Diese Veröffentlichung von David Bestué erforscht die Arbeit von dem spanischen Architekten Félix Candela in Form von Gedichts-Diagrammen.

Connecting to hospitality and its import on the island, the project attempts to preserve local heritage, foster the arts, and to stimulate an entrepreneurial culture of art and design as well as international dialogue.

Rehearsing Realities, an exhibition on paper began with a proposal to a group of international artists and curators, inviting them to imagine a fictional exhibition at FormContent.

"The foul mouth--c'est moi!--mouths off in lovingly excremental language as it negotiates figures of popular (Liza Minnelli, Michael Jackson, among others) and not so popular (Liza Minnelli, Michael Jackson, among others) culture.

Could there be, nowadays, any links between pin-up poses, war, terrorism and love?

Which artworks do artists consider important and influential? Which pieces would artists like to see exhibited? What artworks have had an influence on other artists' work?

Hip-hop was never a musical movement, but rather an expression of youth culture. Its adaptability, the inventiveness of its protagonists, and its continuing relevance have revealed its true potential over the course of the last 40 years.

Neo Calder sculptures and transfusion tubes, drawings of photos taken from Austrian and Chinese daily papers, Parisian street maps, boards with navel fluff, videos of helicopter ambulances and deformed plaster sculptures, which look like surreal melted tools, could never have a common denominator.

In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled What Ought to Be Done, followed by a survey addressed to potential collaborators and supporters.

The Incidents is a series of publications based on events that occured at the Harvard University Graduate School of Design between 1936 and tomorrow.

Following the 2015 exhibition “Florian Hecker/John McCracken” at Künstlerhaus, Halle für Kunst & Medien Graz, this publication probes the experimental capacity of the white-cube space of the gallery.

Martin Herbert’s The Uncertainty Principle is a collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

2nd Edition Photozine: Herrenreise 2012

Collection of texts of various artists.

In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement.

Ilya Kabakov's 1988 installation The Man Who Flew into Space from His Apartment presents an isolated dreamer who develops an impossible project - to fly alone in outer space.

A major new look at experimental political writing and publishing.

FRANZ THE LONELY AUSTRIONAUT is a “Magazine for Narrative Drawing”, founded in 2010 by a group of artists looking for a way to publish their artwork in a more independent way. The self-published zine was named after the one and only austrian cosmonaut Franz Viehböck.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

“Any customer can have a car painted any colour that he wants so long as it is black”, Henry Ford wrote it in his autobiography published in 1922, speaking about the well-known Model T.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Un cop d’ull (in Catalan) refers to un coup d’œil (in French), literally an eye’s knock, a stroke of the eye.

Three rolls of black and white film, a prism and filters.

"Líneas Cinéticas" is a study of one of the temporal resources regularly used in comic to represent movement: kinetic lines.

"Johnny, are you queer?" is a brief meditation on the steamy dynamics churning beneath the surface of The Wild One, one of the most deliciously homoerotic epics of all time, intentionally or not.

The first installment of The Social Life of the Record, a series of original texts by musicians, fans, critics, collectors, dealers, label owners etc. - reflecting on recording, releasing, listening to, filing, flipping and DJing records today.

This collection is the first step toward a larger project, a travel book for the adopted city. That is what London is for millions of its inhabitants.

"The spraycan-owner who left a graffiti decades ago on the wall of the housing estate had toi adress a bunch of issues." (English/Hungarian)

This booklet can be eat.

This catalogue accompanies Taylor’s exhibition “The Story of Stripes and Dots (Chapter 5)” at Fogo Island Gallery (September 27, 2013–March 23, 2014), which follows his two-part residency with Fogo Island Arts in 2010 and 2012. Featuring essays by Zoë Gray and Saelan Twerdy, and Taylor in conversation with Patrick Staff and Robin Simpson, the book also presents the artist’s portfolio An Index Describing the Individual 19 Thoughts about Stripes and Dots Arranged on a Vitrine Made of Brass and Glass.

Launched by Ashkal Alwan in Beirut in 2011, the Home Workspace Program (HWP) is a 10-month arts study program that enrolls 10-15 fellows per year.

Simon Fujiwara is a Berlin and London-based artist.The Incest Museum has been shown at Umberto Di Marino Arte Contemporana, Naples, The Royal College of Art, London, OTIS, Los Angeles, and Limonchello, London.

Shawn Serfas grew up exploring the northern reaches of Saskatchewan’s lakes and river systems. Although initially drawn to an academic career in the environmental sciences, Serfas pursued Fine Arts and Art History degrees in Saskatchewan as well as a Master of Fine Arts degree at the University of Alberta.

Internal Necessity was the topic of the Sommerakademie 2009, curated by Tirdad Zolghadr.
(Engl.)

This Book reports from a long journey through an intimate but fragmented world. A selection of land- and cityscapes: the wind, the streets, flowers out of focus, a religious vision, and a letter from a friend.

In Joan Jonas's 1976 video work I Want to Live in the Country (And Other Romances) the artist investigates a geography of displacement and irrefutable desires.

beigelegte Postkarte YOKO ONO. A Hole To See The Sky Through

MISS READ: The Berlin Art Book Fair 2017 took place on July 14th to 16th at Haus der Kulturen der Welt and brought together a wide selection of some 230 publishers, art periodicals and artists/authors.

The questions and answers that Aristide Antonas deals with as an greek urban planner and philosopher for his native city will soon have to be tackled throughout Europe as a whole. His meticulous observations in Athens could provide an opportunity to find a way out of our dilemma.

All texts were found on the cover pages of Korean notepads and exercise books

– It is not hard to learn more. What is hard is to unlearn when you discover yourself wrong. –

The Imagines is based on the texts of four writers that each engage with a recent project by Ines Lechleitner.

"This text is a compliation of relies from more than a hundred persons to Leung Chi Wo concerning an independent arts organization, Depot, which was located in the MuseumsQuartier in Vienna during 1994-2001.

Locating the Producers explores how 'durational' processes to public art curating and commissioning have emerged as an alternative to nomadic, itinerant and short-termist approaches in recent years. It provides an in-depth analysis of five durational projects as its starting point: The Blue House, and Beyond, the Netherlands, Trekroner Art Plan, Denmark, and Creative Egremont, and the Edgeware Road Project, United Kingdom.

This catalogue-reader accompanies Armando Lulaj’s project for the 56th Venice Biennale. Curated by Marco Scotini, Lulaj’s exhibition in the Albanian Pavilion is a time capsule of the country’s past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

The Good Reader addresses reading, as both virtue and duty. The editor invites authors she considers to be good readers.

Beiblatt zur MA BIBLIOTHÉQUE

A multidisciplinary reader on sound, space and architecture, that accompanies the exhibition of the same title in the Polish Pavilion at the 13th International Architecture Exhibition—la Biennale di Venezia.

On my way out of the Walker Library the other day a little red spine caught my attention. I grabbed the hardback book off the shelf and started paging through and was immediately charmed by what I was seeing and reading. What was bound between those two red covers was a small sampling of the Great Bear Pamphlet series. Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

In 1971 Alighiero e Boetti commissioned Afghan embroiderers to create a map of the world, with each country bearing the colours and pattern of its flag. The commission grew into a beautifully crafted, large-scale series of maps produced over a period of twenty years in Kabul, Afghanistan and Peshawar, Pakistan.