SAN ROCCO is a magazine about architecture.

Stefan Schusters (*1970) neues Künstlerbuch ist ein Reisejournal der besonderen Art.

If you do dare to mention beauty, then some well-intentioned idiot says “beauty is subjective”, as if this in- disputable truth (given that beauty is, of course, subjective) would implicitly mean that nothing subjective and shared (or universal, or common, or whatever you’d like to call it) could possibly exist; as if subjects could never agree, or could never admit their shared nature and recognize themselves in what, in the end, is nothing more than this: the sudden appearance of something that we all like, something to which we would all like to surrender ourselves (i.e., the sudden appearance of beauty). So, yes: beauty is subjective. But this is no reason to stop worrying about beauty.

Storage and Display turned out to be a frenzied group show where all sixteen of the participating artists were continuously working – and altering their work. The site was the Programa Art Center in Mexico City. The activities and the work of the artists are documented here in glossy full-page spreads, through interviews and essays printed on mat paper.

This book follows two days of collective work during which outcomes, even objects, were temporarily formed and disbanded, leaving behind exhaustion, rumour, and around three thousand photographs, some of which are shown here.

The artists, whose speeches are documented by the book, are among the most important exponents of the movements of the period–Conceptual art, Minimalism, Fluxus and Art & Language.

The "Four Corners Familiars" series invites contemporary artists to illustrate and produce a new edition of a classic novel or short story. This magnificent edition of William Makepeace Thackeray's "Vanity Fair" (first published in 1847-48) is the sixth in this series, and is produced by the British artist Donald Urquhart. (English)

The book 'The Clandenstine Histories of the OHO Group' holds a new light to the problem of the character of neo-avant-garde excess and the experimental work of the OHO Group – leading neo-avantgard group in the region - in the second half of the 1960s. The book focuses on the practices, works, and instances with which – under the conditions of socialistic modernism – the OHO Group problematised, provoked, and destroyed the socialistic order of the vision of the autonomy of art

Thea Djordjadze schafft raumgreifende Installationen, die sie stets in situ als direkte Reaktion auf den sie umgebenden Raum entwickelt.

Thinking under turbulence operates in transgenerational time. It demands to question the dominance of one school of critique or one culture for taking collective positions.

The third toponymic journal is devoted to the entire spectrum of expression of seismic mediums.

A comprehensive monograph on the seminal work of Greenlandic-Danish visual artist and thinker Pia Arke (1958–2007).

In Danh Vos's installation arrangements of objects, photographs, documents, artifacts and souvenirs, the private meets the public, his own biography on political history, original on copy. This book accompanying Danh Vo’s solo exhibition at the Kunsthaus Bregenz pays homage to the artist’s father, Phung Vo, and his contributions to his son’s projects. Together with “Dahn Vo 2004-2012,” this volume constitutes a Danh Vo catalogue raisonne.

How can something immaterial take shape and occupy space? Music and sound refer to the category of affections, the aesthetic information they contain is substantially untranslatable and transcends language.

Can a design manifesto be written in a post-manifesto age?

The catalogue accompanying the international group exhibition is dedicated to the mutually permeating relationship of the written word with art and film.

This book is the result of intellectual and physical journeys that artists, scholars, teachers, and students from China and Germany have undertaken together, in order to gain a better understanding of the connections between old Chinese philosophy (with an emphasis on Daoist writings), traditional Chinese painting, and contemporary art practices.

Language: English

A quick trip thru the Museum of Modern Art turns into a four hour (inspirational) photo shoot & book.

This book was made as part of my photographic process. The city poses questions that sometimes by the simple capture of images of it are not answered.

...this book may not be reproduced in whole or part... (Engl.)

A collection of recycled art made new by an international group of talented friends.

Canto di strada is the catalogue of the joint exhibition Canto di strada (Street Song) by Hamish Fulton and Michael Höpfner held at the MAN Museum in Nuoro (6 January–5 April 2015).

W139 - a Space for continuous production and presentation of Contemporary Art since 1979. Dedicated to risk and experiment.

Truth is Concrete: A Handbook for Artistic Strategies in Real Politics takes the possibility of concrete truth as a working hypothesis and looks for direct action and concrete knowledge: for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that not only acts for the sake of acting but searches for intelligent, creative means of self-empowerment. This book is the second manifestation under this title; the first materialized as a twenty-four-hour, seven-day marathon camp that took place in the frame of the steirischer herbst festival in Graz, Austria, in September 2012.

Das Künstlerbuch A Bruit (With Noise) vereint zwei Arbeiten der französischen Fotografin Roselyne Titaud: Rückkehr von der Jagd ist eine Serie von Fotografien, die im November 2012 in der Nähe der Stadt Görlitz in Deutschland entstanden sind.

What are the processes that enable archives to become productive?

baumtest is a quarterly arts publication co-founded by five artists and writers based in Los Angeles.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Not Now! Now! engages with the politics of time in art: historical narratives and memory, the unforeseen rhythms of time, and the challenge of visualizing time.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

This collection of essays, discussions, and interviews reflects on the intersection of the historicity, materiality, and structures behind culturally constructed race and racism, anti-Semitism, anti-Romaism, and queer shame across different disciplines, fields, and theories

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Fashion and Postcolonial Critique outlines a critical global fashion theory from a postcolonial perspective. It investigates contemporary articulations of postcolonial fashion critique, and

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

The project ‘flüchtig’ [volatile/fugacious] aimed to explicitly follow the paths which were taken by previous visiting artists and curators on site.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Beiträge aus künstlerischen Perspektiven zur Diskussion rund um Menschenrechte. Auch in Europa stellen sich in vielen Bereichen Menschenrechtsfragen täglich aufs Neue. Es lohnt sich, Bescheid zu wissen, um verstärkt im Sinne der eigenen Rechte und der Rechte anderer argumentieren zu können.

Texts by Art & Language, Colectivo Situaciones, Charles Esche, Ljiljana Filipovi?, Jon Hendricks, Brian Holmes, Ana Longoni, Viktor Misiano, Angelika Nollert, Suely Rolnik, WHAT, HOW & FOR WHOM/WHW and Stephen Wright. Publisher: Kunsthalle Fridericianum (René Block), Siemens Arts Program (Angelika Nollert). Publishing company: Revolver – Archiv für aktuelle Kunst, Frankfurt/Main.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Although the format of the rehearsal is used across a number of disciplines—film and theater as well as fine arts—it has been scarcely considered in historical and contemporary art discourses.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

MAKE.A.MATCH gave artists Carte Blance to develop a project, but with one restriction: they have to collaborate with another artist, a stranger chosen by the curator.

Der österreichische Architekt Carl Pruscha war von 1964-74 Berater für Regionalplanung in Nepal im Auftrag der Vereinten Nationen.

The everyday connotations of the original, the real, sincere, valid, historical or deep are well-known, and the opposite of the authentic may then be the superficial, false, not-what-it-seems, or just new. Nonetheless 'the real thing’ is still a fruitful starting point to analyze changes in the post-digital society. Digital technology is embedded in almost every personal relationship, in labour conditions, and in aesthetic practices.

Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group.

Being Public investigates, from different perspectives, the notion of 'public'. 'Public' is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected.

This book investigates what space an artwork can occupy in the public domain, how it can draw attention to ethical issues in society, and how it can spur individuals and groups into action.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

The letters permit us a glimpse of a space that contains many different reflections.