Humans are more than the roles that they play. Who is one supposed to be? The ›I‹ can only be found with, or opposed to, other human beings. The little ›I am I‹ first gets the idea to seek its identity when it meets others who already have one. Only those who revolt experience who they are.

In this book, Terry R. Myers takes on the challenge of reading this outwardly simple painting. Pretty in pink, and tenaciously painted black, Save the Last Dance for Me brings Heilmann's rigorous approach to painting and her attitude toward the personal expression of sorow and joy together to create an important and influential work, within painting and beyond.

The unravelment of the fundamental conditions of the possibility of interpretation is needed not for getting outside the circle, but for staying within in the right way. (English)

Werkverzeichnis und Veröffentlichungen von 176-1983

Marc Camille Chaimowicz's groundbreaking installation Celebration? Realife was originally created for 'Three Life Situations' at Gallery House London in 1972. The work is a strange hybrid of scatter environment, a theatrical stage and a performance piece. Meant as a critique of modernist objectivism, Celebration? Realife is also a consciously messy and ambivalent reaction to the clean conceits of Conceptualist and post-Minimalist tendencies.

"Men Look at Me Strangely" brings together images of some of the men Michael Wynne photographed between October 2016 and March 2017.

Die Publikation ist eine Zusammenschau der künstlerischen Arbeiten von Michail Michailov zwischen 2010-2013.

"Introduction to Microeconomics" is an artist book by German artist Stefan Klein.

8 Interlocutors. 8 Strangers. 8 Conversations. 8 Days. 10 Countries. 2697 km from Arnhem to Venice (through Belgium, Luxenbourg, France, Andorra, Monaco). 1310 km from Venice to Arnhem (through Switzerland, Germany). 4007 km Total distance.

What's inside that bolted door? It's the great unanswered question of a society with no imagination. Squatters pick a lock, or more likely slip in through an open window. What matters are the worlds they create after entering.

In The Murmuring of the Artistic Multitude art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. These days the work ethic of the art world with its ever-present young dynamic, flexible working hours, thematic approach, short-term contracts or lack of contracts and its unlimited, energetic freedom is capitalized withing the cultural industry and has been converted into a standard production model.

The artist’s need to ask which (historical) events are relevant to the present and to amend (art) history seems particularly great in a media landscape that builds upon the constant availability of medial representation rather than direct experience. (Engl.)

Hollis Frampton's film (nostalgia), made in 1971, is a witty, hypnotic account of an artist's experiences as a photographer in New York City from 1959 to 1966.

Poets, activists, writers and artists respond to what it means to be lonely in 2017.

OCTOPIA, a project created for the Museo Tamayo, is the result of an investigation of the octopus, an animal whose intelligence derives from a complex nervous system that extends through its tentacles.

The book documents the design work of author’s grandmother Kirsti Metusala at the Tallinn Experimental Plant Estoplast where she worked as a designer for 28 years (1964–1992).

Contributors:
Olivier Castel
Alex Cecchetti
Michael Dean
Marcelline Delbecq
Sarah Elliott
Simon Fujiwara
Charlotte Moth

The SHARE Handbook for Artistic Research Education is a poly-vocal document, designed as a contribution to the field of artistic research education from an organisational, procedural and practical standpoint.

The Mies van der Rohe Pavillion is an emblematic building which has exercised an undeniable fascination over many contemporary artists including Gerhard Merz, Dan Graham and Thomas Schütte; artists who have used the Pavillion as an explicit reference in some of their works.

intercontinental magazine published in Tokyo (52°41′N, 139°46′E), Warsaw (52°35′N, 21°05′E) and Vienna (48°13′N, 16°22′E).

Endangered Human Movements is a multi-disciplinary project including visual arts, performance and a series of publications. Vol I. Four Remarks on the History of Dance are a discursive and artistic journey through the disappearance of movement.

10 Questions collected by Stefan Klein while traveling through the Balkan. 10 Answers found by Claire Seringhaus.

Ulay is one of the pioneers of performance art. His practice is not about human alienation, but rather the kind of alienation that captures art and then forms its own identity.

In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form.

The Last Book, written by Sabine Hillen (former researcher Theory), edited by Jacqueline Schoemaker (former researcher Design) and designed by Eva Moulaert (former researcher Design) and Marie Sledsens, tells the story of an object – a ‘book’ – that is passed on from one character to the next and succeeds in bringing characters together.

Astrid Seme (*1985) is studying graphic design in the masters program Werkplaats Typografie in Arnhem, the Netherlands. Her main artistic interest is the investigation of the relation between oral and written speech. In this respect, her central theme is the graphic notations of oral speech and the acoustic interpretation of graphic notations.

Lieven De Boeck (researcher Fine Art 2002–2003) and John Murphy (advising researcher Fine Art) put together a publication on the history of the Bonnefantenmuseum in the period when it was housed in the Entre Deux building in the centre of Maastricht.

Collects texts from across many cultures and times and organizes them roughly along a chronology of living, from "beginning," to "childhood," "education," "adulthood," and "death."

By rephotographing an image from a magazine to make his 1977 work Untitled (couple), Richard Prince extracted the uncanny from the generic.

Hannah Rickards’ Grey light. Left and right back, high up, two small windows is a two-screen projected video installation with eight channels of sound.

Der italienische Künstler Mario Rizzi hat sieben Wochen lang im syrischen Flüchtlingscamp Zaazari in Jordanien gelebt.

Leporello with 11 b/w photographs of city houses more or less overgrown by vegetation, concertina format, on the occasion of the exhibition Power of Place at Nettenfabriek, Apeldoorn.

SALON is an artmagazine not ON art but AS art!
Salon No. 5 shows a collection of original contributions by Clara Bahlsen, Stephan Baumkötter, Tim Berresheim,Rick Buckley, Peter Duka, Moritz Frei, Béla Pablo Janssen, Bernhard Kucken, Kristina Lenz, Elmar Mauch, Olaf Metzel, Olaf Nicolai, Timo Schmidt, Alex Silber.

Valerie Solanas' SCUM Manifesto was first published in 1986 after she had shot and nearly killed Andy Warhol. The text used here is the very slightly altered version issued later.

An invitation had been extended to the members of the Nice Ideas Unit to take part in a mystery trip on Wednesday 5 March, destination unknown.

This is the Catalouge to Kevin Schmidt’s installation and film EDM House (2013) which transforms an abandoned homestead in the interior of British Columbia, Canada, into a meeting place of the urban and rural.

BUREAU FOR OPEN CULTURE

A theatrical moment about modern, postmodern, and super-hybrid culture and our relationships with the passage of time.

See it Again, Say it Again sheds light on the phenomenon of research in the visual arts. In ‘artistic research’, practical acts (the making) and theoretical reflection (the thinking) go hand in hand, in a manner similar to creating and thinking being inextricably linked with artistic practice.

In A Berlin Chronicle Walter Benjamin describes his autobiography as a space to be walked (indeed, it is a labyrinth, with entrances he calls primal acquaintances).

With examples of unexpected collectors and serendipitous outcomes, Mari Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

o.a.

Published to accompany the artist’s survey exhibitions at the Van Abbemuseum, Eindhoven, and the Institute of Modern Art, Brisbane, Too Much World gathers a series of essays and close readings of Steyerl’s films from the past ten years.

If it was once God who pervaded and determined every last corner of human existence, it is now porn, the sibling of sex.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides’ images and texts, creating a net of intended and unintended relationships and time interconnections.

Contemporary art makes extensive use of photography. Photographs often form part of (multimedia) installations in which fascinating interactions are created. The remarkable thing about them is the way photography problematizes the concept of 'place'. The theme of place is self-evident. After all photographs are usually seen as referring to the place they were taken, but in many contemporary art installations this relationship is far more complex.

This catalogue accompanies Taylor’s exhibition “The Story of Stripes and Dots (Chapter 5)” at Fogo Island Gallery

The Fall of the Studio - Artists at Work is an original collection of essays on the role and significance of the artist’s studio in the art and art criticism of the second half of the twentieth century and the early twentyfirst century.

The Mock and other superstition is a quarterly fanzine exploring the relation between artists writing and writing-as-art through a frontal confrontation of writers, curators and visual artists with the written word.
Basing each issue on a loose thematic title, The Mock creates a fluid space to research and experiment with writing as a parallel and yet autonomous art practice.

"THEY SOFT” is a collaboration between the artists Elke Auer and Toni Kochensparger, exploring femininity, fragility and queer feelings in New York, during the first 100 days of Donald Trump’s presidency, through photographs, writing, collages and drawings.

This book is published in conjunction with the exhibition The New Administration of a Fine Arts Education (October 4, 2010-Feb. 2, 2011) curated by James Voorhies with Lisa Dent and organized by Bureau for Open Culture for Columbus College of Art & Design.

Trouble is a French magazine created in 2002; it publishes articles written by art critics, theoreticians, and artists. A clear critical and artistic point of view has emerged from the five issues already published, seen in the choice of the authors, artists and themes that have been broached.

BUREAU FOR OPEN CULTURE

This catalogue is published in conjunction with the exhibition Taking Shelter curated by James Voorhies with Michele Snyder. Organized by Columbus College of Art & Design, the exhibition is on view from February 13 to April 5, 2008 at Canzani Center Gallery on the CCAD campus.

Sometimes we have ideas that we like but for rational, emotional or practical reasons we think they won’t work out or we aren’t able to develop them at that moment. Consequently we keep them apart, “hide” them somewhere in a peripheral and little attended side of the memory.

It was 4:56 (Italian time) of the summer morning of the 21th of July in 1969 (still the 20th in the USA) when Neil Armstrong was setting foot on the Moon.

This Book was published on the occasion of the Cyprus Pavilion at the 56th Venice Biennale.

This little booklet, containing the instructions for playing on the musical glasses, was originally published in 1970 in London.

This book combines short stories, quotes, images and poetic drifts about the Caribbean and life in islands. The publication marks the debut of the Caribbean Backbone Research Institute, dedicated to naming, sharing, confronting and relating underwater sociality.

To explore reality, Enric Farrés Duran sets out itineraries based on investigation, coincidences and chance meetings. Having organised real/fictitious itineraries around Poblenou and El Prat de Llobregat, this time he
focuses on Barcelona’s central District Five.

In the summer of 1970, Gabriele Basilico set off from Milan in a Fiat 124, nominally heading for Kabul. The journey towards India was a rite of passage for the flower children generation, and Basilico had plans to take a series of photos to then sell on to some magazine. The journey didn’t quite turn out as planned, but in his personal archive, those shots were carefully stored away, and on more than one occasion, the Milanese photographer thought about turning them into a book. As Luca Doninelli writes in the introduction, this is “Basilico pre-Basilico”, a reportage stretching from Yugoslavia through to Turkey and Iran – which turned out to be the final destination of the trip – in which we may note the inklings of his vocation-to-be. The afterword by Giovanna Calvenzi, Gabriele’s travelling companion on that journey, tells the story of that adventure in an era of unprecedented freedom.

o.A.