Ausgabe Neun von „Journal of Aesthetics & Protest“ mit dem Titel „Tectonic Disobedience“ zur Frage „What is and what can be“ in neun Artikeln. Diese Ausgabe erschien im Frühling 2015.

Idea Car is a collection of text works made by LA-based artist Matthew Clifford Green.

Twenty-Seven Kilometres is based on Tim O’Riley’s experience of looking at CERN, the European Laboratory for Particle Physics in Geneva.

Thomas Baldischwyler (1974) reiste nach Australien, um seine Idee von Authentizität zu überprüfen. Der Künstler, mit dem er primär zusammenarbeiten wollte, war Swift Treweeke, der auch unter dem Namen ‘Passenger of Shit‘ in der Speed- und Breakcore-Szene bekannt und mit dem, von wenigen europäischen Hardlinern kultisch verehrten, Musik-Label ‘System Corrupt’ assoziiert ist. Ein Aspekt Baldischwylers Arbeit ist die Frage nach der Möglichkeit von widerständiger Artikulation und ihrer Rolle in gesellschaftlichen Prozessen.

In his work, Terence Koh mobilizes seduction, lust and desire. These moments exemplify a strategy that integrates a queer, polymorphously perverse approach into art production. The meaning produced by his objects is tightly interwoven with both private narration and a wide range of subcultural fields of association. Koh frequently employs trivial materials, which are then transformed in the artistic process and transposed into an almost classical aesthetic.
Terence Koh generiert in seinen Arbeiten Momente der Versuchung, der Lust und des Begehrens. Sie stehen exemplarisch für die Strategie, queere, polymorph perverse Zugänge in die künstlerische Produktion einfließen zu lassen. Die Signifikanz seiner Objekte ist angebunden an private Narration und ein weites Spektrum subkultureller Assoziationsfelder. Dabei verwendet Koh oft triviale Materialien, die durch seinen transformativen Umgang einer nahezu klassischen Ästhetik wieder eingeschrieben werden.

Spanning the most formative era of his life, from the painful years of adolescence to the fame and fortune of early adulthood, this collection of personal correspondences with two near-lifelong friends sheds light on the artistic development, bitter struggle, and ultimate triumph of the world’s greatest living cartoonist.

On Deep Time Relations of Arts, Sciences and Technologies--this new journal's subtitle sounds intense, but its simple mandate is to study inexact copies wherever they appear--twins, photographs, memories, Warhol silkscreens, forwarded e-mails: what seems standard may vary more intensely than what appears to be original.

This publication reconsiders the role of painting in the United States between 1965 and 1975. It examines how

Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community.

This book assembles all the talks and media presented at Aliens & Anorexia: A Chris Kraus Symposium, which took place in March 2013 at the Royal College of Art, London.

Tuukka "Deeli" Kaila is best known from the Numero magazine and his skate photographs for Kingpin etc.

Lovers separated. A letter written. A lonely voice echoes weakly from within the hollow structures of the city. It calls for a glance over a shoulder, for a memory.

Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...]

Intro by Adam Carr

Design Act: Socially and Politically Engaged Design Today—Critical Roles and Emerging Tactics is a project that presents and discusses contemporary design practices that engage with political and societal issues.

In each issue of Kaleidoscope, we publish a selection of "tips," recommendations for what/who not to miss in art, architecture, design, film, fashion, publishing, and more. Every time that a new issue is out, the new tips are published in this special section of our website for your updating pleasure.

Beiträge von: Christa Benzer, Martine Beugnet, Martin Frey, Lars Henrik Gass, Brent Klinkum, Friederike Pezold, Bert Rebhandl, Dietmar Schwärzler, Sylvia Szely, Viktoria Tremmel
Interviews mit: Helmut Herbst, Luke Morris, Franz Novotny, Agnès Varda

Udo Bohnenbergers künstlerische Praxis bewegt sich im Spannungsfeld zwischen Skulptur, Installation und performativer Geste.

"Subetage" is an English-language non-fiction work featuring interviews with and about Sabotage comrades-in-arms. For the first time, strategies in the music sector, nasal perspectives, design and fashion tactics, future operational objectives, and free-land zones are discussed in interview-like conversations.

Presented as the blueprints for three public lectures, We are behind proposes alternative routes through Emily Wardill’s work and represents three different attempts at embodying and dissembling knowledge.

"10,000 Francs Reward" is the title of a 1974 interview given to Irmeline Lebeer by Marcel Broodthaers in which the Belgian artist criticised the fact that art was imprisoned by its own ghosts, used to embellish spaces of institutions as a sign of power, and wandered like a shadow through the layers of history.

French Theory and American Art examines some of the main historical conditions of this reception. It considers significant texts, artists, authors, and events that were instrumental in the introduction of French thought into the artistic field of the United States.

Nach dem Erfolg von Unbuildable Tatlin?! erscheint nun das Buch zu Friedrich Kieslers visionärem, nur als Modell verwirklichtem "Endless House".

In 2008, London painter Rachel Howard was invited by the youngest scion of Holland's van Loon family to create a body of work for the family museum. This volume features specially framed portraits and other work of a more architectural nature. The paint almost seems to drip from the paintings; brushstrokes are nearly invisible.

In her new series of drawings IRANIAN FALL, Parastou Forouhar returnes once more to the subject of the political killings in Iran. The images are based on information she has gathered about the circumstances of the killings, such as the photographs of the scene of her parents murder, as well as on what she imagines the victims must have experienced. (English)

Schnösel Mosel is an annual comics and illustration anthology.

o.A

This publication was created as part of the solo exhibitions “Cold Time” at the Kunstverein Braunschweig and “Modelling (Construction School)” at Arnolfini in Bristol.

Working within a lineage which encompasses Joseph Kosuth’s Purloined (in which the author assembled a single novel from individual pages of different books), Tom Phillips’s A Humument (in which the author creates a new narrative by drawing on top of existing pages) and Ronald Johnson’s Radi Os (in which the author erases words from Milton's Paradise Lost to create a stirring new poem), Mueller has done more than simply “compose the holes.”

San Rocco is a magazine about architecture. It does not solve problems. It is not a useful magazine. It is neither serious nor friendly.

An illustrated fiction of invulnerability and disappearance first published as an edition of ten as part of the 2009 exhibition ‘Untitled (Leave Me Be)’ in Oslo.

In albums, or on walls of homes, offices, and schools, group portraits reassure us with a sense of continuity. But then, there’s a paradox, something mysterious lurking within the familiar. The group setting changes the way individuals look and feel. Are they less themselves, or more so?

Poster, Comes with the exhibition by Andrea van der Straeten curated by Sarah Demeuse, April 11 - May 23, 2010.

Zur Ausstellung erscheint ein aufwendig gestaltetes Künstlerbuch, das sich wie die Ausstellung mit dem Zusammenspiel von Zeichnungen und Gemälden auseinandersetzt und eine lustvolle Umkehrung des hierarchischen Verhältnisses zwischen den beiden Medien betreibt.

Notes 3 brings together a wide selection of Serafijn's visual work, reflections, blogs, mini-essays and short stories.

For ‘One Day’ (2010) Kriemann collected a long list of books about Rotterdam, all of which have been published since its devastating bombing by the Luftwaffe in May 1940.

Luigi Ontani is considered one of the greatest living Italian artists. A painter and sculptor, for decades he has worked on the themes of the myth, the mask and the symbol in various forms. One of the most legendary yet least documented aspects of his activity is the work that he carries out in Bali, where he lives for several months each year.

Die Arbeit, von der dieses Buch handelt und das es dokumentiert, setzt sich an der Schnittstelle zweier alter Systeme fest: dem der politischen Repräsentation von Nationalstaaten außerhalb ihres Territoriums -

In October 2014, Paul McCarthy’s work entered the public space of Paris.

In this work, Willem Popelier investigates mankind's image of himself, the question of what makes someone unique, how we see ourselves and how we want to be seen by others. He researches identity and how we perceive that identity, making use of photography in order to record the facts. By way of neutral portraits, he undertakes an attempt to focus attention on the individual.

Established in 2007 by Marc Fischer, and featured in the 2014 Whitney Biennial, Public Collectors encourages collectors of material culture—the kind that most museums won’t exhibit—to ‘open’ their collections to the public.

Exceptional Editions ist die Ergänzung und Fortsetzung des 2013 im Verlag Moderner Kunst erschienen Werkvereichnisses Mel Ramos. Exhibitional Prints. Es umfasst alle Sondereditionen von Ramos – Skulpturen, Arbeiten auf Emaille, Leuchtkästen und Bas-Relief Arbeiten – sowie die neuerschienen Grafiken seit 2013.

This book, conceived by Anri Sala and Christine Macel, is first and foremost intended to be a research tool, and to provide the reader with an entry point to the issues that the artist was exploring in the process of creating Ravel Ravel Unravel.

Fine artist Mariana Castillo Deball (researcher Fine Art 2002-2003) did research in Berlin, New York and Paris into the way the public uses libraries and their books. She documented the behaviour of the public in these reading and study places in a photo report.

The second book in Marcopoulos' portraits book series takes a look at the musician, guitarist, rapper, producer, and actor Adam Keefe Horovitz (South Orange, NJ, 1966) also known as Ad Rock, one of the members of the pioneering hip-hop group, the Beastie Boys, together with Michael "Mike D" Diamond, Adam "MCA" Yauch and dj Michael "Mix Master Mike" Schwartz.

This publication appears in course of the European project Culture-Body - Body-Culture.Roma and Gadze: an approach.

There is plenty of bad architecture all over the place. Stupid, wrong architecture. Architecture that failed, and failed miserably. Architecture that is full of mistakes. (English)

SAN ROCCO is a magazine about architecture.

Stefan Schusters (*1970) neues Künstlerbuch ist ein Reisejournal der besonderen Art.

If you do dare to mention beauty, then some well-intentioned idiot says “beauty is subjective”, as if this in- disputable truth (given that beauty is, of course, subjective) would implicitly mean that nothing subjective and shared (or universal, or common, or whatever you’d like to call it) could possibly exist; as if subjects could never agree, or could never admit their shared nature and recognize themselves in what, in the end, is nothing more than this: the sudden appearance of something that we all like, something to which we would all like to surrender ourselves (i.e., the sudden appearance of beauty). So, yes: beauty is subjective. But this is no reason to stop worrying about beauty.

Storage and Display turned out to be a frenzied group show where all sixteen of the participating artists were continuously working – and altering their work. The site was the Programa Art Center in Mexico City. The activities and the work of the artists are documented here in glossy full-page spreads, through interviews and essays printed on mat paper.

This book follows two days of collective work during which outcomes, even objects, were temporarily formed and disbanded, leaving behind exhaustion, rumour, and around three thousand photographs, some of which are shown here.

The artists, whose speeches are documented by the book, are among the most important exponents of the movements of the period–Conceptual art, Minimalism, Fluxus and Art & Language.

The "Four Corners Familiars" series invites contemporary artists to illustrate and produce a new edition of a classic novel or short story. This magnificent edition of William Makepeace Thackeray's "Vanity Fair" (first published in 1847-48) is the sixth in this series, and is produced by the British artist Donald Urquhart. (English)

The book 'The Clandenstine Histories of the OHO Group' holds a new light to the problem of the character of neo-avant-garde excess and the experimental work of the OHO Group – leading neo-avantgard group in the region - in the second half of the 1960s. The book focuses on the practices, works, and instances with which – under the conditions of socialistic modernism – the OHO Group problematised, provoked, and destroyed the socialistic order of the vision of the autonomy of art

Thea Djordjadze schafft raumgreifende Installationen, die sie stets in situ als direkte Reaktion auf den sie umgebenden Raum entwickelt.

Thinking under turbulence operates in transgenerational time. It demands to question the dominance of one school of critique or one culture for taking collective positions.

The third toponymic journal is devoted to the entire spectrum of expression of seismic mediums.

A comprehensive monograph on the seminal work of Greenlandic-Danish visual artist and thinker Pia Arke (1958–2007).

In Danh Vos's installation arrangements of objects, photographs, documents, artifacts and souvenirs, the private meets the public, his own biography on political history, original on copy. This book accompanying Danh Vo’s solo exhibition at the Kunsthaus Bregenz pays homage to the artist’s father, Phung Vo, and his contributions to his son’s projects. Together with “Dahn Vo 2004-2012,” this volume constitutes a Danh Vo catalogue raisonne.

How can something immaterial take shape and occupy space? Music and sound refer to the category of affections, the aesthetic information they contain is substantially untranslatable and transcends language.