SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

Minimal Art seemed harmless: just a few hard-edged, greyish pieces of metal laid on the ground, some bricks aligned a certain way, heaps of logs. Minimal Art looked unnecessarily stubborn and a bit stupid, but nobody would ever have thought it could do any harm.

A collection of articles and art exhibitions that each explores the effects that technology has upon the ways humans experience the world.

This alternative guide to the city of Nicosia, Cyprus, was produced to accompany Manifesta 6. Following the biennial’s abrupt cancellation in 2006, This Week has now become one of the few historical records of a great event that never happened.

The Picture Book presents the fantastic adventures of Runfast, Dumblet, Snifty and Meyer 1, mythical creatures which seem like a dream in a zoological garden, surrounded by fairy tale flowers and plants.
(Engl.)

These photographs of 11th century architecture, recently taken in the city of Ghardaia, Algeria, reveal this.

Algerian-born photographer Mohamed Bourouissa is interested in systems, in how society—and particularly subcultures—are structured.

Steffi Klenz places a sequence of a 1973 archive press-photograph at the centre: a photograph of a damaged section of the Berlin Wall.

Kim Gordon’s involvement aligns with her broader interdisciplinary practice that moves between visual art, music, writing and independent publishing.

How can the housing question (Wohnungsfrage) be appropriately reformulated in an age in which the work / life distinction is becoming increasingly blurred?

Portraits and texts recover lost queer history: the lives of people who didn't conform to gender norms, from the fifteenth through the twentieth centuries.

An additional section of sixteen color pages includes original works of art created especially for the book by graphic designer Brian Roettinger, who, with the help of artist/programmer Chandler McWilliams, compiled 25 rules for collage-making and translated those rules into a computer application. The sixteen collages produced by the application make up the book's center section.

Künstler: Norbert Francis Attard, Sharon Chin, Gayle Chong Kwan, Anne Duk Hee Jordan, Simone Eisler, Giulia Giannola, Varsha Nair, Karla Sachse, Marike Schuurman, Shira Wachsmann

This book accompanies a multi-dimensional film project by Auckland artist Sriwhana Spong for Art Basel 2010, which began as a re-imagining of one of the lost masterpieces of ballet, George Balanchine’s The Song of the Nightingale.

Andy Hope 1930 lives and works in Berlin. He studied at the Academy for Visual Arts in Munich and at Chelsea College of Art & Design in London. He has exhibited widely throughout Europe and in the US and his work is represented in international major collections.

Margaret Calkin James was a calligrapher, graphic designer, textile printer, watercolour painter and printmaker. Her Order Book shows that she worked for the most progressive, prestigious and popular clients of the inter-war years.

The main question that needs to be answered is: How can sustainable stormwater management be integrated with urban design in order to create liveable, sustainable, and attractive cities?

In her work, Ricarda Roggan mostly directs her gaze at objects and spaces that speak of human lingering and acting.
(German / English / Japanese / Greek)

The book as an outcome of Jacobi's artistic research provides an understanding of the aesthetic language that emerges from these events.

The Lure of the Biographical zooms in on the supposed relationship between the art and the personal image of artists. The book explores how visual artists use their personal history and image to make a name for themselves, and how they try to control how their artistic output is interpreted.

What sense is there today to take another look at existence from an abstractionist perspective.

ADVENTURE-LANDING ist eine Studie über die Animation.

Architektur in Gebrauch is a journal for architecture in use.

Architektur in Gebrauch is a journal for architecture in use.

Architektur in Gebrauch is a journal for architecture in use.

Architektur in Gebrauch is a journal for architecture in use.

Architektur in Gebrauch is a journal for architecture in use.

Issue 4 of Amc2 comprises photographs from the exhibiton "Collected Shadows".

The artist’s house is a prism through which to view not only the artistic practice of its inhabitant, but also to apprehend broader developments in sculpture and contemporary art in relation to domestic architecture and interior space.

Focusing on eight books published between 1916 and 1971, this issue of the Henry Moore Institute's journal Essays on Sculpture explores how sculpture has been represented in books.

Evolving out of his previous work on pedagogical structures and the acquisition of knowledge, Reading Karl Marx is based upon Rainer Ganahl's organisation of reading seminars as a platform for the discussion of issues and ideas.

The Happy Hypocrite is a biannual journal for and about experimental art writing.

The Happy Hypocrite is a biannual journal for and about experimental art writing.

Botanical Drift explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe.

Bruce Russell is like, the granddaddy of new music. If you think the dings and tings you're hearing in low lit performance spaces are out of this world, imagine what he's been up to for the past few decades. From the Dead C to Handful of Dust, he's made his mark by refining (and redefining) sound art from his hometown in Dunedin.

This book contains the transcription of the lecture Bentwood by Gabriel Pericàs, which
begins as follows:

Ari Marcopoulos has work in the current international traveling exhibition Beautiful Losers, and has recently had solo exhibitions at the Yerba Buena Center for the Arts in California, and at P.S.1 in New York. His photographs are regularly featured in the New York Times Magazine.

Documents 3 decades of traveling through the Grand Canyon by boat with my father.

In Chronicles Vol.2, artist Kim Gordon (1953 Los Angeles, California) brings together some of her most personal and unique drawings from a collection gathered over a period of years for her daughter Coko, her nieces, Thurston, and friends.

This is the 6th Issue of the Art Magazine Cine Qua Non

Der Katalog erscheint anlässlich der Ausstellung Albert Mayr. The Johnny Hawaii Orchestra im Künstlerhaus Graz.

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination and reception of contemporary art in the Middle East and North Africa.

Die Arbeiten der britischen Künstler, Dinos & Jake Chapman, bestehen aus Fiberglaspuppen, die in dioramenhafter Umgebung präsentiert wurden.
(Engl.)

Contains different artists' comic drawings concerning the theme of the book: home.

Contains different artists' drawings and comics concerning the theme of the book: Mother.

This volume explores ten sites of historical and cultural interest around the state of Utah, which was geographically located within the original Kingdom of Desert.

Amsterdam-based photographer/author Baaijens gave up her job as an environmentalist nearly 20 years ago and has been exploring the deserts of Egypt and the Sudan with her small camel caravan ever since. Here, she sets out on a voyage of self-discovery, recounting her passion for the desert, the place she loves and fears.

Cascoland is a multidisciplinary public art project, with the aim to explore a series of interventions in public space to create awareness of urban issues, mobility and the use of public space in a positive and creative framework.

After a wonderful cooperation on the successful book Amo Amare, it was crucial to keep going. Květa has moved to a new flat and with certain ease, but also nostalgia, she kept only those objects truly essential to her.

This publication gathers images of artworks taken in the artist’s studio and in his backyard in upstate New York. Hansen’s art oscillates between the small, deteriorated found object and the delicate, hand-blown glass sculpture, neutralizing the contradictory status of the precious to the discarded.

Die Rolle der Bildagenturen ist ein blinder Fleck in der Geschichtsschreibung der Fotografie.

The book offers a collection of urgencies and agencies in art history, art writing, and art and cultural production from across this cultural and political geography.

The Documenta project reader

In 2007, Ai Weiwei, the well-known Chinese artist, architect, curator, and filmmaker, presented Fairytale at documenta 12 in Kassel: he invited 1,001 Chinese citizens of different ages and from various backgrounds to Germany to experience Europe’s most innovative five-yearly art event and live their own fairytale for 28 days …

This book is an attempt at grasping an important part of Květa Fulierová’s archive, which holds a selection of negatives and printed black and white photographs stowed away in envelopes, marked according to themes and sorted chronologically in chocolate boxes.

The theme for this issue is "Computer Camp".

Das vorliegende Katalogbuch enthält Selbstzeugnisse von allen Künstlern, auch von jenen, die sich üblicherweise diesen Anforderungen entziehen. Diese Selbstzeugnisse sind wichtig, dokumentieren sie doch authentisch die unterschiedlichen Zugänge zum Thema.

Edited by Adam Budak, Peter Pakesch
With texts by Adam Budak, Clémentine Deliss, Antje Majewski, Ingo Niermann, Peter Pakesch, Xu Shuxian, Marcus Steinweg; transcripts of interviews with Issa Samb, El Hadji Sy, Alejandro Jodorowsky, Thomas and Helke Bayrle; and reprints by Jorges Luis Borges, Friedrich Hölderlin, Chuang Tzu, John Joseph Mathews

(English)

…questions the expectations of a new land and landscape for a foreigner.

The Cinema Makers investigates how cinema spectators in south-eastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema ‘events’, writing about film and making films themselves.