The book project I was (t)here. is a collection of stories compiled over a few years. The sources are newspapers, books, magazines, TV, Internet, museums, rumors and encounters. Both texts and images.

The book consists of re-narrations of collected stories, frequently taken out of context, highlighted or twisted according to memory and perception. It is all so-called nonfiction and second or third hand information.

The ‘Rotterdam Design Prize 2007’ displays the leading visions in Dutch design.

FUKT Magazine is dedicated wholly to contemporary drawing. Established in Norway in 1999 but later settled in Berlin, this international publication has been archiving exquisite collections of drawing based artwork.

Adrian Henri (1932–2000) was a painter, poet, musician and a pioneer of happenings and events in Britain.

From the man who brought you the layout of John Berger’s Ways of Seeing comes a comprehensive selection of writings covering over 40 years of reflection on graphic design history, from interviews, essays, letters and articles to lectures and course outlines.

Catalogue published on the occasion of the exhibition Artists' Documents: Art, Typography and Collaboration at MMCA in Seoul (May 26 - August 31, 2016).

The publication recounts the film and speaker series Curing Normality, marking the 40th anniversary of the decriminalization of male homosexuality in Norway.

‘2041’ is an eponymous collection of self-portraits in which the image and identity of the artist remain concealed. Using the camera to articulate a passion he has secretly indulged for decades, he appears dozens of times in a variety of garments, but is always anonymous.

Fiasco describes the attempt of a new beginning, to Auschwitz, Buchenwald, in an inhumane totalitarian system, the Stalinist Budapest, as the author Imre Kertész himself has experienced.

“Resonant Bodies, Voices, Memories” evolves around memory, voice and the body – more specifically around instances where our habitual abilities to sense, remember, and speak are somehow disrupted or suspended. Such shifts and ruptures may occur through experiences such as living under an oppressive regime, migration, trying to make oneself understood in a foreign language, or through physical inhibitions like aphasia or stuttering.

This book constitutes the first monograph on New York-based artist Josephine Meckseper, with essays by writer/filmmaker John Kelsey and Andrew Ross, Professor in the American Studies program at New York University.

In these two books Willem Elias focuses on Belgian art movements that have emerged since 1945. It situates the Belgian art scene in an international context, whereby special attention is paid to the origins of the particular art movement.

A publication arising from an international conference on queer art at the University of Oldenburg.

Designed as a stroll along the different tracks of an album, Genius Loci is a cross between the experience of listening to a museum audio guide and listening to songs on an iPod or an MP3 player.

This workbook is a critical resource pack for educators teaching employability, ‘professional practice’ and work-based learning.

Koen Delaere proposes a fundamental, hardcore, and truly preliterate sphere as a preliterate body.

AGMA is a quarterly publication dedicated to exhibition making.

Born in St. Petersburg, Anna Jermolaewas has lived and worked in Vienna since 1989. The publication shows works from the last five years.

Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

Gordon Matta-Clark (1943-1978) war ein Stücke-Schreiber.

Physician and neurobiologist Dick Swaab has kicked up quite a bit of dust with the findings derived from his brain research and his conclusion that we don’t have a brain but we are our brain.

Special Issue number 2 of Third Text Asia from 2009, titled "Arts, Scholarship and the Arab/Muslim World".

Produced in conjunction with Bitter and Weber’s exhibition at Landesgalerie Landesmuseum, Linz, Autogestion, or Henri Lefebvre in New Belgrade presents a previously unpublished 1986 text by French philosopher and urbanist Henri Lefebvre. Printed as a facsimile of a recently discovered manuscript, Lefebvre’s text is based on the concept of “autogestion” (worker’s self-management), an idea central to urban restructuring processes. The text is contextualized and interpreted by accompanying commentaries and essays.

In Shabla, a small town on the coast of the Black Sea in northern Bulgaria, an eighty-four year old lady runs an art space in the cellar of her house.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

Fukt magazine is dedicated to drawing, inviting the most interesting and adventurous international artists and writers to publish their images and views on contemporary drawing practice.

Callanan’s work explores apparatuses of power. Gathered here are the responses to his mass letter writing. Each letter poses a deceptively simple question or even inane rhetorical statement and the collected responses reveal the absurdity of bureaucracy and the egos of those that claim power.

blank is an international students publication, organised by students who felt the need to express ideas freely.

Mehr als zwei Jahrzehnte nach ihrer Veröffentlichung hat diese Publikation nichts an Dringlichkeit verloren. Sie versammelt zentrale Arbeiten Hans Haackes, die sich mit nationaler Identität, Erinnerungspolitik und der Sichtbarmachung historischer Verantwortung auseinandersetzen – Themen, die heute aktueller sind denn je.

Part 2 of a 5 book set with 4 poster inserts.

Published on the occassion of the exhibtion “BMW”, Contemporary Art Centre, Vilnius (23. Sept. - 20. Nov. 2005), “Baltic Triennial 33 1/2”, Institute of Contemporary Arts, London (1.-2. Okt. 2005).

Body Talk: Feminism, Sexuality and the Body in the Work of Six African Artists

This fascinating book explores the interwoven lives, radical art, and shared experimental spirit of Marcel Duchamp and four of America's most important postwar artists: composer John Cage, choreographer Merce Cunningham, and visual artists Jasper Johns and Robert Rauschenberg. The publication traces the relationships among all five of these artists by mapping their intersections and examining the depth of their artistic exchanges.

Published by the South London Gallery on the occasion of Alice Channer’s solo exhibition, Out of Body, 2 March - 13 May 2012. This catalogue includes an essay by Barry Schwabsky, a conversation between Alice Channer and curator Sam Thorne, and a selection of colour images of her SLG exhibition and of past work.

Produced on the occasion of Ireland’s representation at the 53rd Venice Biennale, 2009. With essays by Tim Stott and JK Gibson-Graham.

This volume accompanies the eponymous exhibition at the Sharjah Art Museum—two parallel solo shows by Angela Bulloch and Maria Zerres brought together under one title, framed by the notion of entropy. Likewise, the publication takes the form of two separate but related exhibition catalogues, each leading toward the book’s center.

Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting.

A Book About Colab (and Related Activities) – edited by Max Schumann, and with a Foreword and Afterword by art writer and Colab member Walter Robinson – traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970’s through the mid 1980’s.

Katalog zu der gleichnamigen Ausstellung an der Univeristät für angewandte Kunst Wien.

COOP a-script is an artist book based on two performance scripts by Fia Backström.

Beziehungsarbeit is a discursive publication examining the institutional embeddedness of artistic practice.

Kubas zeitgenössische Kunst jenseits von Karibikmalerei und Revolutionskitsch –kubanische und exilkubanische Künstler und ihre Kunst – weltoffen wie noch nie.

"This is where I was."

For the first time, this book—authorized by the Gala-Salvador Dalí Foundation—provides a visual history of Dalí’s entire career, illustrated with previously unpublished personal photographs, sketchbooks, drawings, letters, posters, and commercial designs, many of them drawn from the archives at the Gala-Salvador Dalí Foundation.

All that is solid melts into air. Notes on Tourism is a reflection on the work of artist and writer Delphine Bedel. From amusement parks and monuments, to camping and beach resorts, her photographs and writings document sites of tourism in diverse contexts. She brings into question the visual representation of leisure, architecture, and cultural artefacts.

There seems some mystery as to why these works have not been shown before, but I suppose the simple answer is that it has been purposeful on my part. My pure POP period was very brief in comparison to the span of works until now.

The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.

The origins of this book lie in a waterlogged landscape out of which looms the library of an artist (Pepe Espaliú, 1955-1993) deposited in a public institution (Arteleku, Donostia-San Sebastián) that suffered a series of physical and ideological deluges, including the overflowing of a nearby river intent on bursting its banks and flooding the memory of the place.

The Emergency Exit installation not only merges the disciplines of architecture and art within this project, it is the culmination of a collaborative dialogue between Agnieszka Kurant and Aleksandra Wasilkowska that unites their interests and professional experiences.
(Engl.)

The book is a reader on the program of 2010 taking place at Open Space.

Travelling with the most diverse inventions of image machines was a common practice already in pre-cinema times, in order to present both new possibilities of visual perception as well as images of distant cities and countries, often in connection with educational intentions, at fun fairs, in show booths or in public places.

Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert? führt die Auseinandersetzung mit dem West-Berlin der 1980er Jahre im Blick auf das filmische Medium und die Institution Kino. Im Jahrzehnt vor dem Mauerfall verschrieb man sich nicht länger der Weltrevolution, sondern drang auf die Verwirklichung alternativer Lebensformen zwischen atomarer Endzeit und Häuserkampf, Schwul-/Lesbischsein und Feminismus, Punk, New Wave und Drogen. Die Abkehr von dem, was normal ist, äußerte sich in ästhetischen Experimenten, kostümhaften Inszenierungen oder in der Verweigerung vieler Filme und Videos, einer geschlossenen Narration zu folgen.

In den letzten 20 Jahren haben sich in den Städten der früheren sozialistischen Länder – von Mitteleuropa bis Zentralasien – drastische Umwälzungen vollzogen.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

On three occasions, between the fall of 2008 and the spring of 2009, Witte de With, center for contemporary art, organized three symposia under the title 'Rotterdam Dialogues: The Critics, The Curators, The Artists'. Each three-day event focused on one agent in the art world, looking at their expectations, positions and the contexts in which they operate.

The Making of PAPA is a photo book. It contains 250 photographs taken by 35 photographers from 6 countries.

A Collection of Helen Korpak's Photographs.

BUT WE LOVED HER – der Titel von Ursula Mayers Ausstellung entstammt einer Abbildung in der britischen Tageszeitung The Independent vom 17. April 2013, vom Tag, an dem Margaret Thatcher beigesetzt wurde. Die in London lebende Künstlerin sammelte in den Tagen nach Thatchers Ableben alle Zeitungsartikel und stellt diese vier Worte programmatisch ihrer Ausstellung in Wien, aber auch einer Werkphase voran, in der Fragen zu den Möglichkeiten neoliberaler Identität, zur Konsumkultur in einer postkapitalistischen Gesellschaft und zu deren Vorläufern im Vordergrund stehen.

This magazine is a collaboration between photographer Hilda Grahnat and art director/ graphic designer Linnea Paulsson.

Svenja Deininger versteht Malerei als Prozess: Ihre Bilder, an denen sie oft über lange Zeiträume arbeitet, betrachtet sie nicht als abgeschlossene Einheiten.

The title of the exhibition „implies a state of lingering doubt“, observes Vincenzo de Bellis, the curator of this Mexican artist’s show at the Museion. A dialectic tension – physical, content-based, and semantic – runs through the exhibition, as a tool for meddling with the viewer’s beliefs.