The modern concept of negation is a term with a broad meaning that, applied to contemporary art and architecture, provides the starting point for an original exhibition at 66 East.

Performative Architecture as the Basis of the Performative Museum.

This book sets out to present photo portraits and life stories that conclude with recipe suggestions intended to inspire the reader.

Die Ausstellung Novella (not yet another story) besteht aus sieben Videoarbeiten, sechs Dialogen und einem Buch. Jede Woche werden zwei Film- und Videoarbeiten einander gegenübergestellt, wöchentlich wird eine Arbeit ausgetauscht.

OfficeUS Agenda is the first of four publications to be published as part of the OfficeUS project and it serves as the catalog for the exhibition.

Prototypes by Doireann O’Malley is a multi-screen film installation, a series of dreamscapes interrogating trans* semiotics through psychoanalytic practices, speculative technologies, and live action role-playing.

A catalogue for the exhibition of the same name which featured works by Amar Kanwar (India), Raqs Media Collective (India), Ritu Sarin & Tenzing Sonam (India/Tibetan in Exile), Nikolaus Hirsch & Michel Müller (Germany) in collaboration with the Cybermohalla Ensemble (India), Marine Hugonnier (France/UK), Pak Sheung Chuen (Hong Kong), Heman Chong (Singapore), Khin Khin Su (Burma), Gonkar Gyatso (Tibetan in Exile/UK) and Qiu Zhijie (China) among others.

Comic, produced by Access Local & Les Ateliers de Rennes.

A blueprint is an imaginary structure that gestures towards the future. It is a template, plan, draft or model. The issue invites you to explore the relation between promise and reality, between model and outcome, the fictional and the tangible, potentiality, mapping what lies beneath, what is to come.

Laura Horelli works with montage to confront the reality of ‘official’ images and messages from society, politics, the media or economics with those from her own perspective. She manages, in the meeting of these two ‘realities’, to open up zones of the imaginary that permeate and determine daily human experience in many ways.

The artist book from Eric Baudelaire combined the text "That Bowling Alley on the Tiber: Tales of a Director" from Michelangelo Antonioni with founded film stills from japanese flea markets. (English)

Die Ausstellung Photo/Politics/Austria unternimmt eine fotografische Zeitreise durch die österreichische Geschichte von 1918 bis zur Gegenwart. Das Projekt entsteht in Kooperation mit dem Photoinstitut Bonartes. Ausgehend von der Fotosammlung des mumok sind Leihgaben nationaler und internationaler Institutionen zu sehen.

What does it mean to publish today?

Art book by Yusuf Sevinçli, printed by Cosima Pitz in a limited, hand numbered edition of 200 in 2016.

Limited, hand numbered and signed edition of Pierre Granoux's "READYWEB: HÉRISSON" with 1500 referenced images, of which 24 have been printed in this edition, from the archive of the artist between 2006 and 2011.

What do you think of when you consider the art of the past fifteen years? Video art. Computers and the internet. Globalization. Nomadism. Itinerant curators and biennale artists. Installation and process art. Powerpoint presentations. The multicultural society. Design. Magazines. Fashion. Lounges. The DJ, VJ and house culture. Blockbuster exhibitions in art galleries. Social works of art and socially engaged artists.

Ring – the means of illusion is a conceptual look at the boxing world. The author, Gabriele Tinti, considers boxing to be one of the fine arts.

Im Sommer 2015 durchquerte Hans Schabus auf seinem Fahrrad die USA von West nach Ost. Täglich an high noon fotografierte er was ihn umgab und des Abends sandte er eine Postkarte an sich selbst.

In 2013 Marinella Senatore founded The School of Narrative Dance, focused on the idea of storytelling as an experience that can be explored choreographically, on non-hierachical learning, self-training and the creation of an active citizenship through informal education.

OKEANOS includes a series of essays from scholars, historians, and thinkers, interspersed with a selection from Allan Sekula’s immense oeuvre of seminal texts, as well as parts of his private notebooks, which include critical and humorous personal notes, as well as sketches made and written across the decades and mostly focusing on the maritime space and the material, economic, and ecologic implications of globalization.

It seems that Danish artist Kathrine Ærtebjerg has set herself the task of painting the lived experience of existentiality, identity and sexuality as seen through a dream prism; one which refracts reality in a phantasmatic manner and allows us to view it in surprising but recognisable ways that cause it to look entirely magical.

AUS DEM NACHWORT:
Während heute die Frage „Ist Fotografie Kunst?“ kein ernst zu nehmender Streitpunkt mehr ist und allein schon durch die astronomischen Preise beantwortet wird, die für Fotografien auf Kunstauktionen gezahlt werden, führte sie zur Zeit der klassischen Moderne noch zu leidenschaftlich geführten Debatten.

Nach "A Conversion Act" nimmt Nadja Bournonville in ihrem neuen Künstlerbuch "Intercepted" („abgefangen“) die Spur zu einer Spionagegeschichte auf, die sich zur Zeit des ersten Weltkrieges in ihrer Familie zutragen hatte.

This comprehensive new monograph on the influential British artist-filmmaker - renown for his playful and formally ingenious subversion of the everyday world - contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.

This book was published on the occasion of the exhibition Kasper Andreasen: The Place of Writing which ran from 16 November 2014 until 11 January 2015 in the Cultural Centre Hasselt (CCHA), Belgium.

o.A

The photographs in Toppled show an array of attitudes towards the sculptures that expose differences between the cultures but also universally valid aspects of human relationships with carved representations. It becomes apparent, that even in our modern image culture, the ancient magical link between the person (Saddam) and his representation (statue) is still alive in the human psyche.

Appropriation, storytelling, reenactment, and reportage are some of the strategies that the Mexican artist Mario García Torres deploys to uncover (hidden) histories, narratives, and strategies embedded in sites and places and thereby to highlight the limitations of factual evidence and the agency of historical records and objects.

"Photographs are at the start and end of everything. The photos in this book are the source material for the paintings. The stuff that makes it from the photos and into the paintings is only a tiny part of what the photos hold."

With contributions of Roberto Aguirrezabala, Olatz Ganzález, Alejandro Goienetxea, Beatriz Herráez, Miren Jaio, Lars Bang Larsen, Ploma Martín Llopis und Asier Mendizabal

In the three photographic micro-stories that make up Un Sedicesimo 34, The Napoleonic soldier and other stories, Paolo Ventura expresses his bewildering, melancholic and metaphysical poetics.

The latest issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives.

Dieses Buch versammelt aktuelle internationale Positionen aus der Forschung zu Stadt, Urbanisierung und städtischer Kultur.

Urban Change untersucht die massiven Veränderungsprozesse des urbanen Raumes in einer Welt rapide fortschreitender Urbanisierung. Vor dem Hintergrund der Komplexität dieser Veränderung analysieren international renommierte Experten diesen Wandel aus unterschiedlichen Perspektiven.

This artist book includes a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine’s approach to working, which gestures toward abstraction and improvisation.

In Please send this book to my mother, artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography.

Tracy Mackenna & Edwin Janssen are interested in the relationship between conflict, looking and art.

The second book of Alexander Egger is an analytical process working up the surrounding environment by means of a collection of random everyday information.
(Engl.)

When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them.

548 West 22nd Street, New York, NY 10011

Rebels Rebel tracks a movement that has as yet not been historicized in Europe on the subject of AIDS activism by various artistic collectives in New York in the 1980s.

Walter Zurborg’s apparatuses and installations refer to the two basic conditions of our aesthetic experience, the human body and the space around it.
(Germ./Engl.)

This book contains perspectives of key practitioners and theoreticians in area of open hardware.

The Silent University is an autonomous platform for academics who cannot share their knowledge due to their status of residence, because their degrees are not recognized or regaining access to academia is blocked for other reasons.

This issue poses as a retroactive non-catalog for the group exhibition “White Petals Surround Your Yellow Heart” at the Institute for Contemporary Art at the University of Pennsylvania curated by Anthony Elms. As such, its nominal theme is Fashion.

For nearly thirty years, Elio Montanari has been photographing artists at work—either producing or installing their artworks in the context of major exhibitions and international events. The photographs reproduced within this publication capture with full spontaneity the working process involving artists, assistants, curators and peers.

This is a phosphorescently brilliant exploration of the birth and life of video. In the times when electronic media meant the flow of televisual signals, video became a uniquely glimmering force of idiosyncratic memory and the ordination of time.

An archive of film and studio material in Bissau.

Katalog mit 12 Abbildungen im vierfarbigen Offsetdruck.

This book is a visual and textual approach to the city of istanbul. The visual approach happens through photographic collages.

IMG_0012 is a self-published artist´s book which consists of a single image progressively scaled down in size from 100% on its initial page to 0% percent on its final page.

Graphic works Merlfeyts 2007-2009.

SAN ROCCO is a magazine about architecture. It does not solve problems. It is not a useful magazine. It is neither serious nor friendly.(English)

SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

Minimal Art seemed harmless: just a few hard-edged, greyish pieces of metal laid on the ground, some bricks aligned a certain way, heaps of logs. Minimal Art looked unnecessarily stubborn and a bit stupid, but nobody would ever have thought it could do any harm.