teardrops etc. is a one-off magazine dedicated entirely to the theme of the tear –

The monograph focuses on a series of the communism works that Yoshinori Niwa has produced in Romania, Russia, and Japan since 2010, around 20 years after the Revolutions of 1989 and the collapse of the Soviet Union.

The monograph focuses on a series of the communism works that Yoshinori Niwa has produced in Romania, Russia, and Japan since 2010, around 20 years after the Revolutions of 1989 and the collapse of the Soviet Union.

'This is easily the best introduction to Turner that I have read . The Turner that emerges is entirely congenial and transfixing'
- Professor Kathleen Nicholson, author of Turner's Classical Landscapes: Myth and Meaning

This monograph on the artist Marie Lund comprises a two-sided reflection – the first mute, iconographic; the second speculative, text-based

Spring 2010 Leo Castelli, Christo, David Raymond Conroy, Urs Fisher, Meschac Gaba, Thomas Houseago, Volker Hueller, Ian Kiaer, Matthieu Laurette, Bob Law, Robert Motherwell, Olaf Nicolai, Jim Shaw, Gedi Sibony and Erik and Harald Thys.
AGMA is a quarterly publication dedicated to exhibition making.
AGMA communicates with images, rather than words.

Published on the occasion of the exhibition "Vamoose, all cacti jut torrid nites" Julia Rometti and Victor Costales. 19.06.-24.08.2014 at Kunsthalle Basel.

public
clothing collection
kids
a party for losers
grandpa Wang playing ball
streetside Wii
Beijing hutong
the "100 most common" names

What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture.

Rockets, guns, body fragments, collages, stencils, spray paints and crazy colours are the characteristic elements that populate Kiki

Published in relation to the exhibition “Stray Warmings” at Midway Contemporary Art in Minneapolis, this new monograph brings together writing and reproductions that extend beyond this particular context.

This book is a monument to a rare period of uncertainty, inspired by shame and shamelessness, by dept and guilt, by the tragedy behind statistics.

Co-organized by Hans Ulrich Obrist and Philippe Parreno as a group exhibition that would occupy time rather than space, “Il Tempo del Postino” usurped the durational dimension of theater by presenting time-based art on the stage of the Manchester Opera House (July 12–14, 2007).

Sweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa. Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the 1960s.

In his performances, installations, videos, and sculptures, Paul McCarthy has deconstructed, muddied, insulted, and made a very deliberate mess of American mythology, from Heidi and Pinocchio to Santa Claus and Rocky.

Henning Bohl’s Cornet of Horse explores the intersection of painting, sculpture, and spatial construction. Known for his use of everyday materials such as wood battens, canvas, or gypsum board, Bohl transforms these into self-referential sculptural elements.

What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated.

Light Out is a series of limited edition Artis´s Colouring Books that celebrate the theme of darkness and femininity. The title of the series knowingly alludes to the erotic.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production.

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition “Limits to Growth.”

Extracts from a collection of photographs and documents relating to helicopters.

Neu entdeckt: gesellschaftliche Parallelen, kulturelle Verwandtschaften und gemeinsame Visionen der westlichen Nachkriegsmoderne und des postkolonialem Indiens.

“Taiping Tianguo: A History of Possible Encounters,” a touring exhibition organized by Para Site, Hong Kong, began as a series of questions: How did Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong all end up in New York in the heady 1980s?

The path of the two artists Gábor Bódy (1946-1985) and Zbigniew Rybczyński (*1949, Wroclaw) have never crossed. However, the exhibition presenting the oeuvre of the two, first opened at fall 2011 in the Akademie der Künste, Berlin, and then in the ZKM Media Museum at the beginning of 2012, made it possible for them to meet.

On the occasion of the exhibition this catalogue has been published.

Published on the occasion of the exhibition Collatéral: Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Nora Schultz, Cheyney Thompson (Curator: Yann Chevalier) at Le Confort Moderne, Poitiers from June 5 to August 23, 2009

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

The book project I was (t)here. is a collection of stories compiled over a few years. The sources are newspapers, books, magazines, TV, Internet, museums, rumors and encounters. Both texts and images.

The book consists of re-narrations of collected stories, frequently taken out of context, highlighted or twisted according to memory and perception. It is all so-called nonfiction and second or third hand information.

The ‘Rotterdam Design Prize 2007’ displays the leading visions in Dutch design.

FUKT Magazine is dedicated wholly to contemporary drawing. Established in Norway in 1999 but later settled in Berlin, this international publication has been archiving exquisite collections of drawing based artwork.

Adrian Henri (1932–2000) was a painter, poet, musician and a pioneer of happenings and events in Britain.

From the man who brought you the layout of John Berger’s Ways of Seeing comes a comprehensive selection of writings covering over 40 years of reflection on graphic design history, from interviews, essays, letters and articles to lectures and course outlines.

Catalogue published on the occasion of the exhibition Artists' Documents: Art, Typography and Collaboration at MMCA in Seoul (May 26 - August 31, 2016).

The publication recounts the film and speaker series Curing Normality, marking the 40th anniversary of the decriminalization of male homosexuality in Norway.

‘2041’ is an eponymous collection of self-portraits in which the image and identity of the artist remain concealed. Using the camera to articulate a passion he has secretly indulged for decades, he appears dozens of times in a variety of garments, but is always anonymous.

Fiasco describes the attempt of a new beginning, to Auschwitz, Buchenwald, in an inhumane totalitarian system, the Stalinist Budapest, as the author Imre Kertész himself has experienced.

“Resonant Bodies, Voices, Memories” evolves around memory, voice and the body – more specifically around instances where our habitual abilities to sense, remember, and speak are somehow disrupted or suspended. Such shifts and ruptures may occur through experiences such as living under an oppressive regime, migration, trying to make oneself understood in a foreign language, or through physical inhibitions like aphasia or stuttering.

This book constitutes the first monograph on New York-based artist Josephine Meckseper, with essays by writer/filmmaker John Kelsey and Andrew Ross, Professor in the American Studies program at New York University.

This publication brings together six thematic approaches to contemporary photographic practice, developed by artists, theorists, and curators. Central to the discussion are fundamental questions about the role, meaning, and materiality of photographic images in the digital age.

In these two books Willem Elias focuses on Belgian art movements that have emerged since 1945. It situates the Belgian art scene in an international context, whereby special attention is paid to the origins of the particular art movement.

A publication arising from an international conference on queer art at the University of Oldenburg.

Designed as a stroll along the different tracks of an album, Genius Loci is a cross between the experience of listening to a museum audio guide and listening to songs on an iPod or an MP3 player.

This workbook is a critical resource pack for educators teaching employability, ‘professional practice’ and work-based learning.

Koen Delaere proposes a fundamental, hardcore, and truly preliterate sphere as a preliterate body.

AGMA is a quarterly publication dedicated to exhibition making.

Born in St. Petersburg, Anna Jermolaewas has lived and worked in Vienna since 1989. The publication shows works from the last five years.

Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

Gordon Matta-Clark (1943-1978) war ein Stücke-Schreiber.

Physician and neurobiologist Dick Swaab has kicked up quite a bit of dust with the findings derived from his brain research and his conclusion that we don’t have a brain but we are our brain.

Special Issue number 2 of Third Text Asia from 2009, titled "Arts, Scholarship and the Arab/Muslim World".

Produced in conjunction with Bitter and Weber’s exhibition at Landesgalerie Landesmuseum, Linz, Autogestion, or Henri Lefebvre in New Belgrade presents a previously unpublished 1986 text by French philosopher and urbanist Henri Lefebvre. Printed as a facsimile of a recently discovered manuscript, Lefebvre’s text is based on the concept of “autogestion” (worker’s self-management), an idea central to urban restructuring processes. The text is contextualized and interpreted by accompanying commentaries and essays.

In Shabla, a small town on the coast of the Black Sea in northern Bulgaria, an eighty-four year old lady runs an art space in the cellar of her house.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

Fukt magazine is dedicated to drawing, inviting the most interesting and adventurous international artists and writers to publish their images and views on contemporary drawing practice.

Callanan’s work explores apparatuses of power. Gathered here are the responses to his mass letter writing. Each letter poses a deceptively simple question or even inane rhetorical statement and the collected responses reveal the absurdity of bureaucracy and the egos of those that claim power.

blank is an international students publication, organised by students who felt the need to express ideas freely.

Mehr als zwei Jahrzehnte nach ihrer Veröffentlichung hat diese Publikation nichts an Dringlichkeit verloren. Sie versammelt zentrale Arbeiten Hans Haackes, die sich mit nationaler Identität, Erinnerungspolitik und der Sichtbarmachung historischer Verantwortung auseinandersetzen – Themen, die heute aktueller sind denn je.

Part 2 of a 5 book set with 4 poster inserts.

Published on the occassion of the exhibtion “BMW”, Contemporary Art Centre, Vilnius (23. Sept. - 20. Nov. 2005), “Baltic Triennial 33 1/2”, Institute of Contemporary Arts, London (1.-2. Okt. 2005).

Body Talk: Feminism, Sexuality and the Body in the Work of Six African Artists

This fascinating book explores the interwoven lives, radical art, and shared experimental spirit of Marcel Duchamp and four of America's most important postwar artists: composer John Cage, choreographer Merce Cunningham, and visual artists Jasper Johns and Robert Rauschenberg. The publication traces the relationships among all five of these artists by mapping their intersections and examining the depth of their artistic exchanges.

Published by the South London Gallery on the occasion of Alice Channer’s solo exhibition, Out of Body, 2 March - 13 May 2012. This catalogue includes an essay by Barry Schwabsky, a conversation between Alice Channer and curator Sam Thorne, and a selection of colour images of her SLG exhibition and of past work.