From the beginning in 1967 until 2002, Sol LeWitt’s artist books are collected in this volume.

Tommy Støckel's Art of Tomorrow. And Other Fictions. zeichnet eine Retrospektive seines Schaffens ab 2004. Neben Artikeln zu seinen Ausstellungen finden sich zahlreiche schwarzweiß und Farbabbildungen seiner Arbeiten.

Subtext: artists and writing was produced on the occasion of the exhibition of the same name, presented by un Projects, at West Space, Melbourne, 4–19 February 2011.
(Engl.)

Toronto based Artist Chrysanne Stathacos meditates in this work on the fictional journal of her alter ego, a french artist living in paris in the 19th century.

x

The main topic of Christoph Oraeger's film trilogy is the turbulent period of the late 1960's. My Generation (2007), Blow Up, Stroll On (2006) and Hippie Movie (2007) were based on three carefully chosen paradigmatic 'scenes' that symbolize the rise and fall of the Hippie era. Born in 1965, Oraeger chose to relive these moments in order to enjoy and ironically simulate events that he could not have been an active part of.

Der Amerikanerin Carolee Schneemann wurde in den frühen 1960er-Jahren die Leinwand zu eng. Sie begann die Malerei in den Raum auszudehen und ihren Körper als Material einzusetzen.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

Rollo-Press and 4478ZINE have joined forces again and present ‘O. Niemeyer’, the latest artist book by Erik van der Weijde.

These books collect the papers that were presented at ‘The Psychopathologies of Cognitive Capitalism: Part One’ conference in Los Angeles in November 2012.

A Collection of Otso Harju's Photographs.

In this precious book, Sallas shares his folding wisdom, which Charlotte Birnbaum contextualizes in two essays on the history of napkin folding. The texts are accompanied by an illustrated catalogue of folding techniques.

Survival with this book in a summer of memories, feelings, and dreams.

The pictures of each Manga or Japanese comics and print cartoons have been removed. In general, we tend to look at the images and read words from the Manga.

This catalogue is published to accompany the process-based installation "Salon für Kunstbuch" by Bernhard Cella on the occasion of the fifth anniversary of the 21er Haus.

Was könnte das sein, ein Leben als Künstlerin oder Künstler zu führen, und wie? Ist das Schlafwandeln oder eine trotzige Selbst-Behauptung? Wie kann man literarische, naturwissenschaftliche und philosophische Überlegungen mit Kunst verbinden?

Alcohol Makes You Invincible by dddddddumar Fukunovo takes place where many twenty-first century death cult stories take place, the post-apocalyptic now.

In 1975 cars were made from metal, glass, some chrome and a bit of plastic. The majority had front and rear bumpers. Base models were sold without radios. GPS, which seems so crucial today, hadn’t yet been invented.

This book contains a poem by Johanna Adriana Ader- Appels.

This book of interviews tracks the work of curators in the field of new media art in order to consider the massive changes and developments over a relatively short period of time.
(Engl.)

“Anthem for the people´s tomorrow” is a collection of photographs, texts, visual essays, and thoughts brought together by Ellen Blumenstein, the Master of Fine Art graduates of the Piet Zwart Institute 2011 and th alternative art space JUNG + WENIG.

Catalogs and books published by Israeli artists in the 70s and 80s.

Art Always Has Its Consequences: Artists’ Texts is a collection of manifestos, critical texts, and writings addressing public issues written by artists and artist groups from Eastern Europe between 1947 and 2009.
(Engl.)

Art Always Has Its Consequences: Artists’ Texts is a collection of manifestos, critical texts, and writings addressing public issues written by artists and artist groups from Eastern Europe between 1947 and 2009.

Kunst im öffentlichen Raum – das kann weit mehr sein als die Aufwertung von Straßen und Plätzen durch Plastiken und Skulpturen. ARTocracy stellt eine autonome Welt der Kunst vor, die – zielgerichtet im Dialog mit den Künstlern – ebenso die Geschichte wie die gegenwärtige Gesellschaft und den Alltag der Menschen einbezieht.

Spiral bound photocopy art book by David Macke, published by Printed Matter in 2017.

“The idea behind Donnerstag was to insist on the difference between good art and bad art. I am aware of how anachronistic that sounds and how quickly it evokes the image of an old critic-pontiff wagging his authoritarian pointer finger.”

Besides being one of science fiction's top subjects, immortality is one of humanity's most debated issues. "They Cannot Die" by Catalan artist Oriol Vilanova is a possible portrait of how the 20th century dealt with history and fame.

Jenseits immer neuer Enthüllungen über die Massenüberwachung der Geheimdienste bestimmt „Big Data“ die öffentliche Diskussion über das zunehmend gläserne Konsum-Individuum.

In "The Reporters of the BBC Website, Nick Crowe provides a visual investigation of the medial strategies that were first applied to the BBC News website in 2002.
(Engl.)

Written by video artist, Andrew J. Paterson, and designed and illustrated by Bruce Mau.

In Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art—which always assume the position of the spectator, of the consumer.
(Engl.)

In his Pictorial Journal 2003–2005, Rob Krier describes how his twin passion for fine art and architecture emerged.

“You Asshole” is an essay that explores artistic personalities that fall outside the pattern of the art world.

It is 2015. Art is almost completely instrumentalised regardless of whether its financing is private or public.

Could it be that the Moscow Conceptualists were so elusive or saturated with the particularities of life in a specific economic and intellectual culture that they precluded integration into a broader art historical narrative?

French photographer Patrick Cariou accused Richard Prince of copying 41 images of rastafarians and landscapes from his book Yes Rasta, which Richard Prince was using for a series of paintings and collages called the Canal Zone. A deposition is the out-of-court oral testimony of a witness that is reduced to writing for later use in court. In such a scenario Richard Prince had to explain and defend his art, his career, and his decades-long practice of appropriating images made by others.

Communiqué § 4 is a political fiction drifting in and out of
material archives. Speculating about communitarian politics,
action and writing it descends into the underground to meet
the angry.
(Engl.)

"Around the World in Eighty Days" is a unique exhibition that takes Jules Verne’s popular novel "Around the World in Eighty Days" as a starting point to investigate the increasing internationalism of the London art world. "Around the World in Eighty Days" marks the first in a new series of exhibitions developed by the ICA that takes a novel, a short story or other written narrative as a point of departure.

‘The documentary photo project ‘We would come to doubt everything…’ deals with Juan (Jan), a Brabant dentist who thirty years ago left everything behind to start a new life in the remote mountain village of San Sebastian de Garabandal in Spain. Juan de la Torre leads the life of a hermit and has devoted himself to the ‘study of life’, immersing himself in books on religion, alternative philosophies, the falsification of history and conspiracy theories.

A tribute to Abbie Hoffmann’s pamphlet of the same name, Steal this Book documents eleven recent performative projects by Spanish artist Dora García.

In An Approach by Helmut Färber, an unpublished text written in 2007, documentary filmmaker Gerhard Friedl (Knittelfeld. A Town without a History, Wolff von Amerongen. Did He Commit Bankruptcy Offences?) describes his experience of Färber’s courses at film school – a method of scrupulous, close analysis at the editing table that also played a crucial role in Harun Farocki’s teaching.

Highschool is the first Nieves publication of Barber’s own photographs from his last few years at high-school in Amherst, Massachusetts, released in conjunction with the tinyvices.com show at colette. Tim Barber's photographs are simply straightforward, and naturally attract the eye of the viewer for their raw and detailed vision.

FUTURE PRACTICE DRAWINGS is a black-and-white book of new charcoal drawings by Jakob S. Boeskov.

The parked car project is a publication project containing works of eight different artist interpreting and illustrating the same object.

The parked car project is a publication project containing works of eight different artist interpreting and illustrating the same object.

The parked car project is a publication project containing works of eight different artist interpreting and illustrating the same object.

The parked car project is a publication project containing works of eight different artist interpreting and illustrating the same object.

The parked car project is a publication project containing works of eight different artist interpreting and illustrating the same object.

The parked car project is a publication project containing works of eight different artist interpreting and illustrating the same object.

Die Publikation INDUSTRIAL on Tour dokumentiert ein vom Hartware MedienKunstVerein organisiertes Filmprogramm zum Thema ‘Industrial’, das vom 27. Sept. - 9. Okt. 2011 durch fünf polnische Städte tourte (Gdańsk, Tarnów, Kraków, Bytom and Łódź).

Are we working or are we playing?
In the globalized and highly professionalized art world the distinction between work and play is increasingly unclear.

Erscheint anlässlich der Ausstellung "Nach Kippenberger" im Museum Moderner Kunst Stiftung Ludwig Wien (11. Juni - 31. August 2003) und im Van Abbemuseum Eindhoven (22. November 2003 - 1. Februar 2004)

This publication contains texts about different kind of sticks.

Jason McLean's diverse practice includes drawing, sculpture, installation, sound performance and mail art. Much of his work contains collaborative elements. He was recently chosen by MacLean's magazine as one of the top ten visual artists to watch for in Canada. As an illustrator he has worked with Adbusters and Bananafish Magazine.

We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears.

Ernst Moiré was a mysterious Swiss photographer whose career has been obscured by silence, documentary voids, and misinformation. So much of his life is shrouded in speculation and half-truths that he sometimes seems more like a phantasm than the flesh-and-blood figure who will forever be remembered as the inadvertent inventor of the blur that bears his name.

This publication employs multiple textual forms – from semi-fiction to interview to theoretical historical examination.

The texts assembled in this book began their formation during Charlotte Moth’s residency in Bleckede in 2009. Founded on the basic principle to comment and react on events, images, or situations, different artists, writers, and curators have since then been invited to respond on material chosen by Charlotte Moth.

For the third volume of this ongoing series entitled New York Studio Conversations (Part II) art historian Stephanie Buhmann conducted interviews with twenty artists, whose ages range from early 41 to 96. While the featured genres, processes and aesthetic approaches vary decisively, all participants have one thing in common: they work and usually live in New York.