BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Un cop d’ull (in Catalan) refers to un coup d’œil (in French), literally an eye’s knock, a stroke of the eye.

Three rolls of black and white film, a prism and filters.

"Líneas Cinéticas" is a study of one of the temporal resources regularly used in comic to represent movement: kinetic lines.

"Johnny, are you queer?" is a brief meditation on the steamy dynamics churning beneath the surface of The Wild One, one of the most deliciously homoerotic epics of all time, intentionally or not.

The first installment of The Social Life of the Record, a series of original texts by musicians, fans, critics, collectors, dealers, label owners etc. - reflecting on recording, releasing, listening to, filing, flipping and DJing records today.

This collection is the first step toward a larger project, a travel book for the adopted city. That is what London is for millions of its inhabitants.

"The spraycan-owner who left a graffiti decades ago on the wall of the housing estate had toi adress a bunch of issues." (English/Hungarian)

This booklet can be eat.

This catalogue accompanies Taylor’s exhibition “The Story of Stripes and Dots (Chapter 5)” at Fogo Island Gallery (September 27, 2013–March 23, 2014), which follows his two-part residency with Fogo Island Arts in 2010 and 2012. Featuring essays by Zoë Gray and Saelan Twerdy, and Taylor in conversation with Patrick Staff and Robin Simpson, the book also presents the artist’s portfolio An Index Describing the Individual 19 Thoughts about Stripes and Dots Arranged on a Vitrine Made of Brass and Glass.

Launched by Ashkal Alwan in Beirut in 2011, the Home Workspace Program (HWP) is a 10-month arts study program that enrolls 10-15 fellows per year.

Simon Fujiwara is a Berlin and London-based artist.The Incest Museum has been shown at Umberto Di Marino Arte Contemporana, Naples, The Royal College of Art, London, OTIS, Los Angeles, and Limonchello, London.

Shawn Serfas grew up exploring the northern reaches of Saskatchewan’s lakes and river systems. Although initially drawn to an academic career in the environmental sciences, Serfas pursued Fine Arts and Art History degrees in Saskatchewan as well as a Master of Fine Arts degree at the University of Alberta.

Internal Necessity was the topic of the Sommerakademie 2009, curated by Tirdad Zolghadr.
(Engl.)

This Book reports from a long journey through an intimate but fragmented world. A selection of land- and cityscapes: the wind, the streets, flowers out of focus, a religious vision, and a letter from a friend.

In Joan Jonas's 1976 video work I Want to Live in the Country (And Other Romances) the artist investigates a geography of displacement and irrefutable desires.

beigelegte Postkarte YOKO ONO. A Hole To See The Sky Through

MISS READ: The Berlin Art Book Fair 2017 took place on July 14th to 16th at Haus der Kulturen der Welt and brought together a wide selection of some 230 publishers, art periodicals and artists/authors.

The questions and answers that Aristide Antonas deals with as an greek urban planner and philosopher for his native city will soon have to be tackled throughout Europe as a whole. His meticulous observations in Athens could provide an opportunity to find a way out of our dilemma.

All texts were found on the cover pages of Korean notepads and exercise books

– It is not hard to learn more. What is hard is to unlearn when you discover yourself wrong. –

The Imagines is based on the texts of four writers that each engage with a recent project by Ines Lechleitner.

"This text is a compliation of relies from more than a hundred persons to Leung Chi Wo concerning an independent arts organization, Depot, which was located in the MuseumsQuartier in Vienna during 1994-2001.

Locating the Producers explores how 'durational' processes to public art curating and commissioning have emerged as an alternative to nomadic, itinerant and short-termist approaches in recent years. It provides an in-depth analysis of five durational projects as its starting point: The Blue House, and Beyond, the Netherlands, Trekroner Art Plan, Denmark, and Creative Egremont, and the Edgeware Road Project, United Kingdom.

This catalogue-reader accompanies Armando Lulaj’s project for the 56th Venice Biennale. Curated by Marco Scotini, Lulaj’s exhibition in the Albanian Pavilion is a time capsule of the country’s past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

The Good Reader addresses reading, as both virtue and duty. The editor invites authors she considers to be good readers.

Beiblatt zur MA BIBLIOTHÉQUE

A multidisciplinary reader on sound, space and architecture, that accompanies the exhibition of the same title in the Polish Pavilion at the 13th International Architecture Exhibition—la Biennale di Venezia.

On my way out of the Walker Library the other day a little red spine caught my attention. I grabbed the hardback book off the shelf and started paging through and was immediately charmed by what I was seeing and reading. What was bound between those two red covers was a small sampling of the Great Bear Pamphlet series. Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

In 1971 Alighiero e Boetti commissioned Afghan embroiderers to create a map of the world, with each country bearing the colours and pattern of its flag. The commission grew into a beautifully crafted, large-scale series of maps produced over a period of twenty years in Kabul, Afghanistan and Peshawar, Pakistan.

Humans are more than the roles that they play. Who is one supposed to be? The ›I‹ can only be found with, or opposed to, other human beings. The little ›I am I‹ first gets the idea to seek its identity when it meets others who already have one. Only those who revolt experience who they are.

In this book, Terry R. Myers takes on the challenge of reading this outwardly simple painting. Pretty in pink, and tenaciously painted black, Save the Last Dance for Me brings Heilmann's rigorous approach to painting and her attitude toward the personal expression of sorow and joy together to create an important and influential work, within painting and beyond.

The unravelment of the fundamental conditions of the possibility of interpretation is needed not for getting outside the circle, but for staying within in the right way. (English)

Werkverzeichnis und Veröffentlichungen von 176-1983

Marc Camille Chaimowicz's groundbreaking installation Celebration? Realife was originally created for 'Three Life Situations' at Gallery House London in 1972. The work is a strange hybrid of scatter environment, a theatrical stage and a performance piece. Meant as a critique of modernist objectivism, Celebration? Realife is also a consciously messy and ambivalent reaction to the clean conceits of Conceptualist and post-Minimalist tendencies.

"Men Look at Me Strangely" brings together images of some of the men Michael Wynne photographed between October 2016 and March 2017.

Die Publikation ist eine Zusammenschau der künstlerischen Arbeiten von Michail Michailov zwischen 2010-2013.

"Introduction to Microeconomics" is an artist book by German artist Stefan Klein.

8 Interlocutors. 8 Strangers. 8 Conversations. 8 Days. 10 Countries. 2697 km from Arnhem to Venice (through Belgium, Luxenbourg, France, Andorra, Monaco). 1310 km from Venice to Arnhem (through Switzerland, Germany). 4007 km Total distance.

What's inside that bolted door? It's the great unanswered question of a society with no imagination. Squatters pick a lock, or more likely slip in through an open window. What matters are the worlds they create after entering.

In The Murmuring of the Artistic Multitude art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. These days the work ethic of the art world with its ever-present young dynamic, flexible working hours, thematic approach, short-term contracts or lack of contracts and its unlimited, energetic freedom is capitalized withing the cultural industry and has been converted into a standard production model.

The artist’s need to ask which (historical) events are relevant to the present and to amend (art) history seems particularly great in a media landscape that builds upon the constant availability of medial representation rather than direct experience. (Engl.)

Hollis Frampton's film (nostalgia), made in 1971, is a witty, hypnotic account of an artist's experiences as a photographer in New York City from 1959 to 1966.

Poets, activists, writers and artists respond to what it means to be lonely in 2017.

OCTOPIA, a project created for the Museo Tamayo, is the result of an investigation of the octopus, an animal whose intelligence derives from a complex nervous system that extends through its tentacles.

The book documents the design work of author’s grandmother Kirsti Metusala at the Tallinn Experimental Plant Estoplast where she worked as a designer for 28 years (1964–1992).

Contributors:
Olivier Castel
Alex Cecchetti
Michael Dean
Marcelline Delbecq
Sarah Elliott
Simon Fujiwara
Charlotte Moth

The SHARE Handbook for Artistic Research Education is a poly-vocal document, designed as a contribution to the field of artistic research education from an organisational, procedural and practical standpoint.

The Mies van der Rohe Pavillion is an emblematic building which has exercised an undeniable fascination over many contemporary artists including Gerhard Merz, Dan Graham and Thomas Schütte; artists who have used the Pavillion as an explicit reference in some of their works.

Paul Thek in Process. Commentaries on/of an Exhibition publiziert das gesamte Recherchematerial, das in unterschiedlicher Art und Weise in der Ausstellungsreihe Paul Thek in Process öffentlich gemacht wurde.

intercontinental magazine published in Tokyo (52°41′N, 139°46′E), Warsaw (52°35′N, 21°05′E) and Vienna (48°13′N, 16°22′E).

Endangered Human Movements is a multi-disciplinary project including visual arts, performance and a series of publications. Vol I. Four Remarks on the History of Dance are a discursive and artistic journey through the disappearance of movement.

10 Questions collected by Stefan Klein while traveling through the Balkan. 10 Answers found by Claire Seringhaus.

Ulay is one of the pioneers of performance art. His practice is not about human alienation, but rather the kind of alienation that captures art and then forms its own identity.

In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form.