This book was made as part of my photographic process. The city poses questions that sometimes by the simple capture of images of it are not answered.

...this book may not be reproduced in whole or part... (Engl.)

A collection of recycled art made new by an international group of talented friends.

Canto di strada is the catalogue of the joint exhibition Canto di strada (Street Song) by Hamish Fulton and Michael Höpfner held at the MAN Museum in Nuoro (6 January–5 April 2015).

W139 - a Space for continuous production and presentation of Contemporary Art since 1979. Dedicated to risk and experiment.

Truth is Concrete: A Handbook for Artistic Strategies in Real Politics takes the possibility of concrete truth as a working hypothesis and looks for direct action and concrete knowledge:

Das Künstlerbuch A Bruit (With Noise) vereint zwei Arbeiten der französischen Fotografin Roselyne Titaud: Rückkehr von der Jagd ist eine Serie von Fotografien, die im November 2012 in der Nähe der Stadt Görlitz in Deutschland entstanden sind.

What are the processes that enable archives to become productive?

baumtest is a quarterly arts publication co-founded by five artists and writers based in Los Angeles.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Not Now! Now! engages with the politics of time in art: historical narratives and memory, the unforeseen rhythms of time, and the challenge of visualizing time.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

This collection of essays, discussions, and interviews reflects on the intersection of the historicity, materiality, and structures behind culturally constructed race and racism, anti-Semitism, anti-Romaism, and queer shame across different disciplines, fields, and theories

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Fashion and Postcolonial Critique outlines a critical global fashion theory from a postcolonial perspective. It investigates contemporary articulations of postcolonial fashion critique, and

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

The project ‘flüchtig’ [volatile/fugacious] aimed to explicitly follow the paths which were taken by previous visiting artists and curators on site.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Beiträge aus künstlerischen Perspektiven zur Diskussion rund um Menschenrechte. Auch in Europa stellen sich in vielen Bereichen Menschenrechtsfragen täglich aufs Neue. Es lohnt sich, Bescheid zu wissen, um verstärkt im Sinne der eigenen Rechte und der Rechte anderer argumentieren zu können.

Die Auseinandersetzung mit dem Thema Frauen-Kunst-Migration und ihre Verknüpfung auf sozialer, gesellschaftlicher und künstlerischer Ebene...

Texts by Art & Language, Colectivo Situaciones, Charles Esche, Ljiljana Filipovi?, Jon Hendricks, Brian Holmes, Ana Longoni, Viktor Misiano, Angelika Nollert, Suely Rolnik, WHAT, HOW & FOR WHOM/WHW and Stephen Wright. Publisher: Kunsthalle Fridericianum (René Block), Siemens Arts Program (Angelika Nollert). Publishing company: Revolver – Archiv für aktuelle Kunst, Frankfurt/Main.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Although the format of the rehearsal is used across a number of disciplines—film and theater as well as fine arts—it has been scarcely considered in historical and contemporary art discourses.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

MAKE.A.MATCH gave artists Carte Blance to develop a project, but with one restriction: they have to collaborate with another artist, a stranger chosen by the curator.

Der österreichische Architekt Carl Pruscha war von 1964-74 Berater für Regionalplanung in Nepal im Auftrag der Vereinten Nationen.

The everyday connotations of the original, the real, sincere, valid, historical or deep are well-known, and

Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group.

Being Public investigates, from different perspectives, the notion of 'public'. 'Public' is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected.

This book investigates what space an artwork can occupy in the public domain, how it can draw attention to ethical issues in society, and how it can spur individuals and groups into action.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

The letters permit us a glimpse of a space that contains many different reflections.

In seinem ersten Buch zeigt Fotograf Alexander Coggin eigenartige Momentaufnahmen aus den letzten Jahren.

A crossover zine between sex and art.

a crossover zine between sex and art

Montrage ist eine Ausstellung in Buchformat mit cinematografischen Projekten der Portugiesischen Künstlerin Filipa César.

There are 140 copies, which are signed and numbered.

The inaugural issue of Basso Magazine delves into the intricate interplay between art, identity, and corporeality.

basso magazin is edited by Yusuf Etiman. Yusuf was born in Istanbul, Turkey, in 1969 and lives and works in Berlin since 1989.

Basso #5 is the fifth issue of the independent art and culture magazine Basso, dedicated to contemporary discourses at the intersection of art, society, and theory.

#6

This essay is an attempt to conceive a necessary step to be made by an emacipated “second generation” diaspora on its way to independence, no longer bound to the post-colonial and therefore not locality defined.

Die Forschung zu weiblichen/sapphischen Kollaborationen der Moderne deckt fortlaufende Prozesse der »Auslöschung« oder des »Aus-der-Kunstgeschichte-heraus-Schreibens« weiblicher Protagonistinnen auf.

Yervant Gianikian and Angela Ricci Lucchi visited the Soviet Union at the end of the 1980s. It was during the closing years of the Soviet Empire, and the words on everyone’s lips were glasnost and perestroika. They wanted to gather the memories of the cinematographic literary and artistic Russian avant-garde of the ’20s and ’30s, seeking out survivors and listening to their life stories.

Evolution (a collaboration with Håkan Jonson) is a Java-based AI application that emulates the writing and compositions of poet and artist Johannes Heldén.

A book of drawing experiments by Aaron Carpenter. Carpenter’s humble, humorous drawings often result from peculiar, self-inflicted constraints, as in “Calibrating of Left Arm as a Rule Edge” and “Self Portrait Drawn at Knife-point”.

The fifth issue of "FAQNP" looks at "visualizations" of queer nerds.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Published in conjunction with Flaka Haliti’s solo presentation conceived for the Kosovo Pavilion at the 56th Venice Biennale, this book continues the artist’s invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

Is it possible to understand graphic design as a practice beyond an object-centric approach, as a practice beyond the conception and production of well-designed and printed artifacts? Which other potentials to create a public should be considered integral to design as an activity?