Bruce Russell is like, the granddaddy of new music. If you think the dings and tings you're hearing in low lit performance spaces are out of this world, imagine what he's been up to for the past few decades. From the Dead C to Handful of Dust, he's made his mark by refining (and redefining) sound art from his hometown in Dunedin.

This book contains the transcription of the lecture Bentwood by Gabriel Pericàs, which
begins as follows:

Ari Marcopoulos has work in the current international traveling exhibition Beautiful Losers, and has recently had solo exhibitions at the Yerba Buena Center for the Arts in California, and at P.S.1 in New York. His photographs are regularly featured in the New York Times Magazine.

Documents 3 decades of traveling through the Grand Canyon by boat with my father.

In Chronicles Vol.2, artist Kim Gordon (1953 Los Angeles, California) brings together some of her most personal and unique drawings from a collection gathered over a period of years for her daughter Coko, her nieces, Thurston, and friends.

This is the 6th Issue of the Art Magazine Cine Qua Non

Der Katalog erscheint anlässlich der Ausstellung Albert Mayr. The Johnny Hawaii Orchestra im Künstlerhaus Graz.

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination and reception of contemporary art in the Middle East and North Africa.

Die Arbeiten der britischen Künstler, Dinos & Jake Chapman, bestehen aus Fiberglaspuppen, die in dioramenhafter Umgebung präsentiert wurden.
(Engl.)

Contains different artists' comic drawings concerning the theme of the book: home.

Contains different artists' drawings and comics concerning the theme of the book: Mother.

This volume explores ten sites of historical and cultural interest around the state of Utah, which was geographically located within the original Kingdom of Desert.

Amsterdam-based photographer/author Baaijens gave up her job as an environmentalist nearly 20 years ago and has been exploring the deserts of Egypt and the Sudan with her small camel caravan ever since. Here, she sets out on a voyage of self-discovery, recounting her passion for the desert, the place she loves and fears.

Cascoland is a multidisciplinary public art project, with the aim to explore a series of interventions in public space to create awareness of urban issues, mobility and the use of public space in a positive and creative framework.

After a wonderful cooperation on the successful book Amo Amare, it was crucial to keep going. Květa has moved to a new flat and with certain ease, but also nostalgia, she kept only those objects truly essential to her.

This publication gathers images of artworks taken in the artist’s studio and in his backyard in upstate New York. Hansen’s art oscillates between the small, deteriorated found object and the delicate, hand-blown glass sculpture, neutralizing the contradictory status of the precious to the discarded.

Die Rolle der Bildagenturen ist ein blinder Fleck in der Geschichtsschreibung der Fotografie.

The book offers a collection of urgencies and agencies in art history, art writing, and art and cultural production from across this cultural and political geography.

The Documenta project reader

In 2007, Ai Weiwei, the well-known Chinese artist, architect, curator, and filmmaker, presented Fairytale at documenta 12 in Kassel: he invited 1,001 Chinese citizens of different ages and from various backgrounds to Germany to experience Europe’s most innovative five-yearly art event and live their own fairytale for 28 days …

This book is an attempt at grasping an important part of Květa Fulierová’s archive, which holds a selection of negatives and printed black and white photographs stowed away in envelopes, marked according to themes and sorted chronologically in chocolate boxes.

The theme for this issue is "Computer Camp".

Das vorliegende Katalogbuch enthält Selbstzeugnisse von allen Künstlern, auch von jenen, die sich üblicherweise diesen Anforderungen entziehen. Diese Selbstzeugnisse sind wichtig, dokumentieren sie doch authentisch die unterschiedlichen Zugänge zum Thema.

Edited by Adam Budak, Peter Pakesch
With texts by Adam Budak, Clémentine Deliss, Antje Majewski, Ingo Niermann, Peter Pakesch, Xu Shuxian, Marcus Steinweg; transcripts of interviews with Issa Samb, El Hadji Sy, Alejandro Jodorowsky, Thomas and Helke Bayrle; and reprints by Jorges Luis Borges, Friedrich Hölderlin, Chuang Tzu, John Joseph Mathews

(English)

…questions the expectations of a new land and landscape for a foreigner.

The Cinema Makers investigates how cinema spectators in south-eastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema ‘events’, writing about film and making films themselves.

The book describes the installation of the same title by Salto architects Maarja Kask and Ralf Lööke and artist Neeme Külm at the Museum of Estonian Architecture and offers an in-depth overview of the unusual fate of the building, including its relocation.

This is the 7th Issue of the Art Magazine Cine Qua Non

Amo Amare is dedicated to a romantic conceptualization of Kveta Fulierova in the work of one of our most prominent conceptual artists Julius Koller.

Die Werke von Angelika Loderer könnte man als medienreflexive Skulpturen bezeichnen, insofern als die Künstlerin die Materialeigenschaften und Verarbeitungsprozesse ihrer Werkstoffe als grundlegende Parameter ihrer Arbeit in den Gestaltungsprozess einfließen lässt.

Ausgabe Neun von „Journal of Aesthetics & Protest“ mit dem Titel „Tectonic Disobedience“ zur Frage „What is and what can be“ in neun Artikeln. Diese Ausgabe erschien im Frühling 2015.

Idea Car is a collection of text works made by LA-based artist Matthew Clifford Green.

Twenty-Seven Kilometres is based on Tim O’Riley’s experience of looking at CERN, the European Laboratory for Particle Physics in Geneva.

Thomas Baldischwyler (1974) reiste nach Australien, um seine Idee von Authentizität zu überprüfen. Der Künstler, mit dem er primär zusammenarbeiten wollte, war Swift Treweeke, der auch unter dem Namen ‘Passenger of Shit‘ in der Speed- und Breakcore-Szene bekannt und mit dem, von wenigen europäischen Hardlinern kultisch verehrten, Musik-Label ‘System Corrupt’ assoziiert ist. Ein Aspekt Baldischwylers Arbeit ist die Frage nach der Möglichkeit von widerständiger Artikulation und ihrer Rolle in gesellschaftlichen Prozessen.

In his work, Terence Koh mobilizes seduction, lust and desire. These moments exemplify a strategy that integrates a queer, polymorphously perverse approach into art production. The meaning produced by his objects is tightly interwoven with both private narration and a wide range of subcultural fields of association. Koh frequently employs trivial materials, which are then transformed in the artistic process and transposed into an almost classical aesthetic.
Terence Koh generiert in seinen Arbeiten Momente der Versuchung, der Lust und des Begehrens. Sie stehen exemplarisch für die Strategie, queere, polymorph perverse Zugänge in die künstlerische Produktion einfließen zu lassen. Die Signifikanz seiner Objekte ist angebunden an private Narration und ein weites Spektrum subkultureller Assoziationsfelder. Dabei verwendet Koh oft triviale Materialien, die durch seinen transformativen Umgang einer nahezu klassischen Ästhetik wieder eingeschrieben werden.

Spanning the most formative era of his life, from the painful years of adolescence to the fame and fortune of early adulthood, this collection of personal correspondences with two near-lifelong friends sheds light on the artistic development, bitter struggle, and ultimate triumph of the world’s greatest living cartoonist.

On Deep Time Relations of Arts, Sciences and Technologies--this new journal's subtitle sounds intense, but its simple mandate is to study inexact copies wherever they appear--twins, photographs, memories, Warhol silkscreens, forwarded e-mails: what seems standard may vary more intensely than what appears to be original.

This publication reconsiders the role of painting in the United States between 1965 and 1975. It examines how

Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community.

This book assembles all the talks and media presented at Aliens & Anorexia: A Chris Kraus Symposium, which took place in March 2013 at the Royal College of Art, London.

Tuukka "Deeli" Kaila is best known from the Numero magazine and his skate photographs for Kingpin etc.

Lovers separated. A letter written. A lonely voice echoes weakly from within the hollow structures of the city. It calls for a glance over a shoulder, for a memory.

Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...]

Intro by Adam Carr

Design Act: Socially and Politically Engaged Design Today—Critical Roles and Emerging Tactics is a project that presents and discusses contemporary design practices that engage with political and societal issues.

In each issue of Kaleidoscope, we publish a selection of "tips," recommendations for what/who not to miss in art, architecture, design, film, fashion, publishing, and more. Every time that a new issue is out, the new tips are published in this special section of our website for your updating pleasure.

Beiträge von: Christa Benzer, Martine Beugnet, Martin Frey, Lars Henrik Gass, Brent Klinkum, Friederike Pezold, Bert Rebhandl, Dietmar Schwärzler, Sylvia Szely, Viktoria Tremmel
Interviews mit: Helmut Herbst, Luke Morris, Franz Novotny, Agnès Varda

Udo Bohnenbergers künstlerische Praxis bewegt sich im Spannungsfeld zwischen Skulptur, Installation und performativer Geste.

"Subetage" is an English-language non-fiction work featuring interviews with and about Sabotage comrades-in-arms. For the first time, strategies in the music sector, nasal perspectives, design and fashion tactics, future operational objectives, and free-land zones are discussed in interview-like conversations.

Presented as the blueprints for three public lectures, We are behind proposes alternative routes through Emily Wardill’s work and represents three different attempts at embodying and dissembling knowledge.

"10,000 Francs Reward" is the title of a 1974 interview given to Irmeline Lebeer by Marcel Broodthaers in which the Belgian artist criticised the fact that art was imprisoned by its own ghosts, used to embellish spaces of institutions as a sign of power, and wandered like a shadow through the layers of history.

French Theory and American Art examines some of the main historical conditions of this reception. It considers significant texts, artists, authors, and events that were instrumental in the introduction of French thought into the artistic field of the United States.

Nach dem Erfolg von Unbuildable Tatlin?! erscheint nun das Buch zu Friedrich Kieslers visionärem, nur als Modell verwirklichtem "Endless House".

In 2008, London painter Rachel Howard was invited by the youngest scion of Holland's van Loon family to create a body of work for the family museum. This volume features specially framed portraits and other work of a more architectural nature. The paint almost seems to drip from the paintings; brushstrokes are nearly invisible.

In her new series of drawings IRANIAN FALL, Parastou Forouhar returnes once more to the subject of the political killings in Iran. The images are based on information she has gathered about the circumstances of the killings, such as the photographs of the scene of her parents murder, as well as on what she imagines the victims must have experienced. (English)

Schnösel Mosel is an annual comics and illustration anthology.

o.A

This publication was created as part of the solo exhibitions “Cold Time” at the Kunstverein Braunschweig and “Modelling (Construction School)” at Arnolfini in Bristol.

Working within a lineage which encompasses Joseph Kosuth’s Purloined (in which the author assembled a single novel from individual pages of different books), Tom Phillips’s A Humument (in which the author creates a new narrative by drawing on top of existing pages) and Ronald Johnson’s Radi Os (in which the author erases words from Milton's Paradise Lost to create a stirring new poem), Mueller has done more than simply “compose the holes.”

San Rocco is a magazine about architecture. It does not solve problems. It is not a useful magazine. It is neither serious nor friendly.

An illustrated fiction of invulnerability and disappearance first published as an edition of ten as part of the 2009 exhibition ‘Untitled (Leave Me Be)’ in Oslo.

In albums, or on walls of homes, offices, and schools, group portraits reassure us with a sense of continuity. But then, there’s a paradox, something mysterious lurking within the familiar. The group setting changes the way individuals look and feel. Are they less themselves, or more so?