Ausstellung 55 Dates zur Begegnung mit 55 dieser Arbeiten, zu „Blind Dates“ mit der Kunst. Hier werden Kunstwerke präsentiert, die anstelle eines klassischen Blicks auf die Kunstgeschichte ein vielfältiges Nebeneinander von Denkweisen, Themen und künstlerischen Medien vorführen. Die Auswahl der gezeigten Werke spannt einen Bogen von Paul Klee, Giacomo Balla, Pablo Picasso bis hin zu Andy Warhol und vereint im Ausstellungsraum so unterschiedliche Positionen wie Anna Artaker, Cosima von Bonin, Günter Brus, Friedl Dicker, VALIE EXPORT, Marta Hoepffner, Ed Paschke und viele mehr.

#04
soft urban structure - Mixed low-rise residential areas - Smooth accesses - urban zombies - normal predicaments of human divinity - suburban civilizations - corrosive effe cts on democratic life - spatial patterns of social life - neglected developments and missed pot entials - Fake Items - Chinese Counterfeit Bombs

subtle interventions - administrative fragmentation of the metropolis - real crime - Vandalism and Economics - urban deser- tification – riots and dualization

Mit Beiträgen von Agnes Martin, Tony Oursler, Media and the new Materialism, Joan Jonas

No Order is a research, production and publication machine based in Milan, employing different tools to impact the social, semiotic
and economical assemblages within the contemporary cultural industry.

(Engl./ Italian)

cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities.

Pilot-Nummer einer neuen, aufwendig von der Jan van Eyck Academie, Maastricht, produzierten Zeitschrift, die sich mit Text- und Bildbeiträgen auf das Medium Zeichnung (»Drawing's great!«) konzentriert.

Kristians Brekte became known on the Latvian contemporary art scene more than a decade ago, when he was branded a hooligan.

Backstage Talks is an interview magazine about how design can change business for better by making it both useful and beautiful.

How should we live together? is the central question of this 18th issue of MONU on the topic of "Communal Urbanism", focusing on contemporary communal living in cities.

Die erste Monografie des italienisch-britischen Künstlers Seb Patane (geb. 1970 in Catania, Italien) bietet einen profunden Einblick in ein Schaffen, das seit Mitte der 1990er Jahre konsequent einen frischen Blick auf die vielfältigen Möglichkeiten von Identitätskonstruktion bietet.

The title No Tomorrow refers to Eva Steen Christensen’s solo exhibition at Kunsthallen Brandts.

Continuing the conversation on urbanism, this issue of MONU Magazine picks up on a topic opened in MONU #8 on border urbanism. Transnational Urbanism expands the topic of trans-border relations between cities close to nation state borders, to interrogate the flux of exchanges that crisscross a multiplicity of borders. As MONU has accustomed its readers, architects, urban planners and designers, policy makers, sociologists, educators, photographers and filmmakers take part in the conversation. They make up a transnational community of researchers spanning from Rotterdam, the headquarters of MONU, to the United States, and East Asia, passing through Eastern Europe, Africa, and the Middle East. As Merve Bedir stresses in her essay, they themselves live intense transnational lives.

Hello Everybody! ist der Titel einer Textarbeit von Jytte Høy. Das gleichnamige Buch präsentiert Høys neueste Werke seit 2010. In dieser Zeit spielte Literatur eine immer bedeutendere Rolle in ihrer Skulpturen-basieren künstlerischen Produktion.

Contemporary Art in Turkey 1975–2015 edited by the artist Halil Altındere and the writer Süreyyya Evren, and with texts by some of the leading artists and curators involved in the country’s contemporary art scene.

After his studies at the arts academies in Berlin and Düsseldorf, Ull Hohn (1960–1995) moved to New York to attend the Whitney Independent Study Program in 1987.

A cataloge of 17 Iranian artists' work.

Additional material to the book "The Creative Act" by the Henie Onstad Art Centre.