Exhibition catalogue

Issue 27 of the Romanian-English arts magazine.

Issue 30-31 of the Romanian-English arts magazine.

Featured artists in this issue:
Mark King, Nicht von Woert, Massimo Nota, Jogis Vandecatseye, Mary Mattingly, Andy Denzler, Trish Morrissey

Featured artists in this issue:
William Lamson, Doug DuBois, Jackie Gendel, Olive Sande, Martina Hoogland Ivanow,
Holly Frean, Petros Efstathiadis

Special edition of Art–ist, a contemporary art magazine from Istanbul, with texts from Marina Gržinić, Inke Arns and Sezgin Boynik.

In 1909, F.T. Marinetti published his incendiary Futurist Manifesto, proclaiming, "We stand on the last promontory of the centuries!!" and "There, on the earth, the earliest dawn!"

Looking at Austria and how it is constructed and constituted within a common image space, the concept of mountains, of an alpine landscape that functions as surface for multiple projections is prevalent; be it within the classic 1960s Heimatfilm, advertising, or political propaganda.

Using painting, drawing, and abstraction as markers of a space outside verbal description, Jessica Dickinson examines the slow exchanges between perception, matter, and psychology that develop in peripheral spaces.

on distance is a volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

An Anthology of Concrete Poetry was first edited and published by Emmett Williams and Something Else Press in 1967.

Film in print. From the celebrated director Owen Land 144-2011, American filmmaker. Irreverent, intellectual, dangerous. Kunsthalle Bern 4.4. - 17.5.2009 Owen Land: "How can you believe anything he says?" KW Berlin - Kunst-Werke Berlin e.V. - Institute for Contemporary Art 22.11.2009 - 24.1.2010

For the book »fragments of a resistance« Hanna Priemetzhofer developed a visual language in or- der to convey and document the atmosphere and dynamics of the Gezi Park Protests 2013 she had wittnessed.

Die Klang- und Medienkünstlerin Anke Eckardt baut großformatige multisensorische Installationen.

This book was published on the occasion of the exhibition "Mizu no Oto - Sound of Water" curated by 3/3 in dialogue with Rinko Kawauchi.

Monographic publication with a selection of Laurent Schmid's works, visual essays/reference images and captions.

Künstlerbuch, Edition von 60 Stück, Format 20x 26 cm, Drucktechnik: Risograph, Bindung: japanische Fadenheftung

This book documents the architectural results of another Soviet anniversary – the celebrations of the centenary of Lenin’s birth in Ulyanovsk, formerly Simbirsk, the small city on the Volga where he was born.

a collection of travel journals by 20 artists

In Pages 7 In Translation the editors look at translation as an instance of cultural practice and of political agency. This space is not only found between languages or among cultures, but may be sought, for example, in the spatial and political arrangements of public and private spaces of cities, as communal or individual identities, in representations of state media, and in artistic practice itself.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The work of artist Chris Evans evolves through conversations with people from various walks of life, selected in relation to their public position or symbolic role—resulting in sculptures, letters, drawings, film scripts, and unwieldy social situations.
(Engl.)

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By the same token, emotionally charged scenes are presented as though they were being reported with a childlike lack of understanding. Situations are not translated, but rendered literally; the artist provides no commentary, but lets the image speak for itself.

In Manders's drawings, which clearly occur on a two-dimensional plane, a complex world is constructed. Certain elements continually resurface in different forms. In this way, he invests these individual elements with a visual past. Manders's technical style is diverse. The drawings seem to have been created quickly and directly, sometimes with only a few lines that encompass interior spaces. Depth is created with simple methods of perspective; these never deny the two-dimensional surface of the drawing paper, however.
In his drawings, Mark Manders plays with the spectator's perception and seems to be able to anticipate how one thought follows the next; his images direct the thought process.

Mit THE INNER VOICE hat Asta Gröting einen Werkkomplex vorgelegt, der unsere Vorstellung von der klar definierten menschlichen Persönlichkeit in Frage stellt und damit einen künstlerischen Beitrag zur Erklärung von Persönlichkeitsstrukturen anbietet.

"Decades prior to the radical metamorphoses executed with aplomb by contemporary artists like Nikki S. Lee and Cindy Sherman, there were those of Claude Cahun and her partner Marcel Moore... Besides being prolific theater and performance artists, the pair created countless self-portraits in a variety of guises, all with a smokey, ethereal quality that prefigures the delicate work many years later of a young Francesca Woodman... Don't Kiss Me is a collection of these startling photographs, and also includes drawings, manuscripts and ephemera, framed by essays about the artistic odd couple courtesy of seven international authors. For many, the book will be their first experience of Cahun and Moore's singular artistic vision, but surely not their last." (Nylon Magazine)

In order to illustrate the complex and often oppressive relationship that exists human beings and our material things, Dutch artist Melanie Bonajo contorts, binds, balances, and burdens her female models with the objects of everyday life: chairs, bookshelves, aerosol cans, food, empty containers, and cleaning supplies.

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Taro and Hina Hirano are the founders of No.12 Gallery in Shibuyaku, Tokyo. With contacts made in private life and at work, both in Japan and abroad, they provides an exhibitional space for his friends from various fields of artistic practice.

Fukt Magazine is an annual magazine dedicated to contemporary drawing. It was established in Trondheim in 1999 and is based in Berlin since 2001. Artist and editor Björn Hegardt selects work from all over the world with a focus on drawing as an independent research and artistic practice.

Rudolf Polanszky, geb. 1951, ist ein ungewöhnlicher, unkonformistischer Künstler, der Zeit seines Lebens eigene Wege ging und die sogenannten Kunstkenner und Kunstkritiker stets ad absurdum führte.

His immediate response to the city was to imagine an outdoor performance of Samuel Beckett's legendary play, Waiting for Godot – the 20th century's most emblamatic story of waiting.

Hidden Curriculum is a project by artist Annette Krauss and commissioned by Casco. It looks at the unintended and unrecognized forms of knowledge, values and beliefs that are part of the learning processes and daily life within high schools.

This fanzine presents a selection of colorful drawings by Burnbjoern.

Report of a year long chalk drawing project by Bart Lodewijks on the road between Menen and Ieper in Belgium, on the occasion of the public art project Menin Road-Ypernstrasse, organized in commemoration of the First World War. This 20 kilometer long road is historically known for the devastating battle during the First World War.

Over the last 5 years the Austro Sino Arts Program and the Embassy of the Arts have produced an annual catalog with detailed documentation of their programs as well as activities of connected organisation, off-spaces and active individuals.

Despite being a relative newcomer to the Venice Biennale, the island kingdom of Bahrain has created a compelling pavilion, entitled A World of Your Own, which presents art embedded in geo-political realities, whilst simultaneously disestablishing those selfsame geo-political realities.

(English, Arabic)

There are moments when it seems that a horde of vampires has taken over the art world, ..

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This book presents the result of an incredible journey of mutual learning and discovery, and profiles a select group of contemporary designers and makers that are helping to shape the wider design sector in the UK and Mexico.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

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Pages 6 Eventual Spaces includes re-prints of magazine and newspaper clippings that reflect conflicts of architecture, design, predicaments of the social engagement of art, ideological convictions and displacements in art, and the discontinuities in modernist paradigms and their practices.

What determines our place in history? If it is the past, there we also find the material support with which we reconstitute our historical place. Our relation to history remains retrospective, but also anticipatory.
Events begin with a break from history. But they soon are recaptured by it and fetishized as historical triumphs or failures. Still something remains of past events that, although conditioned by history, is irreducible to it: a surplus that finds way to our time, something out of time that forces us to actively anticipate a renewing in past events.

With aim to further reflect and pursue the expanding expression onto each particular direction, in 2007, Cosmic Wonder is anouncing three projects with distinct processes: Cosmic Wonder, Cosmic Wonder Light Source and Yukinori Maeda.

An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books.

The book brings together forty-nine photographs from Korine’s private archive in order to reveal a side of the artist’s creative process that remains largely unexamined. Depicting a mysterious young girl moving through a televised landscape of shifting contexts, Pigxote further illustrates Korine’s interest in replacing plot lines and other narrative tropes with intuitively arranged “experiential moments.” They also provide a unique insight into the poetic mind of Nashville’s most compelling prodigal son.

In this book Barbara Holub explores the significance of artistic practices counteracting the investororiented (urban) planning and examines what options are offered by the new, transdisciplinary role of urban practitioner.

SUMMER 2010 With contributions about Andy Warhol, Andreas Hofer, Henri Matisse, Mirror Mirror, Damien Roach, Felix Gonzales Torres, Playing with pictures, Crash, Maurizio Cattelan, ArtBasel....

Proceeding #1. Dakar 5-19/05/2002 comes up with a series of articles, interviews and images through which runs a loose and contingent network of different themes in which the city of Dakar stands central.

"The Way Things Are..." explores the question of artistic representation of today´s ever more precarious work and social spheres within advanced economies.

Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste.

Artist: Marc Nagtzaam
In collaboration with: Culturgest, Lisbon

Über zwei Jahre widmeten sich KünstlerInnen und KulturproduzentInnen in Workshops, Seminaren, Vorträgen und Künstlerresidenzen aktuellen Fragen zu Mobilität, Tourismus und Migration. Ergebnisse dieser Arbeit waren bereits in Ausstellungen in Italien, Litauen und Rumänien zu sehen. (English)

"I am what I am"