Mousse is a bimonthly magazine published in Italian and English that was established in 2006.

IF WALLS HAD EARS 1984-2005. De Appel Amsterdam. Ed. by Edna van Duyn. Contrib. by Michael Archer, Saskia Bos, Charles Esche, Annelie Pohlen et al. Amsterdam 2005. 703 S. durchgehend mit teils doppelseit. Farbtafeln sowie zahlr. farb. Textabb., Ausst'verz., Index, brosch. - Text in engl. & niederl. Sprache.

Eine Schlüsselfunktion hat dabei das Artists-and-Architects-in-Residence-Programm: Es setzt diese Ideen um, indem es internationale KünstlerInnen und ArchitektInnen am Anfang ihrer Karriere nach Los Angeles bringt. Um den kulturellen Austausch als zentrales Anliegen des Stipendienprogramms zu intensivieren, haben das Österreichische Bundesministerium für Unterricht,

Ve:ernacular Painting presents large mural paintings from the last fifteen years by Gijs Frieling (Amsterdam, 1966), together with a number of small paintings, pieces of embroidery and objects. (Englisch)

One of the major characteristics of Rahbar’s work is to restore the dialogue between history and aesthetics. Her originality is in bringing art—not only in its new forms, such as video and performance, but also in traditional forms that have been reappraised today—onto social and political terrain.

This volume both develops and creates new contexts for the theories and strategies illustrated by Igor Zabel in his exhibitions, publications, critical writings and European exchange initiatives.

Vietnam

Archive is a platform for cultural research and debate. It brings together activists and cultural practitioners in an adaptable structure with the aim to foster a unique space for discussion and exchange.

Punk: periodical collection, On self-publishing practices, a book by Paul Gangloff, assembles interviews interspersed with a series of collages made during a collective graphic experiment.

Through drawing, text and photography this book describes places located at the peripheries of touristic centres.

John Houck’s “Digital Guides to Photography” is a series of books that form the basis for the artist’s Aggregates series. In these books, Houck explores photography’s movement from chemical to coded.

"Used Future #8" shows the photograph of a poodle dog, made by Simon Haenni.

Mit ihrer Arbeit Corrections and Clarifications, die allein aus Korrekturen und Widerrufen in der internationalen Presse im Zeitraum zwischen Mai und August 2011 besteht, verdichtet Anita Di Bianco Informationen allein auf ihren Fehlergehalt und verleiht diesem seine oft fehlende Sichtbarkeit.

Don't Trust Anyone Over Thirty charts the career of twenty-four-year-old rock singer Neil Sky, who is elected President of the United States after instigating teenage riots to change the voting age to fourteen and putting LSD in the drinking water of the Congress. But once President Sky retires the over-thirty population in LSD re-conditioning camps, he faces his own unique demise. 

An investigation of the themes of identity and tradition, the title Shooting Back thus refers to the act of choosing to narrate one’s own history, the deployment of distinctive tools and methods of representation, and the reassertion of ownership over tradition and heritage. The expression is

This is a pilot issue of Metronome printed in Senegal that set the production of all future issues.

Photographs and texts by Libuše Jarcovjáková

This artist book spectacularly documents John Bock's action MALTREATED FRIGATE, which represents the height as well as the culmination of his performative work. His vision comes to life In a multitude of colored illustrations.

Lacaton and Vassal’s principle of doubling space is echoed in the book’s treatment of photography: black-and-white exterior shots that run alongside the text form a dialogue with corresponding full-color photographs of each interior, gathered at the end of the book.

The book is a compilation of texts, songs and drawings chosen by a unique criteria: a romantic vision of graffiti.

Ein Gedichtband von A bis Z des norwegischen Autors Audun Mortensen.

Text by Robert Fleck, 2 Booklets with each 24 Pages in Cardboard

A READER represents a realm of desire dealing with the development of strategies to denaturalise normative concepts of identity, bodies, sex and gender.

A corporate report as conceptual intervention

"In 2012 I was asked to be in an exhibition in Holland themed around the Dutch artist, Bas Jan Ader. I was to come to the small town of Winschoten for a month and make the work for the exhibition. The town was a short bike ride away from the small village where Ader’s father was a minister. After staying in Holland for about a week, I became annoyed with the curators. From this annoyance I decided what work I would give to them for their exhibition. I was to disappear from Winschoten. Not to romanticize Ader’s own disappearance at sea, but to disappear from a situation I did not want to deal with."

»Alle reden vom Wetter. Wir auch!« Gestaltung: Markus Dreßen und Helmut Völter

Published in 2009 as the first comprehensive compilation of the collection and commissions of Thyssen-Bornemsiza Art Contemporary, this book tells the story of the Vienna based art institution. Founded in 2002 by Francesca Thyssen-Bornemisza, TBA21 is committed to supporting the production of contemporary art and is actively engaged in commissioning and disseminating unconventional projects that defy traditional disciplinary categorizations.

Digital Album Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

The relationship of art to work and the conditions of artistic production has long engaged many in the field of visual art. Work is a broad concept, the meaning of which has changed radically as a result of the social and technological transformations that have taken place over the past century. (engl.)

Book published on the occasion of the exhibition of Yuko Nasaka at Axel Vervoordt Gallery from March 12 to April 24, 2015.

Yes! Arty 24 is still obsessed with the British vernacular.

David Adamo has developed his own independent stance as a sculptor outside of formalism over the last few years.

Städte wachsen seit Jahrzehnten an den Peripherien. Die Folge sind hybride Gegenden aus städtischen und ländlichen Fragmenten. Von der Verstädterung der Landschaft und der Verlandschaftlichung der Städte ist in diesem Zusammenhang vielfach die Rede........

Mit „A worm crossed the street“ führt uns Nadja Bournonville in die Archive des Naturhistorischen Museums Wien, in denen Tiere in Dermoplastiken, Skelette und Nasspräparate transformiert, verbogen und ausgeblichen die Regale füllen. In Ethanol eingelegt, einst mit Arsen behandelt und in ständiger Überprüfung auf Insektenbefall. Die archivierten Tiere sind nicht nur ein Schatten ihrer selbst, sondern eben auch oft ihrer ganzen Art.

Through his photographs of lobbies captured in more than two hundred hotels in Vienna, Wolfgang Thaler has succeeded in portraying an entire city, the hybrid face with which it welcomes and takes leave of its guests, offcially and incognito. (Andreas Spiegl)

Du gehörst nirgends dazu. Nicht zu der Gruppe der normalen Menschen, weil du eine Essstörung hast, und nicht zu jenen, die essgestört sind, weil du ein Mann bist.“ Thomas, 21

A documentation of the traditional pilgrimage with carts of oxen and horses for the festival "La Colomba Blanca - La Virgen del Rocío" in El Rocío (near Almonte in Spain), photographed at Pentecost 2000.

For Markus Guschelbauer, the landscape is a reference point and a backdrop for his photographic interventions and stage settings. Guschelbauer’s photographs ‘are imbued with a continually reactivating, obsessive urge to find oneself within the ambit of one’s personal background, one’s own identity and its place in an apparently indefinable and dreamlike natural landscape’

Wolfgang Suschitzky (* 1912) grew up in a family that was more connected to socialism than to its Jewish roots. His father is a co-founder of Anzengruber Verlag and the first social democratic bookstore in Vienna. Wolf Suschitzky received his photography training at the Höhere Graphische Lehr- und Versuchsanstalt.

Dwindling glaciers and polar ice caps, rising sea levels and entire land areas reduced to steppes: the repercussions of the climate crisis have long become visible. The publication for the exhibition Nach uns die Sintflut has chosen to use the resources of art to highlight the urgency of the issue.

The Henry Rox Revue combines artistic masterpieces between acrobatics, music and dance with the bizarre things of everyday life - the impossible is captured here in unique photographs. Henry Rox`s photographic world of images is a crazy revue with subtle humor and witty charm. She plays with dressing up and parodying and lives from simple and equally imaginative arrangements and productions in which he casts various roles with various fruits and vegetables as the main actor.

It was through her distinctive portrait works that Bettina von Zwehl achieved her international renown. WUNDERKAMMER is the first published overview of her exploration of the image.

“So photography says nothing, you see.” Loos could not adhere to such enormous skepticism concerning the photographic representability of his architecture, however, when a monograph of his buildings was to be published in 1931.

Marina Faust’s first comprehensive exhibition, the artist’s book, which is divided into nine categories, encompasses works from the 1970s from the artist’s archive to her current creative output.

Die Ausstellung und das begleitende Buchprojekt erproben eine künstlerisch und kuratorisch motivierte Kartographie der sakralen Stätten Wiens.

To mark the 30th anniversary of the founding of the Friedl Kubelka School of Artistic Photography Vienna, a comprehensive commemorative publication is now available.

Bibliophil und stimmungsvoll: das Architekturbuch über Architekturbücher
Projekte aus der Arbeit von Wiel Arets Architects, Fotografien von Bas Princen

Chipperfield's design for the third and final building in a complex for the German clothing retailer Ernsting completes the compound and provides office space for business and retail managers as well as a Research & Development department. Fine condition. English / German.

Kreatives Schmuckdesign jenseits von Luxus und Pomp. Schmuck ist im Trend. Ob Glamour, Gothic, Pop oder Minimalismus rund um eines der ältesten und immer wieder innovativsten Kulturgüter der Welt finden sich derzeit viele ungewöhnliche Entwürfe, Materialien und Gestalter.

Seit ihrem Erscheinen hat die durch den Philosophen Wolfgang Scheppe an der Universität für Architektur in Venedig (IUAV) unternommene vierjährige Studie zur globalisierten Stadt den Rang eines Standardwerks erreicht.

The site of the leather bar Eagle LA, in Los Angeles, has been home to three highly popular leather bars over the decades: the Shed, the Outcast, and the Gauntlett II. The Eagle LA, opened in 2005, follows a long-standing tradition of leather fetish and uniform, set forth by leather Eagle bars around the country.

Der 1938 in London geborene Star-Fotograf David Bailey begann seine Karriere als Chronist des „Swinging London“ der 1960er-Jahre und gilt bis heute als Meister der Porträtaufnahme.

Becoming Disfarmer uses a compelling sequence of over 100 images to tell the story of Mike Disfarmer's vernacular portraiture and its transformation into art. This monograph features his vintage prints along with a selection of enlargements made from his negatives in the 1970s, through which his work first became known.

Theresienstadt oder Terezín, die befestigte Stadt nördlich Prag, errang 1942 traurige Berühmtheit, als sie von den Nazis als „jüdische Mustersiedlung“ ausgesucht wurde.

New York-based photographer Mariana Cook is known for her character studies of persons both in and out of the public eye. Among her previous bestselling photobooks are Mathematicians, Faces of Science, Mothers and Sons and Fathers and Daughters.

This book, the first to pair the two, examines the work they produced during visits to Britain and Ireland in the 1960s and 1970s.

"Hallo, ich heiße Jimmy", sagte eine Krähe zum kleinen Jim Dine in seiner Einleitung, "aber dies erschreckte mich, und zugleich ... verstand ich."

Dieser Band zeigt eine Auswahl von Fotografien von Dine selbst, von seinen Freunden, Verwandten und von Pinocchio, dem Motiv, das in seinen Werken immer wieder auftaucht.

Flussläufe, Wellen, Meeresküsten – seit seinen Anfängen ist das Wasser ein immer wiederkehrendes Motiv in Elger Essers photographischen Landschaften und Veduten.