Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed.

TIME NO TIME polarizes moving pictures in terms of speed, time and experience through parallelism and circulation.

The German word Handdruck means both ‘handshake’ as well as ‘hand printing’. Handdruck is also the name of the series of screen-printed textiles and objects produced in Bolzano by a collective of textile designers and artists between the 1970s and the early 1990s.

Aesthetic Politics in Fashion outlines critical studies in the present cross-sections of fashion, art, politics, and global capitalism.

This publication brings together papers from the 2012 conference and writing on artworks and art practices.

In the work A Silent Crazy Jungle Under Glass (2011 – 2014) Kriemann combines historical forms of abstraction with aspects of the archive, the latter being a topic that has been crucial for her for a long time.

Spaces of Commoning: Artistic Research and the Utopia of the Everyday is the outcome of a research project pursued by a group of artists, architects, and social theorists.

MAPPING OUT UTOPIA is a three-part look at the Boston area's 1970s counterculture, based on listings found in old countercultural directories and magazines.

In this collection of essays, art historian and critic Sven Lütticken focuses on aesthetic practice in a rapidly expanding cultural sphere. He analyzes its transformation by the capitalist cultural revolution, whose reshaping of art’s autonomy has wrought a field of afters and posts.

Draw It with Your Eyes Closed: the Art of the Art Assignment, is a unique and wide-ranging anthology featuring essays, drawings, and assignments from over 100 contributors.

In an effort to add to the debate on contemporary art, Witte de With organized lectures and debates.

Grobisce is a book about the 580 mass graves in Slovenia. How did the killings happen, and why have only 1% of the graves been excavated?

Over the past two years, New York-based journalist Francesca Berardi has visited Detroit six times, compiling, as she puts it, "a resident-driven guide book to the new American frontier."

It's a research book handmade (totally) by A. Anghileri. The main focus of this book it's to create a sort of random visual poetry, and juxtapose different works (and events) in an unique publication to trace a kind of new experiential identity without a real personal experience.

Two stories, two visions of the city of Rome in an unstable balance between past, present and possible future, amorous dialogues and fragments of news that transform the L’Urbe in a place of transit and landing, a crossroads of cultures and experiences.

Titled "Polyphonic Worlds: Justice as Medium," the eighth Contour Biennale in Mechelen, Belgium, addresses the nation-state system and the realm of justice today.

What happens to us and to our identity when we are forced into exile by hostility of any form, living conditions or armed conflict? Which psychosocial outcomes and cognitive dissonances are triggered by migration? What happens to us and to our identity when we are forced into exile by hostility of any form, living conditions or armed conflict? Which psychosocial outcomes and cognitive dissonances are triggered by migration?

In seinen Arbeiten untersucht Miklós Erhardt künstlerische Handlungsmöglichkeiten in Bezug auf gesellschaftspolitische und ökonomische Themen. Mit interventionistischen und dokumentarischen Methoden schafft er dabei soziale Situationen, die zum Ausgangspunkt für weitere Beobachtungen werden.

Give Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco’s work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017.

Maria Fusco is a Belfast-born writer based in Scotland. Her award-winning writing crosses the registers of criticism, ction, and theory. Her work has been translated into ten languages.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

In the essay he wrote for the On Mobility catalogue Van Weelden re-enacts 16th century

'Dune' is an interactive landscape which reacts on the behavior of people. This hybrid of nature and technology exists out of large amounts of fibers which are brightened according to the sounds and motion of passing visitors. (Engl.)

* Features a discussion between Grayson Perry (Turner Prize winner 2003), Lionel Shriver (Orange Prize winner 2005), and Mark Lawson
* First book to go behind-the-scenes of celebrity art prize culture
* Leading writers, artists and critics investigate the impact of the Turner Prize on the British Art scene

The Miraculous Life of Claire C reveals a public secret, based on a human existence which cannot be traced in history books, because identity is a living thing, both effervescent, elusive and in continual transformation.

In Recent Works, his first solo show in Austria, Canadian artist Michael Snow shows photographic works and film installations from the past ten years.

Die Ausstellungsreihe fake or feint fand von Januar bis Juli 2009 in Projekträumen am Berliner Alexanderplatz sowie im Kino Arsenal statt. Im Mittelpunkt stand das Thema einer Politik der Oberfläche, verfolgt entlang von Konzepten wie Markierung, Maskerade, Inszenierung, Display, Störung, Devianz.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Art book by Sebastian Dacey, printed by Cosima Pitz in a limited, hand numbered edition of 300 in 2016.

"It happens, during the process of applying paint, perhaps in a particular yellow hue, to piece of wood, for example, that I can be stricken with a sudden sense of doubt about painting,by and large. When this happens, I like to go for a drive-sometimes I go really fast - giving myself the freedom to be challenged by the curves..."

The Swedish artist Saskia Holmkvist works with issues relating to communication, language and speech. How does language makes mutual understanding and interaction possible?

An epic visual trip to Albert Serra’s creative world, through photographs by Román Yñán.

Three careers and three very different pathways by three artists who work with exactly the same distance: short distance.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Mit There Is No Place Before Arrival widmet die Kunsthalle Wien dem deutschen Künstler Olaf Nicolai eine umfangreiche Ausstellung.

Film as a Form of Writing is published and distributed by Motto Books in collaboration with WIELS. The trilingual book, designed by Joris Kritis, centres around a recent in-depth interview conducted by critic Quinn Latimer with Akram Zaatari.

"What's That For?" is one of several exercises the czech Artist Katerian Seda to try to pull her 76 year-old grandmother, Jana, out of her total withdrawal from life.

In Bloom recounts the daily life of thirteen families, and their efforts towards the recognition of their civil rights in Italy. The stories of these couples tell us about assisted fertilization techniques: fivet, artificial insemination, egg donation and surrogacy.

A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York.

As a hospitality ceremony the evening of the vernissage the two artists performed a reading articulated by two black screens showing  iconographies related to the texts published in this booklet „21.22 .23 Odande Dovde".

Derko, Kealy, and Marchessault address the physical consequences of the medicalization of women’s bodies under patriarchy and pharmaceutical capitalism, as well as its pathological placement of the feminine.

Utopia of Sound explores the growing significance of sound as a distinct aesthetic and cultural phenomenon in contemporary art, film, and visual culture.

With:
Jannah Loontjens (poet-curator)
Aam Solleveld (artist)
Katja van Stiphout (graphic design)

This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things.

Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s.

In this volume the reader is introduced to the Lebanese-inspired vegan fusion cuisine of artist and food designer Nabila Zein, who arranged vegan dishes and table compositions as miniatures of the oriental places they are related to, in their way of preparation and presentation.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

POA 1–22 is part of the ongoing archive of activities conducted by the independent event bureau Public Occasion Agency (POA), founded by Jan Nauta and Scrap Marshall at the Architectural Association in 2009.

While so-called new capitalist global exhibition projects that either include selected Third and Second World artists and their artworks or are organized just for them are developing, so is a subtle system of inclusion and exclusion.

Published to accompany an exhibition marking the 100th anniversary of Pollock’s and Smith’s births, this catalogue reproduces five small sculptures, all dating from the mid-1950s, including the last two sculptures Pollock made and three of Smith’s earliest sculptures.

This book is an unconventional autobiography. It retraces one year in the life of Rob Pruitt through the quotidian objects that the artist once loved, consumed, then felt he didn't need anymore.

Box set containing 2 booklets, a fold-out poster, and a postcard.

Contemporary art museums are building. In recent decades art museums and public galleries have extensively renovated, rebuilt and added structures to their premises. New museums have been commissioned and erected by private collectors and companies; existing public museums and art institutions have expanded through the opening of new ‘branches’ and franchises. But what should take place within these new premises?

Taking the work of Sanja Iveković as a point of departure to discuss urgent matters in feminism today, Sanja Iveković: Unknown Heroine - A Reader gathers commissioned essays by key feminist voices who contributed to a conference titled ‘23%’, which was held on the occasion of the exhibition Sanja Iveković: Unknown Heroine, curated by Lina Džuverović at Calvert 22 Gallery and the South London Gallery (December 2012 - February 2013).

Long out of print and unavailable to wider audiences, "The Paper Snake" is an essential work in Ray Johnson’s oeuvre and the second title published by Dick Higgins’ Something Else Press, in 1965.

The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity.

This book has been published on the occasion of the exhibition 'Never Talk to Strangers' and invites the artist, as well as the reader, to rethink "home".

Big „black book“ of Josef Bolf, the Atomic age’s most depressive visionary, with text by Tomáš Pospiszyl. Extensive hardback summarizing artists existing creation with original addendum.