Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records.

"I chose to work by making large scale drawings, functioning as a peculiar iconography of ideas and in the same time as a critic of reason."

EVIL KNIEVEL is the self-proclaimed incarnation of the American hero.

The photo project "Insecurity of Wealth in layers of paint", which is inspired by Rihanna's "Umbrella" lyrics "Baby cause in the dark, you cant see shiny cars", depicts a series of black cars in dark nights.

In 2017, the globalization of capitalism is currently rushing toward a relentless and banal phase. Beyond the fall of communism after the Cold War, what do human beings meet next — the demise of capitalism?

This booklet was published on the occasion of Gander's solo exhibition 'It's a right Heath Robinson affair (a stuttering exhibition in two parts)'.

Diese Publikation ist im Stil von Fanzines aufgebaut, die jeweils ein anderes Thema behandeln.

Schizm Magazine invites contemporary artists and writers to contribute pages in response to a theme which, as the title implies, engages with a paradoxical idea.

20 artists were invited to write descriptions of cities they have not visited.

The pages of the book retrace the artist's perspective of time and space and the inexpressible coincidence between the real and the apparent.

Im neuen Buch von Elke Silvia Krystufek MEIN BESTSELLER, Teil 1 geht es ums Verkaufen. Was alles wie verkauft wird, wie Menschen sich selbst verkaufen, Seelen verkauft werden und wie schön es ist, das alles literarisch zu beschreiben.

The history of humans under the sea has little connection to their history above it. Apnea diving or freediving is the oldest and most primal form of human underwater activity.

„The most fundamentally horrifying moment of “horror” has consistently been when the main characters lose their individuality and dignity, and when the grand depiction of their utter failure and disappointment occurs

Olena Chekan (1946-2013) played her first role in Andrei Tarkovsky's film Solaris.

Mit Beiträgen von Alain Badiou, Friedrich Balke, Bruno Bosteels, Lorenzo Chiesa, Felix Ensslin, Peter Hallward, Mark Potocnik, Frank Ruda, Jason E. Smith, Jelica Šumič, Jan Völker.

''Heyt be!'' is a timeless published fanzine equipped with humour and illustration by the three Istanbulish artists Deniz Beser, Sedef Karakas and Baris Sinsi

Deniz Beser was selling his Zine about the political happenings in Turkey in May and June 2013 in the streets of Tübingen. This performance was referred to the spontaneous marketing strategies of the Turkish street vendors during the protests.

“This book contains 101 short accounts of key ideas and terms which are regarded as central to art from the TRUE ART LOVERS perspective.

Noch nie war Gender Mainstreaming – als Institutionalisierung von »gleichheitsorientierten« Genderpolitiken – so präsent wie heute. Besonders im Zusammenhang mit Integrationsprozessen postsozialistischer Länder in die EU wird Gender Mainstreaming zu einem entscheidenden Faktor in der Gesetzgebung.

Die Publikation DIE ANWESENDE AUTORIN. Wer spricht in der Performance? versammelt Positionen, die in ihren künstlerischen Arbeiten, performativen und choreographischen Praxen die Frage „Wer spricht in der Performance?“ stellen.(English/German)

The installation of The Robbery of the Year, by Ulises Carrión, was exhibited at the Drents Museum in Assens, the Netherlands, in 1982. The piece found a place in this provincial museum in spite of differing from the work that was usually shown there. The invitation to view an unprotected diamond in almost total darkness must have been disconcerting for the public. The enigmatic nature of the piece was captured by Claudio Goulart and this publication showcases the images taken at the time, while inducing readers to become witnesses of an open case.

A stolen overcoat, a murdered thief. The people of 19th-century Pittsburgh made some mistakes. Sometimes those bad decisions are all we know of 'em.

Taking its title from Ursula K. Le Guin’s 1972 novella, The Word for World is Still Forest curates an homage to the forest as a turbulent, interconnected, multinature.

In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto.

To him, a city is like a mountain range, but with one essential difference: there are always new skyscrapers under construction. Known as “the French Spider-Man”, Alain Robert is famous for his free solo climbing, scaling skyscrapers using no equipment except for a small bag of chalk and a pair of climbing shoes.

Published by Laurel Gitlen on the occasion of Jessica Jackson Hutchins, Art Basel Statements, June 2013. Text by Quinn Latimer with gloss by Jessica Jackson Hutchins.

The essays originate in talks given on the occasion of an international conference on “Aesthetics and Contemporary Art” (2008).
(Engl.)

"'Academy' is an international series of exhibtions and projects initiated by Siemens Art Program and realized in cooperations with teh Kunsteverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, zhe Museum van Hedemdaagse Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Endhoven."

This collection of art and theory analyzes today’s post-digital conditions for critical media practices—moving across and beyond the analog and the digital, the human and the nonhuman.

Addressing these and other issues "Re: The Rainbow" presents six different takes on color, culture, and other curiosities. Multifarious yet distinct, far-reaching in scope but palpable in effect, the volume gathers contributions by artists Tacita Dean and Spencer Finch, as well as scholars David Bachlor, Aris Fioretos, Mikhail Iampolski and Fay Zika.

LIMEN compiles a series of contributions and collaborations that address the proliferation of electromagnetic signals produced by wireless telecommunication devices and other microwave technologies.

Das, seit 2010 von Künstler Ezara Spangl und Rainer Spangl kuratierte Kunstvermittlungsprogramm Artist Lecture Series Vienna, gibt Künstler_innen die Möglichkeit vor Kolleg_innen und anderen interessierten Personen über ihre Arbeit zu sprechen sowie die Gelegenheit zur Präsentation einer Originalarbeit. Eine Auswahl an Transkriptionen der abgehaltenen Lectures werden in Form von Publikationen einem breiteren Publikum zugänglich gemacht.

Christoph Meier im Gespräch mit Luca Lo Pinto 29. Oktober 2014

Das, seit 2010 von Künstler Ezara Spangl und Rainer Spangl kuratierte Kunstvermittlungsprogramm Artist Lecture Series Vienna, gibt Künstler_innen die Möglichkeit vor Kolleg_innen und anderen interessierten Personen über ihre Arbeit zu sprechen sowie die Gelegenheit zur Präsentation einer Originalarbeit. Eine Auswahl an Transkriptionen der abgehaltenen Lectures werden in Form von Publikationen einem breiteren Publikum zugänglich gemacht.

Judith Eister 19. Oktober 2011

Marina Faust 14. März 2012

Das, seit 2010 von Künstler Ezara Spangl und Rainer Spangl kuratierte Kunstvermittlungsprogramm Artist Lecture Series Vienna, gibt Künstler_innen die Möglichkeit vor Kolleg_innen und anderen interessierten Personen über ihre Arbeit zu sprechen sowie die Gelegenheit zur Präsentation einer Originalarbeit. Eine Auswahl an Transkriptionen der abgehaltenen Lectures werden in Form von Publikationen einem breiteren Publikum zugänglich gemacht.

Stefan Sandner 25. März 2011

Can the fifth edition ever be published before the third?
Can this book be both a prelude and a sequel to an exhibition?
Did you ever notice the word ampers& contains itself? Esperlu&te aussi?

First in a series of collaborative artists’ books made by two visual artists and published by Regency Arts Press, Disembodied Archetypes features the work of performance artist Tamy Ben-Tor and painter Miki Carmi.

Assign & Arrange: Methodologies of Presentation in Art and Dance aims to map the exchanges and transgressions between art and dance that characterize the manifold variety of relations between art and dance that can be observed today.

"Curator or the one who takes care of" is an artist publication who brings 80 drawings and an essay from the curator Oscar Holloway.

In an almost pathological way, the project gains intrigue through repetition of the same image, which, being constantly conjugated gets new readings and depths between the artist and the curator.

Nonprofit collective organizations in the 1960s and 1970s

The texts in this collection of John Miller's writing and criticism span a 20-year period, 1989 to 2009, and are divided into four sections: monographs, cultural essays, theory, and artist's statements

Andy Warhol and Robert Smithson are arguably two of the most influential artists today. Indeed, one might say that they have become dominant figures in the mythical origins of contemporary art in the 1960s. "Warhol's Dream" returns, as it were, to the scene of the crime in order to explore and re-examine the aesthetic and conceptual gestures that define their seminal work.

11 interviews with curatorial pioneers

Eva Weinmayr presents a collection of newsstand posters - capitalized handwritten legends that condense complex realities into three or four-line news splashes. Charged with meaning these headlines give no information; rather they are teasers with no context, telling more about what could happen than what really has happened.

Parodying the format of a regular newspaper column, Today in History presents a series of drawings and paraphrased stories, extracted from Turkish newspapers from the last four decades.

Artworks by Megan Francis Sullivan, 2010-2012. All source images found in “Boys, Kerle, Männer”, Issues 1 to 11, 1971.

Black Rooms is an exploration of the book as mental architecture, where language builds up and breaks down notions of space. The book includes 11 imagined spaces where the senses merge and tongues slip, in stories around blindness, deception, darkness and myths.

Blockbuster presents a selection of artworks by the Austrian artist Axel Stockburger from the period between 2000 and 2014.

In this important book, the influential film-maker and writer Peter Gidal shows how Blow Job is a film about film, about time and also about mortality. Gidal places Blow Job within a history of works by artists, including Duchamp and Velázquez, that directly affect the viewer, enacting a pattern of recognition and loss that constitutes the experience of perception itself.

Artists who work by appropriating conditions implicit notions of hot to Approach and read art. Their practice is not about how to make or construct works, but about how to generally see, define or recognise works as works

The BosBus, an ordinary city bus with a growing forest inside, was a way of probing this cultural interpretation of nature.

1/2 is a biannual original self-published hand-made zine.

The Militant Image Reader brings together eight diverse texts from theorists and artists from Europe and North America that speculate on the relationship of artistic representation and social change today.

Art book by illustrator Celine De Cadt with 14 pencil drawings, released in August 2017 in an edition of 20.

Das Projekt „Chicago Recordings“ beinhaltet eine Sammlung von Interviews in Textform, die in ihrem Entstehungsprozess dem Prinzip einer Audioaufnahme folgen.

In Autumn and Winter 2013/2014, Christa Blümlinger and Harun Farocki worked on the dialogical “ABCs of the Essay Film,” which is published here for the first time in its original German version. In 26 short paragraphs, reacting to key terms suggested by Christa Blümlinger (from “A for Adorno” to “Z for Zidane”), Farocki explores his proximity, but also his distance to filmmakers like Chris Marker, Jean-Luc Godard, Artavazd Peleshian, or Alexander Kluge and speaks about specific operations in his films, TV programs, and installations.

„But, there are always people who do, kind of, die, in sort of part of a creative process, and we need to, kind of, cherish and appreciate those people. That was a bit of a downer wasn’t it!“ Peter Sleazy Christopherson.