The Miraculous Life of Claire C reveals a public secret, based on a human existence which cannot be traced in history books, because identity is a living thing, both effervescent, elusive and in continual transformation.

In Recent Works, his first solo show in Austria, Canadian artist Michael Snow shows photographic works and film installations from the past ten years.

Die Ausstellungsreihe fake or feint fand von Januar bis Juli 2009 in Projekträumen am Berliner Alexanderplatz sowie im Kino Arsenal statt. Im Mittelpunkt stand das Thema einer Politik der Oberfläche, verfolgt entlang von Konzepten wie Markierung, Maskerade, Inszenierung, Display, Störung, Devianz.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Art book by Sebastian Dacey, printed by Cosima Pitz in a limited, hand numbered edition of 300 in 2016.

"It happens, during the process of applying paint, perhaps in a particular yellow hue, to piece of wood, for example, that I can be stricken with a sudden sense of doubt about painting,by and large. When this happens, I like to go for a drive-sometimes I go really fast - giving myself the freedom to be challenged by the curves..."

The Swedish artist Saskia Holmkvist works with issues relating to communication, language and speech. How does language makes mutual understanding and interaction possible?

An epic visual trip to Albert Serra’s creative world, through photographs by Román Yñán.

Three careers and three very different pathways by three artists who work with exactly the same distance: short distance.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Mit There Is No Place Before Arrival widmet die Kunsthalle Wien dem deutschen Künstler Olaf Nicolai eine umfangreiche Ausstellung.

Film as a Form of Writing is published and distributed by Motto Books in collaboration with WIELS. The trilingual book, designed by Joris Kritis, centres around a recent in-depth interview conducted by critic Quinn Latimer with Akram Zaatari.

"What's That For?" is one of several exercises the czech Artist Katerian Seda to try to pull her 76 year-old grandmother, Jana, out of her total withdrawal from life.

In Bloom recounts the daily life of thirteen families, and their efforts towards the recognition of their civil rights in Italy. The stories of these couples tell us about assisted fertilization techniques: fivet, artificial insemination, egg donation and surrogacy.

A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York.

As a hospitality ceremony the evening of the vernissage the two artists performed a reading articulated by two black screens showing  iconographies related to the texts published in this booklet „21.22 .23 Odande Dovde".

Derko, Kealy, and Marchessault address the physical consequences of the medicalization of women’s bodies under patriarchy and pharmaceutical capitalism, as well as its pathological placement of the feminine.

Utopia of Sound explores the growing significance of sound as a distinct aesthetic and cultural phenomenon in contemporary art, film, and visual culture.

With:
Jannah Loontjens (poet-curator)
Aam Solleveld (artist)
Katja van Stiphout (graphic design)

This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things.

Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s.

In this volume the reader is introduced to the Lebanese-inspired vegan fusion cuisine of artist and food designer Nabila Zein, who arranged vegan dishes and table compositions as miniatures of the oriental places they are related to, in their way of preparation and presentation.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

POA 1–22 is part of the ongoing archive of activities conducted by the independent event bureau Public Occasion Agency (POA), founded by Jan Nauta and Scrap Marshall at the Architectural Association in 2009.

While so-called new capitalist global exhibition projects that either include selected Third and Second World artists and their artworks or are organized just for them are developing, so is a subtle system of inclusion and exclusion.

Published to accompany an exhibition marking the 100th anniversary of Pollock’s and Smith’s births, this catalogue reproduces five small sculptures, all dating from the mid-1950s, including the last two sculptures Pollock made and three of Smith’s earliest sculptures.

This book is an unconventional autobiography. It retraces one year in the life of Rob Pruitt through the quotidian objects that the artist once loved, consumed, then felt he didn't need anymore.

Box set containing 2 booklets, a fold-out poster, and a postcard.

Contemporary art museums are building. In recent decades art museums and public galleries have extensively renovated, rebuilt and added structures to their premises. New museums have been commissioned and erected by private collectors and companies; existing public museums and art institutions have expanded through the opening of new ‘branches’ and franchises. But what should take place within these new premises?

Taking the work of Sanja Iveković as a point of departure to discuss urgent matters in feminism today, Sanja Iveković: Unknown Heroine - A Reader gathers commissioned essays by key feminist voices who contributed to a conference titled ‘23%’, which was held on the occasion of the exhibition Sanja Iveković: Unknown Heroine, curated by Lina Džuverović at Calvert 22 Gallery and the South London Gallery (December 2012 - February 2013).

Long out of print and unavailable to wider audiences, "The Paper Snake" is an essential work in Ray Johnson’s oeuvre and the second title published by Dick Higgins’ Something Else Press, in 1965.

The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity.

This book has been published on the occasion of the exhibition 'Never Talk to Strangers' and invites the artist, as well as the reader, to rethink "home".

Big „black book“ of Josef Bolf, the Atomic age’s most depressive visionary, with text by Tomáš Pospiszyl. Extensive hardback summarizing artists existing creation with original addendum.

CD (32' 39) in cardboard box with booklet, 100 copies.

There has never been a full agreement as to what were the key influences on Kurt Schwitters when he was preparing the Ursonate.

This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

The encounter with the island came as a shock. There was something there I had completely forgotten about while living in the city. We walked, talked and worked in almost complete solitude. Around us only the quiet but overwhelming presence of nature. And above all, the light: strong enough to blind me and to penetrate my thoughts.

In seiner zweiten Monographie widmet Paul Hutchinson seine Aufmerksamkeit einem U-Bahnhof in Berlin-Neukölln. Wildlife Photography ist eine verspielte Auseinandersetzung mit dem Erscheinungsbild eines alltäglichen Exotismus.

On the Exactitude of Science (Del rigor en la ciencia) by Jorge Luis Borges is the genesis of my current ongoing body of work and the subject of my Guggenheim proposal project. (Engl.)

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations. How does a poetic thinking work that's not about but with art?

The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee.

“At Home He Feels Like a Tourist” displays in book form Mirko Smerdel’s research interests and strategies of artistic production: the observation and categorisation of pre-existing images or objects, the use of narrative as a research tool, the dialogue between micro and macro, private and public.

All the images in AHHFLAT come from a group of negatives bought online sight unseen from the USA. They capture snapshots of what looks like the recreation time of three separate and independent groups of people.

Schmetterlinge ist nach Wildlife Photography der zweite Band in einer Reihe kleinformatiger Publikationen von Paul Hutchinson, die er mit The Green Box entwickelt hat.

Initiated by Keren Cytter and co-edited by Fiona Bryson and Roger van Voorhees, the quarterly publication focuses on three experimental writers or poets per issue—image content is supplied by one artist.

The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson, the quarterly publications focus on three experimental writers or poets per issue—image content is supplied by one artist.

Over the past decade, the European Union has fallen into a drawn-out crisis, politically as well as economically. In this book, the authors argue that analyses of this crisis miss an important element: culture.

Reading performance / Video basierend auf dem Originaltext "Droit au retour" von Annie Zedek. Mit Annie Zedek und Tina Bepperling, Kamera Alexandre KviriaBild

As the theme, "Form" the content of the first issue has different subjects in articles, stories, illutrations about form, uniform, form without content, masks, image etc.

An edition without photographic works but only typography (my personal writtings and some helvetica reworked) to show the world of Robert Frank, a great photograhe, artist today. (Engl.)

The journal « Les Cahiers d’hortence » is the result of a research and teaching laboratory based in the Institut Supérieur d’Architecture La Cambre in Brussels.

Wunderbare Schwarz-Weiss-Aufnahmen von Alessandro Zuek Simonetti. Die Bilder seiner Japanese Rockabilly Serie sind auf der ABC Rebel Night, einer monatlich in einer New Yorker Tiki-Bar stattfindenden Partyreihe entstanden. (Engl.)

With texts by John Holten and Sophie Kaplan

McCues technische Perfektion erinnert an die Tradition der Trompe-l’œil-Malerei, doch in diesem Fall geht es nur um angedeutete Täuschung.

The author analyses the repetition, frequency and overlapping of graffitied marks in Athens and identifies in them a system of flexible signage.

The first issue of errors deceits mistakes was presented at Salon Light, Paris 11 & 12 November 2006. It contains photocopies in black and white.

Joachim Koester works along the borders between documentary and fiction. Typically he begins with an obscure story bound up with a particular place, a sited tale that is somehow broken or layered through time.

This catalogue is an inventory of work made by the students of the Photography department of the Gerrit Rietveld Academy, Amsterdam.

Works of students who
- are graduating 2006
- will graduate 2007
- graduated 2005