Asoziale Skulptur oder wie lässt sich eine Kulturhauptstadt verkochen?

This publication is another extension of Yanks research, elaborating further on the seemingly contradictory and estranging concept of “community of absence”. It is not a catalouge or artists monograph in the traditional sense, as its ambition is not to represent the exhibition at BAK or a specific series of works, but rather to map the trajectory and movement towards a new community to come as envisioned in her work. Yang actively engages other cultural practioniers in her research - in this way, she creates a community of her own.

Simple motifs to color based on common forms of imaginary in corporate logos, music videos and entertainment industry that a growing internet community associates with a hidden agenda.

Simple motifs to color based on common forms of imaginary in corporate logos, music videos and entertainment industry that a growing internet community associates with a hidden agenda.

In August 1971 Laszlo Beke a renowned Hungarian art historian and curator of several progressive art events of the 1970s asked 28 artists to submit their reaction to the concept “WORK = the DOCUMENTATION OF THE IMAGINATION/IDEA” on A4 sheets.

Comics were Van de Moortel’s first love: his first drawings, his first stories; a dwelling of fantasies and a lack of reality: he devored them as a child.

This book contains extracts from diaries written by my mother, my grandmother, my great-grandmother and my great-great-grandmother, in other words, the female line of the family on my mother’s side.

A thorough description complementing her installation "actions to enter to open closed forms".

This monograph on The Otolith Group reveals the tantalizing work coming from this group founded in 2002 by London-based artists Kodwo Eshun and Anjalika Sagar. Engaging with archival materials, futurity, and with the histories of transnationality, Otolith suggests a future in which the past is treated as a relic, an idea that has the potential to inform the present and modify the future.

Racialized Incarceration constitutes a form of sequel to issues 4 and 5. This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement.

Independent Art inititatives, Budapest 1989-2009

Nico Jungel positions his book of 424 drawings in the larger history of the image – reaching from scratched lines in caves to ink drawing and post-modern digital imagery – as a means of expressing and examining life.

Exhibition presented at the Serralves Museum of Contemporary Art from April 30 to July 4, 2004.

In MOODS stellt Rodrigo Soto Altamirano den Schaffensprozess eines begrenzten Zeitraumes mit seinen einhergehenden wechselhaften Gefühlen in visueller Form dar.

J’aime beaucoup ce que vous faites... » magazine was created in 2005 with a desire to focus on literature with a sensitive and affective point of view. The magazine, presented as a mix between a book and a manuscript, demonstrate writing in progress, the hidden side of the process while the author is at work. It also enlights the intimate moments shared with the voice of a writer as well as the excitement of the discovery of singular writing.

Tales of Resistance and Change. Artists from Argentina brings together the production of twelve contemporary Argentine artists and groups of artists that conceive their environments as a field for reflection and action. Social and political consequences of the financial crisis of the years 2001-2003 in Argentina form the backdrop of the exhibition.

Die Publikation „Profeminist WHITE FLOWERS“ erscheint anlässlich der Ausstellung von Sands Murray-Wassink „Above Average Looking/ Accessible Lives (SOMATOPOWER)“ in der Städtischen Kunsthalle München Lothringer 13, im Jahr 2008.

In between Cylinder 8 and 9 comes number 8# (sharp) 9b (flat), 16 transparant film pages, LTD in the Cylinder series on 100 editions

Original drawings by: Wesley Bryon, commissioned by Saâdane Afif for Mount Moon: the Basel Tour (2013), performed in the framework of LISTE 18 performance project, June 11 – June 16, Basel, Switzerland, 2013, curated by Fabian Schöneich.

After the Berlin wall came down in 1989 certain aesthetic characteristics of former socialist countries are still visible in the streets and day-to-day life of Eastern Europe, such as decorative figures in architecture, geometric patterns on fabrics and rhythmic motives on paper objects.

Artist book with etching. Pu

Artist book with etching. Pu

Representing other cultures often can be more seen as an idealistic statement. In her photography Vera Brandner trys to find out and shows a real structure in cultural differences and life.

Conceptual Colors of Genco Gülan is an analysis and introduction to the work and thought of the visual artist Genco Gülan, who since the mid-90’s due to his conceptually complex and aesthetically pluralistic pieces, became a leading figure in Turkey’s contemporary art scene.

Birgit Jürgenssen recognized her desire to become an artist at a quite early age. As an eight-year-old, she "copied" images by Pablo Picasso into an exercice book. What is notable here is that she fused Picasso's name with her own- "BICASSO Jürgenssen"- and thus staked her claim within the sphere of the symbolic order that reached far beyond her (...) (engl.).

Katalog zur Ausstellung "Aktionsraum 1" vom 4. März 2011 - 29. Mai 2011 . 32. Aktion, 28. Februar 1970, Aktionsraum 1, München

Our Comic Book is a big, fat, scrumptious book compiling a series of new commissions based on generic comic strip and cartoon format.
We commissioned over fifty visual artists and writers (including those currently working in a comic format and others never before involved in comic strip art and literature) (Quelle: Verlag).

The magazine documenting the developments of Project Art (since 1994) and the activities of Cittadellarte (since 1998) is published annually.

(Englisch/Italienisch)

Texts by Philippe Terrier-Hermann, Stéphanie Moisdon Trembley, Alexandra Midal, Pierre Puttemans, Hilde Van Gelder

Glue the Werkplaats Typografie building together and discover the forgotten joy of rebuilding the world in miniature size. Perfect for use with your favorite WT action figures!
(English)

[the publication] looks at issues of representation and the construction of visibility. Miguel A. López discusses the processes of historicising Latin American art of the 1960s and 70s, and how current readings of key political events, such as the ‘Tucumán Arde’ episode in 1968, are questioning what has been placed under the geographical and art-historical rubric ‘Latin American Conceptualism‘. In an analysis of the use of shadow in the film performances of British film-makers Malcolm Le Grice and Gill Eatherley (...) (

Als der russische Spion Rudolph Abel (1903 – 1971) am 21. Juni 1957 in New York festgenommen wurde, fand man in seinem Atelier über 50 Ölgemälde. Er hatte unter der Tarnung eines Amateurkünstlers und -fotografen spioniert. Sein Lieblingsmotiv: einsame alte Männer in der Großstadt.

"Passengers" is the result of an observation Dagmar Keller and Martin Wittwer made at night at a bus station while travelling through Poland.

Like in writing, drawing has no boundaries; you can easily make a big lump of earth levitate like in Steve Johnson's watercolour-drawings. The impossible becomes possible, everyday objects and places turn into poetry and only the imagination is the limit.

Bratislava's Superstructures is a project about the phenomenon of rooftop extensions in the capital of Slovakia.

Published on the occasion of EKKM’s participation with Anu Vahtra at Art Brussels, 21–24 April, 2016.

In this exhibition, Kasper Andreasen presents drawings and artists’ books that investigate acts of printing, writing, and collecting.

Karl Holmqvist’s practice is radically typographic: letters, numerals and special characters are his only medium.

This is the first publication about Cain, who died at age 37 having made fewer than 60 paintings. Focusing on Cain's car paintings, this volume illustrates the artist's working process, from initial collage to basic and then more complex drawings to the final large-scale canvas. The critic Jerry Saltz has called Cain's paintings "among the sexiest, strangest and most underrated paintings of the 1990s."

The publication both documents Judith Raum's solo-shows at uqbar, Berlin and The Return, Dublin and translates the lecture performance harmless entrepreneurs (2011), which was shown at both locations, into a book format.

Manifesto Marathon, the third in the Serpentine Gallerys acclaimed series of Marathon events, took place in the closing weekend of the Serpentine Gallery Pavilion 2008, designed by Frank Gehry.

"On Directing Air 2" is a publication made in the frame of "On Directing Air", an exhibition organized by Petra Feriancova at amt_project, Milan, 2016. The publication features texts on László Beke, an Hungarian art historian and an interview with artist Julius Koller.

On Directing Air 1 is an approach to and an attempt to reconstruct the photo "An Afternoon Grazing a Lamb." Petra Feriancova talks to different artists about it. The interviews are printed in "On Directing Air 1".

The book contains photos by Massimilian Bomba.

Residual spaces always seem to be invested with a romantic and disruptive energy: as flipsides of modernity, crevices opened up in the apparently seemless narrative of technological progress, they radiate a virtual power of thinking differently, of a temporal fabric brushed against the grain.

The Berlin based publication FUKT, founded in 1999 by Björn Hegardt, is dedicated to drawing.

WAITING LAND is a storyboard for a possible continuing visual.

The inaugural issue of AMC2 journal brings together different groups of work that illuminate lost corners of our cultural life. Photography is, as ever, the keystone of the collection.

Through co-authorship and collaboration as well as through the re-launching of works from various creative phases and involvement by other artists, West introduced a subversive and often humorous form of play with the way authorship is attributed to artworks.

My projects take their point of departure in social and political structures and question how and for whom things are written.

The book contains introduction by Jim Sponto plus stories and texts by other authors

With essays and contributions by Cerith Wyn Evans, Florian Hecker, Liam Gillick, Carsten Höller, Robin Mackay, Jeannie Moser, Molly Nesbit, Olaf Nicolai, Martin Prinzhorn, Maria Spiropulu, Eva Wilson and Daniela Zyman.

Das Werk von Ingeborg Strobl steht in bewusster Opposition zur Logik von Wachstum, Spektakel und Kommerzialisierung, die den Kunstmarkt zunehmend prägt.

Jetty dokumentiert eine Reise zwischen Standorten von zwei Arbeiten von Robert Smithson,The Monuments of Passaic und The Spiral Jetty.

Times are tough for publishing books and periodicals in the U.S. Hell, it is tough for most people in general. We are happy that the folks at the Journal of Aesthetics & Protest didn't let the deplorable conditions, of our economy and country, keep them from printing a new issue of their magazine! Though this is their thinnest volume to date, and a dramatic change in format, the result is concentrated, and high-impact. Everything is streamlined including the design, by Jessica Fleischmann, which is really sharp.

I will talk a bit here about stories. This is a new story; it is called Aru Kuxipa. It is new, but it is old. Aru Kuxipa to me means our people, the old ones, living together with nature, in balance with our tradition. Aru means secret, sacred. Kuxipa means like a god. – Txana Bane

Fifty Percent is a political art magazine without information.

Herausgegeben von Peter Weibl unter Mitwirkung von Thimas Donga, Heike Tekampe und Peter Fend für die Neue Galerie am Landesmuseum Joanneum, Graz. In Zusammenarbeit mit K-raum Daxer, München im Oktagon- Verlag.

Of Democracy / De la Démocratie is a facsimile publication in English and French by Henri Chopin, an avant-garde artist, poet and musician.

Eighty faces stare right into the camera. Some seem calm, some slightly frightened or confused, and others bluntly indifferent, if not somewhat ironic.