Mit Beiträgen von Nora M. Alter, Michel Chion, Christoph Cox, Diedrich Diederichsen, Caryl Flinn, Barbara Flückiger, Tom Holert, Brandon LaBelle, Christian Petzold, Constanze Ruhm, Christian Scheib, Holger Schulze, Axel Stockburger, Terre Thaemlitz, Hildegard Westerkamp

With:
Jannah Loontjens (poet-curator)
Aam Solleveld (artist)
Katja van Stiphout (graphic design)

This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things.

Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s.

In this volume the reader is introduced to the Lebanese-inspired vegan fusion cuisine of artist and food designer Nabila Zein, who arranged vegan dishes and table compositions as miniatures of the oriental places they are related to, in their way of preparation and presentation.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

POA 1–22 is part of the ongoing archive of activities conducted by the independent event bureau Public Occasion Agency (POA), founded by Jan Nauta and Scrap Marshall at the Architectural Association in 2009.

While so-called new capitalist global exhibition projects that either include selected Third and Second World artists and their artworks or are organized just for them are developing, so is a subtle system of inclusion and exclusion.

Published to accompany an exhibition marking the 100th anniversary of Pollock’s and Smith’s births, this catalogue reproduces five small sculptures, all dating from the mid-1950s, including the last two sculptures Pollock made and three of Smith’s earliest sculptures.

This book is an unconventional autobiography. It retraces one year in the life of Rob Pruitt through the quotidian objects that the artist once loved, consumed, then felt he didn't need anymore.

Box set containing 2 booklets, a fold-out poster, and a postcard.

Contemporary art museums are building. In recent decades art museums and public galleries have extensively renovated, rebuilt and added structures to their premises. New museums have been commissioned and erected by private collectors and companies; existing public museums and art institutions have expanded through the opening of new ‘branches’ and franchises. But what should take place within these new premises?

Taking the work of Sanja Iveković as a point of departure to discuss urgent matters in feminism today, Sanja Iveković: Unknown Heroine - A Reader gathers commissioned essays by key feminist voices who contributed to a conference titled ‘23%’, which was held on the occasion of the exhibition Sanja Iveković: Unknown Heroine, curated by Lina Džuverović at Calvert 22 Gallery and the South London Gallery (December 2012 - February 2013).

Long out of print and unavailable to wider audiences, "The Paper Snake" is an essential work in Ray Johnson’s oeuvre and the second title published by Dick Higgins’ Something Else Press, in 1965.

The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity.

This book has been published on the occasion of the exhibition 'Never Talk to Strangers' and invites the artist, as well as the reader, to rethink "home".

Big „black book“ of Josef Bolf, the Atomic age’s most depressive visionary, with text by Tomáš Pospiszyl. Extensive hardback summarizing artists existing creation with original addendum.

CD (32' 39) in cardboard box with booklet, 100 copies.

There has never been a full agreement as to what were the key influences on Kurt Schwitters when he was preparing the Ursonate.

This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

The encounter with the island came as a shock. There was something there I had completely forgotten about while living in the city. We walked, talked and worked in almost complete solitude. Around us only the quiet but overwhelming presence of nature. And above all, the light: strong enough to blind me and to penetrate my thoughts.

In seiner zweiten Monographie widmet Paul Hutchinson seine Aufmerksamkeit einem U-Bahnhof in Berlin-Neukölln. Wildlife Photography ist eine verspielte Auseinandersetzung mit dem Erscheinungsbild eines alltäglichen Exotismus.

On the Exactitude of Science (Del rigor en la ciencia) by Jorge Luis Borges is the genesis of my current ongoing body of work and the subject of my Guggenheim proposal project. (Engl.)

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations. How does a poetic thinking work that's not about but with art?

The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee.

“At Home He Feels Like a Tourist” displays in book form Mirko Smerdel’s research interests and strategies of artistic production: the observation and categorisation of pre-existing images or objects, the use of narrative as a research tool, the dialogue between micro and macro, private and public.

All the images in AHHFLAT come from a group of negatives bought online sight unseen from the USA. They capture snapshots of what looks like the recreation time of three separate and independent groups of people.

Schmetterlinge ist nach Wildlife Photography der zweite Band in einer Reihe kleinformatiger Publikationen von Paul Hutchinson, die er mit The Green Box entwickelt hat.

Initiated by Keren Cytter and co-edited by Fiona Bryson and Roger van Voorhees, the quarterly publication focuses on three experimental writers or poets per issue—image content is supplied by one artist.

The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson, the quarterly publications focus on three experimental writers or poets per issue—image content is supplied by one artist.

Over the past decade, the European Union has fallen into a drawn-out crisis, politically as well as economically. In this book, the authors argue that analyses of this crisis miss an important element: culture.

Reading performance / Video basierend auf dem Originaltext "Droit au retour" von Annie Zedek. Mit Annie Zedek und Tina Bepperling, Kamera Alexandre KviriaBild

As the theme, "Form" the content of the first issue has different subjects in articles, stories, illutrations about form, uniform, form without content, masks, image etc.

An edition without photographic works but only typography (my personal writtings and some helvetica reworked) to show the world of Robert Frank, a great photograhe, artist today. (Engl.)

The journal « Les Cahiers d’hortence » is the result of a research and teaching laboratory based in the Institut Supérieur d’Architecture La Cambre in Brussels.

Wunderbare Schwarz-Weiss-Aufnahmen von Alessandro Zuek Simonetti. Die Bilder seiner Japanese Rockabilly Serie sind auf der ABC Rebel Night, einer monatlich in einer New Yorker Tiki-Bar stattfindenden Partyreihe entstanden. (Engl.)

With texts by John Holten and Sophie Kaplan

McCues technische Perfektion erinnert an die Tradition der Trompe-l’œil-Malerei, doch in diesem Fall geht es nur um angedeutete Täuschung.

The author analyses the repetition, frequency and overlapping of graffitied marks in Athens and identifies in them a system of flexible signage.

The first issue of errors deceits mistakes was presented at Salon Light, Paris 11 & 12 November 2006. It contains photocopies in black and white.

Joachim Koester works along the borders between documentary and fiction. Typically he begins with an obscure story bound up with a particular place, a sited tale that is somehow broken or layered through time.

This catalogue is an inventory of work made by the students of the Photography department of the Gerrit Rietveld Academy, Amsterdam.

Works of students who
- are graduating 2006
- will graduate 2007
- graduated 2005

Benoît Maire's publication includes the preface, introduction and an incomplete chapter I of a book to come, eventually.
The Square in a Forest is the chronicle of a possible exhibition, inspired by the works of: Gabriel Orozco, Ryan Gander, Balthus, Seth Price, Liam Gillick, Marcel Duchamp, Donald Judd, John McCracken, Ian Wilson, Ugo Rondinone, Sturtevant, Lee Lozano, Dan Graham, Reena Spaulings, General Idea, Steven Parrino, Adam Pendleton, Brice Marden, Martha Rosler, Marcel Broodthaers, John Armleder, Phillipe Thomas, Pierre Joseph, Cercle Ramo Nash and Pierre Klossowski.

In diesem signierten und nummerierten Zine sind Werke des ungarischen bildenden Künstlers Szabó Dezső.

This is the first re-issue of Stephen Willats’ major text The Artist as an Instigator of Changes in Social Cognition and Behaviour since its original publication in 1973.

The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education.

Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records.

"I chose to work by making large scale drawings, functioning as a peculiar iconography of ideas and in the same time as a critic of reason."

EVIL KNIEVEL is the self-proclaimed incarnation of the American hero.

The photo project "Insecurity of Wealth in layers of paint", which is inspired by Rihanna's "Umbrella" lyrics "Baby cause in the dark, you cant see shiny cars", depicts a series of black cars in dark nights.

In 2017, the globalization of capitalism is currently rushing toward a relentless and banal phase. Beyond the fall of communism after the Cold War, what do human beings meet next — the demise of capitalism?

This booklet was published on the occasion of Gander's solo exhibition 'It's a right Heath Robinson affair (a stuttering exhibition in two parts)'.

Diese Publikation ist im Stil von Fanzines aufgebaut, die jeweils ein anderes Thema behandeln.

Schizm Magazine invites contemporary artists and writers to contribute pages in response to a theme which, as the title implies, engages with a paradoxical idea.

20 artists were invited to write descriptions of cities they have not visited.

The pages of the book retrace the artist's perspective of time and space and the inexpressible coincidence between the real and the apparent.

The history of humans under the sea has little connection to their history above it. Apnea diving or freediving is the oldest and most primal form of human underwater activity.

„The most fundamentally horrifying moment of “horror” has consistently been when the main characters lose their individuality and dignity, and when the grand depiction of their utter failure and disappointment occurs

Olena Chekan (1946-2013) played her first role in Andrei Tarkovsky's film Solaris.

Mit Beiträgen von Alain Badiou, Friedrich Balke, Bruno Bosteels, Lorenzo Chiesa, Felix Ensslin, Peter Hallward, Mark Potocnik, Frank Ruda, Jason E. Smith, Jelica Šumič, Jan Völker.

''Heyt be!'' is a timeless published fanzine equipped with humour and illustration by the three Istanbulish artists Deniz Beser, Sedef Karakas and Baris Sinsi