The origins of this book lie in a waterlogged landscape out of which looms the library of an artist (Pepe Espaliú, 1955-1993) deposited in a public institution (Arteleku, Donostia-San Sebastián) that suffered a series of physical and ideological deluges, including the overflowing of a nearby river intent on bursting its banks and flooding the memory of the place.

The Emergency Exit installation not only merges the disciplines of architecture and art within this project, it is the culmination of a collaborative dialogue between Agnieszka Kurant and Aleksandra Wasilkowska that unites their interests and professional experiences.
(Engl.)

The book is a reader on the program of 2010 taking place at Open Space.

Travelling with the most diverse inventions of image machines was a common practice already in pre-cinema times, in order to present both new possibilities of visual perception as well as images of distant cities and countries, often in connection with educational intentions, at fun fairs, in show booths or in public places.

Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert? führt die Auseinandersetzung mit dem West-Berlin der 1980er Jahre im Blick auf das filmische Medium und die Institution Kino. Im Jahrzehnt vor dem Mauerfall verschrieb man sich nicht länger der Weltrevolution, sondern drang auf die Verwirklichung alternativer Lebensformen zwischen atomarer Endzeit und Häuserkampf, Schwul-/Lesbischsein und Feminismus, Punk, New Wave und Drogen. Die Abkehr von dem, was normal ist, äußerte sich in ästhetischen Experimenten, kostümhaften Inszenierungen oder in der Verweigerung vieler Filme und Videos, einer geschlossenen Narration zu folgen.

In den letzten 20 Jahren haben sich in den Städten der früheren sozialistischen Länder – von Mitteleuropa bis Zentralasien – drastische Umwälzungen vollzogen.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

On three occasions, between the fall of 2008 and the spring of 2009, Witte de With, center for contemporary art, organized three symposia under the title 'Rotterdam Dialogues: The Critics, The Curators, The Artists'. Each three-day event focused on one agent in the art world, looking at their expectations, positions and the contexts in which they operate.

The Making of PAPA is a photo book. It contains 250 photographs taken by 35 photographers from 6 countries.

A Collection of Helen Korpak's Photographs.

BUT WE LOVED HER – der Titel von Ursula Mayers Ausstellung entstammt einer Abbildung in der britischen Tageszeitung The Independent vom 17. April 2013, vom Tag, an dem Margaret Thatcher beigesetzt wurde. Die in London lebende Künstlerin sammelte in den Tagen nach Thatchers Ableben alle Zeitungsartikel und stellt diese vier Worte programmatisch ihrer Ausstellung in Wien, aber auch einer Werkphase voran, in der Fragen zu den Möglichkeiten neoliberaler Identität, zur Konsumkultur in einer postkapitalistischen Gesellschaft und zu deren Vorläufern im Vordergrund stehen.

This magazine is a collaboration between photographer Hilda Grahnat and art director/ graphic designer Linnea Paulsson.

Svenja Deininger versteht Malerei als Prozess: Ihre Bilder, an denen sie oft über lange Zeiträume arbeitet, betrachtet sie nicht als abgeschlossene Einheiten.

The title of the exhibition „implies a state of lingering doubt“, observes Vincenzo de Bellis, the curator of this Mexican artist’s show at the Museion. A dialectic tension – physical, content-based, and semantic – runs through the exhibition, as a tool for meddling with the viewer’s beliefs.

Displayer is a publication of the Exhibition Design and Curatorial Practice program at the Karlsruhe University of Arts and Design.

In Not Quite Replica: Meteorite (2004/2005), Kriemann delves into the public archive around the Willamette meteorite.

The publication "Beauty Unrealized / spider webs of personal universes seeking a form" is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam.

A project in seven parts, from January to July 2007, intiated by Tamuna Chabashvili, Adi Hollander and Vesna Madzoski.

This fully illustrated, artist-designed catalogue features the most recent work of New York-based artist Josephine Meckseper.

Monograph that was originally published in 1969 on the last great work of art done by Duchamp that resides permanently in the Philadelphia Museum Of Art. Illustrated with b&w photos of many of Duchamp's other work along with examples of work by artists who were strongly influenced by him.

"Closer – The Dennis Cooper Papers" profiled the influential literary figure of Dennis Cooper (1953, Pasadena, USA), acknowledging his important impact across literature, poetry, performance and visual art.

Norwegian “black metal” music was born in the late 1980s as a reaction against the fact that heavy metal music had become mainstream.

Art book by Texas Angel Maehle, printed by Cosima Pitz in a limited, hand numbered edition of 300.

In Metro Mattresses, Ed Ruscha turns once again to the streets of Los Angeles—a landscape he has observed with analytical calm and conceptual wit for decades.

Rafaël Rozendaal’s artistic practice comprises websites, installations, prints and writings. His work takes shape through a range of transformations—from movement into abstraction, from virtual into physical space, and from website to print—with all of them informing each other.

Giving Voices features four of Erkan Özgen’s video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human.

Der Alterungsprozess wird in der öffentlichen Wahrnehmung heute in erster Linie als Defizit angesehen. Begriffe wie „Anti-Aging“ vermitteln den Eindruck, Altern sei etwas Pathologisches. Der vorherrschende Jugendlichkeitskult bemüht sich, die Spuren des Alterungsprozesses auszublenden.

The book (book design by Jonas Wandeler) contains 101 pages, a bibliography of sources Part ones, and was printed in an edition 101 copies, each containing one original Part one and nominated one of the Most Beautiful Swiss Books/Schönste Schweizer Bücher of 2010.

On the occasion of the exhibition The (Hemi)Cycle of Leaves and Paper at the Ghent Museum of Fine Arts, Malaysian artist Simryn Gill brings out an artist book entitled "Wormholes".

This is a voyage through Neubronner's archive of photographs, remembering the first person who tried to see the world from a bird's eye view.

Yokota's and Pinckers' Floating Worlds is a catalogue for an exhibition curated by Nicoló Degiorgis at fotoforum Gallery, Bolzano/Bozen, Italy, in May 2016.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

Alphabet prime is a new biannual arts journal presenting critical texts, artist contributions, and fictional works, among other content. The publication takes as its focus the problem of language in contemporary discourse, and its limitations within the established framework of "theory."

In this 2003 installment of the Fama & Fortune Bulletin, Haim Steinbach presents Or, an artist‑curated “performance” in print form.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

One of the fundamental events of modernity was the conquest of the world as picture, a process in which movies were essential.

(English, French, German) Following a series of monographic exhibitions held in Europe and North America between 2008 and 2011, this publication offers a first survey of the multi-facetted work of the Austrian/Canadian artist Klaus Scherübel.

A series of short essays by Payam Sharifi exploring the clash of civilizations between the US and Iran across such cultural phenomena as the monobrow, soft drugs, and men’s ties. Excerpts from a forthcoming book.

Mary Kelly's Post-Partum Document has been widely exhibited and intensely debated since its first scandalous appearance in the 1970s. Now, more than twenty years later, the Document's initial challenge to conceptual art and its impact on the emerging discourse of sexual difference have taken on a new significance.

White Fungus is an experimental arts magazine based in Taichung City, Taiwan.
Featuring writing on art, music, history and politics, plus original artworks, poetry, fiction and comics, White Fungus is an ongoing experiment in community media art. As the spores have been released in creators look forward to seeing which way the wind blows. The only thing more uncertain than its future is its past.

"A report from the front lines of cultural activism looks at spatial practitioners who actively trespass into neighbouring or alien fields of knowledge." (Markus Miessen & Shumon Basar)

In her previous series of photographs, "Living Together" Vibeke Tandberg montaged together two pictures of herself with the aid of a computer, resulting in a single image depicting what looked like twin siblings interacting.

H.H.Lim – Politicamente Parlando: the book is a research about the chinese/malysian artist H.H. Lim, based in Rome.

Salvo makes and shakes photography. The ambition is to publish three times a year. Depending on its theme, each edition may vary in size and run. Each issue will contain photographs, inspired on a self-chosen theme.

The core of this book consists of a richly illustrated text that provides an exhaustive description of avant-garde film production in Austria, both past and present.
(Engl.)

"Returning from leaping, tap-dancing or pirouetting, Schweiger’s polka dots paintings prove to have legs in more ways than one."

This book presents the work of the architects, artists, filmmakers, lawyers, and theorists who participated directly in the “Forensic Architecture” project in the Centre for Research Architecture at Goldsmiths University of London, as well as the work of associates and guests. It includes forensic investigations undertaken by the project and its collaborators aimed at producing new kinds of evidence for use by international prosecutorial teams, political organizations, NGOs, and the UN. It also brings together research and essays that situate contemporary forensic practices within broader political, historical, and aesthetic discourse.

Franz Graf is now playing his characteristic game with emptiness and abundance, black-and-white contrasts, letters and words, small, delicate details and large iconic, archaic, and modern elements at the 21er Haus. For this he is not only meshing the many aspects of his oeuvre with a new series, but also juxtaposing this with works by international

The words on the cover of Aslan Gaisumov’s first monograph are names of places no longer inhabited.

Green light is an act of welcoming, addressed both to those who have fled hardship and instability in their home countries and to the residents of the cities receiving them. Working together in a playful creative process, participants build a modular light and construct a communal environment in which difference is not only accepted but embraced.
– Olafur Eliasson

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics. Published since 1990. A collector's item.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

On auction site eBay, there are regular auctions of people who offer themselves as advertising medium. For over two years, we purchased as many of these human billboards as possible to advertise our design studio Roomservice. (English)

Between 1946 and 1953 ten conferences under the heading Cybernetics-Circular Casual, and Feedback Mechanisms in Biological and Social Systems were held.

Anlässlich "Lucius Burckhardt and Cedric Price - A stroll through a fun palace" im Pavillion der Schweiz auf der 14. Architekturbiennale in Venedig.

KünstlerInnen: Bernadette Anzengruber, Renate Bertlmann, AA Bronson, Katrina Daschner, Carola Dertnig, VALIE EXPORT, Esther Ferrer, Heidi Harsieber, Jessyca R. Hauser, Philipp Hauss, Sharon Hayes, Matthias Herrmann, Juan Hidalgo, Birgit Jürgenssen, Barbara Kapusta, Susi Krautgartner, Friedl Kubelka, Roberta Lima, Anja Manfredi, Dorit Margreiter, Ana Mendieta, Michaela Moscouw, Laurel Nakadate, Lilo Nein, Cristina Nuñez, Carlos Pazos, Sasha Pirker, Àngels Ribé, Constanze Ruhm, Hans Scheirl, Toni Schmale, Carolee Schneemann, Peter Weibel, Hans Weigand, Judith van der Werff, Martha Wilson, Francesca Woodman

Faltblatt zur Ausstellung von Mark Manders "Room with Broken Sentence" auf der Venedig Biennale 2013

A swimming pool prefabricated rests in the wall of a Museum. Is a very simple operation in terms of narrative but technically very complex: the pool is simply hold between two walls. The tension of gravity in the installation and the impossibility of the pool as a container of liquids.