The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity.

This book has been published on the occasion of the exhibition 'Never Talk to Strangers' and invites the artist, as well as the reader, to rethink "home".

Big „black book“ of Josef Bolf, the Atomic age’s most depressive visionary, with text by Tomáš Pospiszyl. Extensive hardback summarizing artists existing creation with original addendum.

CD (32' 39) in cardboard box with booklet, 100 copies.

There has never been a full agreement as to what were the key influences on Kurt Schwitters when he was preparing the Ursonate.

This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

The encounter with the island came as a shock. There was something there I had completely forgotten about while living in the city. We walked, talked and worked in almost complete solitude. Around us only the quiet but overwhelming presence of nature. And above all, the light: strong enough to blind me and to penetrate my thoughts.

In seiner zweiten Monographie widmet Paul Hutchinson seine Aufmerksamkeit einem U-Bahnhof in Berlin-Neukölln. Wildlife Photography ist eine verspielte Auseinandersetzung mit dem Erscheinungsbild eines alltäglichen Exotismus.

On the Exactitude of Science (Del rigor en la ciencia) by Jorge Luis Borges is the genesis of my current ongoing body of work and the subject of my Guggenheim proposal project. (Engl.)

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations. How does a poetic thinking work that's not about but with art?

The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee.

“At Home He Feels Like a Tourist” displays in book form Mirko Smerdel’s research interests and strategies of artistic production: the observation and categorisation of pre-existing images or objects, the use of narrative as a research tool, the dialogue between micro and macro, private and public.

All the images in AHHFLAT come from a group of negatives bought online sight unseen from the USA. They capture snapshots of what looks like the recreation time of three separate and independent groups of people.

Schmetterlinge ist nach Wildlife Photography der zweite Band in einer Reihe kleinformatiger Publikationen von Paul Hutchinson, die er mit The Green Box entwickelt hat.

Initiated by Keren Cytter and co-edited by Fiona Bryson and Roger van Voorhees, the quarterly publication focuses on three experimental writers or poets per issue—image content is supplied by one artist.

The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson, the quarterly publications focus on three experimental writers or poets per issue—image content is supplied by one artist.

Over the past decade, the European Union has fallen into a drawn-out crisis, politically as well as economically. In this book, the authors argue that analyses of this crisis miss an important element: culture.

Reading performance / Video basierend auf dem Originaltext "Droit au retour" von Annie Zedek. Mit Annie Zedek und Tina Bepperling, Kamera Alexandre KviriaBild

As the theme, "Form" the content of the first issue has different subjects in articles, stories, illutrations about form, uniform, form without content, masks, image etc.

An edition without photographic works but only typography (my personal writtings and some helvetica reworked) to show the world of Robert Frank, a great photograhe, artist today. (Engl.)

The journal « Les Cahiers d’hortence » is the result of a research and teaching laboratory based in the Institut Supérieur d’Architecture La Cambre in Brussels.

Wunderbare Schwarz-Weiss-Aufnahmen von Alessandro Zuek Simonetti. Die Bilder seiner Japanese Rockabilly Serie sind auf der ABC Rebel Night, einer monatlich in einer New Yorker Tiki-Bar stattfindenden Partyreihe entstanden. (Engl.)

With texts by John Holten and Sophie Kaplan

McCues technische Perfektion erinnert an die Tradition der Trompe-l’œil-Malerei, doch in diesem Fall geht es nur um angedeutete Täuschung.

The author analyses the repetition, frequency and overlapping of graffitied marks in Athens and identifies in them a system of flexible signage.

The first issue of errors deceits mistakes was presented at Salon Light, Paris 11 & 12 November 2006. It contains photocopies in black and white.

Joachim Koester works along the borders between documentary and fiction. Typically he begins with an obscure story bound up with a particular place, a sited tale that is somehow broken or layered through time.

This catalogue is an inventory of work made by the students of the Photography department of the Gerrit Rietveld Academy, Amsterdam.

Works of students who
- are graduating 2006
- will graduate 2007
- graduated 2005

Benoît Maire's publication includes the preface, introduction and an incomplete chapter I of a book to come, eventually.
The Square in a Forest is the chronicle of a possible exhibition, inspired by the works of: Gabriel Orozco, Ryan Gander, Balthus, Seth Price, Liam Gillick, Marcel Duchamp, Donald Judd, John McCracken, Ian Wilson, Ugo Rondinone, Sturtevant, Lee Lozano, Dan Graham, Reena Spaulings, General Idea, Steven Parrino, Adam Pendleton, Brice Marden, Martha Rosler, Marcel Broodthaers, John Armleder, Phillipe Thomas, Pierre Joseph, Cercle Ramo Nash and Pierre Klossowski.

In diesem signierten und nummerierten Zine sind Werke des ungarischen bildenden Künstlers Szabó Dezső.

This is the first re-issue of Stephen Willats’ major text The Artist as an Instigator of Changes in Social Cognition and Behaviour since its original publication in 1973.

The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education.

Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records.

"I chose to work by making large scale drawings, functioning as a peculiar iconography of ideas and in the same time as a critic of reason."

EVIL KNIEVEL is the self-proclaimed incarnation of the American hero.

The photo project "Insecurity of Wealth in layers of paint", which is inspired by Rihanna's "Umbrella" lyrics "Baby cause in the dark, you cant see shiny cars", depicts a series of black cars in dark nights.

In 2017, the globalization of capitalism is currently rushing toward a relentless and banal phase. Beyond the fall of communism after the Cold War, what do human beings meet next — the demise of capitalism?

This booklet was published on the occasion of Gander's solo exhibition 'It's a right Heath Robinson affair (a stuttering exhibition in two parts)'.

Diese Publikation ist im Stil von Fanzines aufgebaut, die jeweils ein anderes Thema behandeln.

Schizm Magazine invites contemporary artists and writers to contribute pages in response to a theme which, as the title implies, engages with a paradoxical idea.

20 artists were invited to write descriptions of cities they have not visited.

The pages of the book retrace the artist's perspective of time and space and the inexpressible coincidence between the real and the apparent.

The history of humans under the sea has little connection to their history above it. Apnea diving or freediving is the oldest and most primal form of human underwater activity.

„The most fundamentally horrifying moment of “horror” has consistently been when the main characters lose their individuality and dignity, and when the grand depiction of their utter failure and disappointment occurs

Olena Chekan (1946-2013) played her first role in Andrei Tarkovsky's film Solaris.

Mit Beiträgen von Alain Badiou, Friedrich Balke, Bruno Bosteels, Lorenzo Chiesa, Felix Ensslin, Peter Hallward, Mark Potocnik, Frank Ruda, Jason E. Smith, Jelica Šumič, Jan Völker.

''Heyt be!'' is a timeless published fanzine equipped with humour and illustration by the three Istanbulish artists Deniz Beser, Sedef Karakas and Baris Sinsi

Deniz Beser was selling his Zine about the political happenings in Turkey in May and June 2013 in the streets of Tübingen. This performance was referred to the spontaneous marketing strategies of the Turkish street vendors during the protests.

“This book contains 101 short accounts of key ideas and terms which are regarded as central to art from the TRUE ART LOVERS perspective.

Noch nie war Gender Mainstreaming – als Institutionalisierung von »gleichheitsorientierten« Genderpolitiken – so präsent wie heute. Besonders im Zusammenhang mit Integrationsprozessen postsozialistischer Länder in die EU wird Gender Mainstreaming zu einem entscheidenden Faktor in der Gesetzgebung.

Die Publikation DIE ANWESENDE AUTORIN. Wer spricht in der Performance? versammelt Positionen, die in ihren künstlerischen Arbeiten, performativen und choreographischen Praxen die Frage „Wer spricht in der Performance?“ stellen.(English/German)

The installation of The Robbery of the Year, by Ulises Carrión, was exhibited at the Drents Museum in Assens, the Netherlands, in 1982. The piece found a place in this provincial museum in spite of differing from the work that was usually shown there. The invitation to view an unprotected diamond in almost total darkness must have been disconcerting for the public. The enigmatic nature of the piece was captured by Claudio Goulart and this publication showcases the images taken at the time, while inducing readers to become witnesses of an open case.

A stolen overcoat, a murdered thief. The people of 19th-century Pittsburgh made some mistakes. Sometimes those bad decisions are all we know of 'em.

Taking its title from Ursula K. Le Guin’s 1972 novella, The Word for World is Still Forest curates an homage to the forest as a turbulent, interconnected, multinature.

In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto.

To him, a city is like a mountain range, but with one essential difference: there are always new skyscrapers under construction. Known as “the French Spider-Man”, Alain Robert is famous for his free solo climbing, scaling skyscrapers using no equipment except for a small bag of chalk and a pair of climbing shoes.

Published by Laurel Gitlen on the occasion of Jessica Jackson Hutchins, Art Basel Statements, June 2013. Text by Quinn Latimer with gloss by Jessica Jackson Hutchins.

The essays originate in talks given on the occasion of an international conference on “Aesthetics and Contemporary Art” (2008).
(Engl.)

"'Academy' is an international series of exhibtions and projects initiated by Siemens Art Program and realized in cooperations with teh Kunsteverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, zhe Museum van Hedemdaagse Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Endhoven."

This collection of art and theory analyzes today’s post-digital conditions for critical media practices—moving across and beyond the analog and the digital, the human and the nonhuman.

Addressing these and other issues "Re: The Rainbow" presents six different takes on color, culture, and other curiosities. Multifarious yet distinct, far-reaching in scope but palpable in effect, the volume gathers contributions by artists Tacita Dean and Spencer Finch, as well as scholars David Bachlor, Aris Fioretos, Mikhail Iampolski and Fay Zika.