Facsimile edition of a lecture transcript given by German-born artist Gustav Metzger at the Architectural Association in February 1965.

The title of Ramesch Daha

This project has taken shape through extensive conversations/ dialogue and editing with Ruby Hoette.

La Société Anonyme is an artist’s collective born from the ashes of the Dutch 2013 funding cuts to the arts. An avant-garde art collective with a corporate twist après la lettre, La Société Anonyme launches its first product in July 2012: The SKOR Codex, a book preserving the legacy of one of the Netherlands' perishing art organisations for the distant future. Adopting an experimental model of artistic corporation, La Société Anonyme responds to the commodification of culture by searching for alternative ways to make, promote and sustain art. La Société Anonyme is represented by Dušan Barok, Danny van der Kleij, Aymeric Mansoux and Marloes de Valk.

Issue 119 includes feature essays by Laura Kenins on "Escapists and Jet-Setters: Residencies and Sustainability", Stephanie Springgay on "The Pedagogical Impulse: Aberrant Residencies and Classroom Ecologies", and Randy Lee Cutler on the 55th Venice Biennale, as well as Sky Goodden in conversation with Wanda Koop and an interview by Amish Morrell with Shinobu Akimoto and Matthew Evans.

The secret of its longevity lies in its claim. Independence, a cross-cultural approach and sublime in every form are the main sources of inspiration for DROME, the edge-driven magazine with an international and monographic appeal, featuring and skilfully mixing art, photography, design, videos, fashion, architecture, cinema, music, theatre, dance, literature.

Named after the one and only austrian astronaut Franz Viehböck, FRANZ started in 2010 as a small self-published zine made by a group of art-students searching for a way to publish there artworks in a more self-determined way.

Victoria Lomasko describes her experiences as a juror of the queer Side-by-Side-Filmfestival in St. Petersburg, which was interrupted several times by false bomb threats.

"2012 was marked by heavily attended protests by the Russian opposition. For the first time since the early 1990s, the protest movement in Russian attracted worldwide attention. Many people anticipated an "orange" revolution...

Ausstellungskatalog

Das neue Filmprojekt des österreichischen Künstlers und Filmemachers Edgar Honetschläger. „Los Feliz“ ist das erste Roadmovie in der Geschichte des Films, das zur Gänze im Studio gedreht wurde. Dreieinhalb Jahre hat Honetschläger gemalt und gezeichnet, um ein zweidimensionales Amerika zu erschaffen.

Dutch Pavilion International Art Exhibition La Biennale di Venezia

In his project Let Me Be Your Dictionary Saliou Traoré (researcher Fine Art 2004–2005) examines contingent, simple relations of objects and events. Part of his strategy is to concentrate not on single, catastrophic events, but to focus on precise examples such as traffic jams and linguistic phenomena.

Fabio, please select any 50 from this sequence and destroy the others. Thank you! Hope to meet you again soon. Stuart x (Photocopy of a message from Stuart Middleton, included in the book)

The first anthology of its kind, Graphic Design: History in the Writing (1983–2011) comprises the most influential texts about graphic design history published in English.

Published three times a year, each issue of Afterall journal includes in-depth considerations of the work of contemporary artists, as well as essays on art history and critical theory.

MeeNa Park's practice is research and process-based, constantly questioning not only what is being painted but the methodologies and philosophies adopted in her work.

Files from the archive Sculpture as Writing (2007-2014)

Harald Wawrzyniak and Maria Lichtenegger, are two photographers based in Graz, AT who found common ground in their love for shooting film. On the 3rd of april 2015 they came up with the idea to create a magazine to promote analogue photography.

Publication for Werkplaats Typografie. Image caption: A photograph taken in 1998 shows walls of the Werkplaats Typografie painted white and entirely clean except for the odd graphic interjection such as an isolated poster or a series of black elastic bands hung on hooks.

published for “Traditions” Marres Center for Contemporary Culture and Grazer Kunstverein

The book Foxtrot Gate – Cyprus is part of a series of publications about nations at war, or in crisis; conceived by Giovanna Silva, they tell the stories of different countries through photographs of their multifaceted landscapes.

Born in Flames – the publication – is the complete authorised graphic translation of Lizzie Borden’s mythical 1983 film ‘Born in Flames’.

Joris Van de Moortel had the idea of working with the structure of a comic book a long time ago; he experimented with a few things but nothing worked so far

James Coleman (born in 1941 in Ballaghaderreen, Republic of Ireland) turned away from painting in the early seventies and devoted himself to the reproductive media (i.e. film, video and photography) and the theatre. The investigation of the possibilities of pictorial representation and its interpretation became the central element of his work. Although James Coleman still works with different artistic media, photography (which he presents in the form of large-scale slide projections) has become his favoured medium.

The Argentine artist Adrián Villar Rojas (b. 1980) is already widely known because of his site-specific installations. With Films Before Revolution, an exhibition at the Museum Haus Konstruktiv, the focus, for the first time, is on Adrián Villar Rojas's multi-layered working method.

In 1976, Bas Jan Ader’s boat, the Ocean Wave, was found unmanned and partially submerged 150 miles off the coast of Ireland by a Spanish fishing vessel. The Dutch artist’s boat was taken to La Coruña for investigation.

„This Page Intentionally Left Blank“ ist das erste einer Reihe von Ausstellungs- und Publikationsprojekten, die dem Akt des Schreibens an der Schnittstelle von sprachlicher, visueller, körperlicher und räumlicher Kommunikation nachgehen.

Based on Swiss psychiatrist Moritz Tramer’s »Bücherkatalogtest« from the 1950s, this personality test »tries to evoke different interests that lie buried deep down in each of us« using 432 book titles as a method of examination. An comprehensive user’s manual is included.

Simple motifs to color based on common forms of imaginary in corporate logos, music videos and entertainment industry that a growing internet community associates with a hidden agenda.

Comics were Van de Moortel’s first love: his first drawings, his first stories; a dwelling of fantasies and a lack of reality: he devored them as a child.

The Dilijan Arts Observatory Newspaper was produced in Armenia by Clémentine Deliss and is based on the local newspaper, which circulates in the town of Dilijan.

Individuelle Erfahrung und statistische Berechnung – das sind die Pole, zwischen denen sich Ende des 19. Jahrhunderts eine Debatte abspielte, die über ihren philosophischen Gehalt hinaus das politische Denken der Zeit ebenso beeinflusste wie die Durchsetzung modernistischer Kunst.

GENERAL is an artist's book by Marisa Cornejo-Kasterine linked to her exhibition project «El Milagro chileno» (the chilean miracle). It serves as a a warning about the difficult reality of contemporary Chilean life (lack of basic human rights and social degradation), and demonstrates the daily struggle needed for survival in a free market economy, forced on the society since the mid seventies. GENERAL is a collection of documents from dismissal letters, medical and educational bills, denied requests, to marked passports and judicial charges, etc. all bearing witness to the cost of the Chilean Miracle, a policy that is still in place today. Apart from the documents the book also includes a series of portraits of those who were interviewed for this project and texts with personal stories, all of which come together to construct a local memory archive. GENERAL is also a reflection on being uprooted, focusing on such topics as: exoneration, prison, compulsory migration and exile; it is also an exercise in creating collective memory based mainly on life testimonies separate from any single institution. Ana María Saavedra and Luis Alarcón

The Militant Image contributes to an important emergent body of work by artists, filmmakers and curators (Hito Steryl, The Otolith Group, Renée Green, Florian Zeyfang) re-assessing militant avant-garde work so that it might function as a resource for contemporary artistic and anti-capitalist activity.

Scottish artist Andrew Gannon is working intensively with posters that announce and document his performances.

“Atlas of Anatomy” is a poetical interpretation of the historical anatomical reference book.

»Graphite« by german visual artist Marthe Krüger (*1980 in Hamburg) shows digital photographs of analogue c-prints.

Nathalie Du Pasquier was one of the founding members of Memphis, the groundbreaking Milanese design and architecture collective.

“New Ways of Doing Nothing,” a group exhibition that took place at Kunsthalle Wien in 2014, devoted itself to artistic production that opposes activity and instead gives an affirmative slant to forms of doing nothing or refraining—a major influence being the titular character of Hermann Melville’s “Bartleby the Scriviner: A Story of Wall Street.”

VIDEO ist ein Verzeichnis aller Videoarbeiten von Heimo Zobernig von 1981 bis heute, gestaltet vom Künstler selbst in der für seine Arbeiten charakteristischen Typografie. Angefangen bei frühen Videos, in denen der Künstler mit Langhaarperücke das Künstler-Subjekt thematisiert,

Since its first publication in 1987 as The History of Beads, this book has become the worlds definitive guide for bead lovers, collectors and scholars.

Das Buch „Klütterkammer“ dokumentiert die gleichnamige Ausstellung, die 2004 im Institute of Contemporary Arts in London gezeigt wurde. John Bock entwarf hierfür ein persönliches Ausstellungskonzept, um in improvisierten Räumlichkeiten seine künstlerischen Präferenzen vorzustellen.

Exhibition catalogue with text by Anthony Auerbach, Steve Finbow and Marlene Haring, documentation of the exhibition and works. Warning: contains explicit works without obvious subtleties.

Twice a year, The Institute of Social Hypocrisy publishes a fanzine. These publications serve as a tool with a dual purpose. Primarily they are a means to put out developing art projects by a range of invited artists and contributors, throughout the duration of the ISH project.

The magazine focuses on drawings and graphics with a narrative.

Asoziale Skulptur oder wie lässt sich eine Kulturhauptstadt verkochen?

This publication is another extension of Yank`s research, elaborating further on the seemingly contradictory and estranging concept of “community of absence”. It is not a catalouge or artist`s monograph in the traditional sense, as its ambition is not to represent the exhibition at BAK or a specific series of works, but rather to map the trajectory and movement towards a new community to come as envisioned in her work. Yang actively engages other cultural practioniers in her research - in this way, she creates a community of her own.

Simple motifs to color based on common forms of imaginary in corporate logos, music videos and entertainment industry that a growing internet community associates with a hidden agenda.

Simple motifs to color based on common forms of imaginary in corporate logos, music videos and entertainment industry that a growing internet community associates with a hidden agenda.

In August 1971 Laszlo Beke a renowned Hungarian art historian and curator of several progressive art events of the 1970s asked 28 artists to submit their reaction to the concept “WORK = the DOCUMENTATION OF THE IMAGINATION/IDEA” on A4 sheets.

Comics were Van de Moortel’s first love: his first drawings, his first stories; a dwelling of fantasies and a lack of reality: he devored them as a child.

This book contains extracts from diaries written by my mother, my grandmother, my great-grandmother and my great-great-grandmother, in other words, the female line of the family on my mother’s side.

A thorough description complementing her installation "actions to enter to open closed forms".

This monograph on The Otolith Group reveals the tantalizing work coming from this group founded in 2002 by London-based artists Kodwo Eshun and Anjalika Sagar. Engaging with archival materials, futurity, and with the histories of transnationality, Otolith suggests a future in which the past is treated as a relic, an idea that has the potential to inform the present and modify the future.

Racialized Incarceration constitutes a form of sequel to issues 4 and 5. This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement.

Independent Art inititatives, Budapest 1989-2009

Nico Jungel positions his book of 424 drawings in the larger history of the image – reaching from scratched lines in caves to ink drawing and post-modern digital imagery – as a means of expressing and examining life.

Exhibition presented at the Serralves Museum of Contemporary Art from April 30 to July 4, 2004.

In MOODS stellt Rodrigo Soto Altamirano den Schaffensprozess eines begrenzten Zeitraumes mit seinen einhergehenden wechselhaften Gefühlen in visueller Form dar.