A three-dimensional paper sculpture with eight different views. A pop-up book as an homage to the contemporary art book scene.

Modefotografie existiert nur über das Frauenmagazin. Die Geschichte dieses fotografischen Genres ist daher mit der der Frauenpresse verbunden. Ende des 19. Jahrhunderts, als die ersten Frauenzeitschriften erschienen, war die Fotografie noch immer nur eine Hilfsillustration.

The punk pulp love story by a post-post-modern dandy, boy-about-town, lost in the perverse underworld of sex & drugs & culture wars.

Hermann Nitsch (*1938 in Wien) ist ein bedeutender Wegbereiter des Wiener Aktionismus. Seit 1957 arbeitet er an der Verwirklichung seines zentralen Werkes: Das Orgien-Mysterien-Theater ist ein nonverbales,

Frederick Weston and Samuel R. Delany come together for a wide-ranging dialogue, reflecting on their overlapping histories in Times Square, the deep impact of AIDS on their creative practices, and the ever-changing intersections of race, sex, language, and art.

'The spirit of Gemini is best captured by the word 'collaboration.' It's about artists and printers working hand in hand to create works of art. This same spirit prevails when I take photos. There's a trust extended by the artists, allowing me to share so many special moments with them.' -Sidney Felsen

First published in Italy in 1956, Bruno Munari's »In the Darkness of the Night« tells the tale of an interconnected, intimate yet expansive journey across three settings—in the darkness, through a meadow, and into a mysterious cave—through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and

Four Seasons ist ein einzigartiges Künstlerbuch, das Yuji Agematsus bekannten zips gewidmet ist: winzigen Skulpturen aus zu neuem Leben erwecktem Abfall, den Agematsu bei seinen täglichen Spaziergängen im New Yorker Stadtraum aufsammelt,

In 2022 the Niagara Region welcomes the Canada Games; 2022 also marks the reintroduction of the Indigenous game of lacrosse. By thematizing lacrosse, this book celebrates the role sport plays in promoting cultural diversity.

In March 2020, the Rodman Hall Art Centre showed Industrial Niagara, an exhibition curated by Derek Knight, that brought together key works by members of the Research Centre in Interdisciplinary Arts and Creative Culture, Brock University.

E. Pauline Johnson, Tekahionwake (1861-1913) is a writer, poet and performer who drew upon her Canadian and Mohawk upbringing on the Six Nations of the Grand River and Brantford in Upper Canada/Ontario. Landon Mackenzie is a Canadian artist, living on the unceded traditional lands of the Coast Salish.

Independent art spaces on the African continent have flourished, particularly over the past twenty years in tandem with a youthful population in fast-urbanising cities.

Black Ecologies proposes the concept of Black Ecologies as a “resistance to extractive ecologies across the colonial-capitalist world.” Recognizing our world is at a crossroads, Black Ecologies is a multigenerational, multidimensional dialogue and a reminder that Black resistance is always already tending to other ecologies of being(s).

The Library of Mr. & Mrs. Neutra uses the built environment of Richard and Dione Neutra’s VDL House (1932/1965) as a space for site-specific research into the content and material structure of the modernist architect’s library.

This book is an extension and continuation of an artwork titled Proposal for a House Museum of an Unknown Crying Man by artist Mahmoud Khaled, in which he imagines a house museum for an anonymous person who has entered Egypt’s queer history as an „Unknown Crying Man“ and iconic image.

News Cuts brings together twenty-two images selected from Olaf Nicolai’s personal archive of newspaper clippings. Each image is accompanied by a collage of quotes compiled from different kinds of sources,

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

This is the story of what happens after your property and after your progress … it’s over.
"Everything But the World: The Complete Annotated Screenplay" constitutes a scrapbook of the making of a pilot.

With her “notebook of dreams” Dineo Seshee Bopape transports you into the world of African scents. Nothing distracts.

FAGS is a photo book by Jacopo Benassi. It brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.

The Dark Redacted published in April 2020 by the Small Walker Press in their Invisibility series, featuring ten of my drawings, prose by acclaimed writer Gary Barwin, publication design by Lauren Wickware, and printed by Andora Graphics.

The Error is Regretted is the 20-year anniversary publication of Anita Di Bianco's project Corrections and Clarifications. Next to a new 96-page newspaper edition, that reflects the current news, the book contains text contributions by Anita Di Bianco, Anna Bromley, Francesco Gagliardi and Florian Wüst.

Over the last fifteen years, Istanbul has emerged as one of the principal megacities at the outset of the twenty-first century. The picturesque has given way to an unexpected boom of new, profit-driven urban development including high-rise, sterile gated communities and satellite cities to house a vastly expanding population — all at the expense of long-time residents and under the mantle of a self-confident and arbitrary government.

The monograph “Modifications” is an associative book about the works of Samuel Schaab from the last years. Published by Salon für Kunstbuch. With texts by Karolina Preuschl, Ferdinand Schmalz, and Samuel Schaab. Designed by Anna Liska.

In the book the mind is the body Lisa Gutscher journies into the body and presents a fantastic tapestry of stories and visuals. Like a children's science book, the artist reveals before us readers the magic of the body without confining it to machinic partitioning, binary oppositions or theory as such. It is stories, both visual and textual, that are the fuel and destination of this journey:

No Telos is a collaborative artistic research project for exploring the critical role of uncertainty, disorientation, not knowing and open-ended activity within creative practice and during uncertain times. The project considers different tactics for resisting the increasingly outcome-motivated or achievement-oriented tendencies of

Ein Heft zur Entstehungsgeschichte von Harun Farockis Film Bilder der Welt und Inschrift des Krieges (1988), der sich zwischen 1985 und 1988 in mehreren Etappen aus dem unverwirklichten Projekt „Zur Geschichte der Arbeit“ heraus entwickelte.

Trance has been the flagship for electronic music across the globe during the nineties and early zeroes.

STURM OF LOVE ist der Abdruck eines SMS-Austausches zwischen einem anonymen Paar. Dieser Austausch gibt sehr intime, voyeuristische Einblicke in eine Beziehung und beleuchtet die abgründigen Seiten von Kommunikation im postdigitalen Zeitalter. Der SMS-Austausch, läuft in zwei parallelen Spalten durch das ganze Buch, inklusive Cover. Das Impressum befindet sich auf einem Lesezeichen aus Neon-Papier.

Àmor is an exploration. Roberto Timperi’s gaze leads us into an uncanny underground world where we survive despite the curse that seems to have affected everything by now, and for good. A world where new forms of filterless beauty are possible, and every corruption is holy. Àmor is the livid portrait of a humanity raging and beating in the city’s deepest heart.

The Atlas of Anomalous AI is a compelling and surprising map of our complex relationship to intelligence, from ancient to emerging systems of knowledge. A wildly associative constellation of ideas, stories, artworks and historical materials, the Atlas draws on art historian Aby Warburg’s Mnemosyne Atlas — an image map of the “afterlife of antiquity” — to approach the defining concepts of AI from an imaginative, artistic and revitalising perspective.

Spanning 500 years of colonial destruction, human trafficking and blood sucking, Nosferasta is a Rastafarian vampire film that reimagines Oba’s origin story in the late 15th century, when he is seduced by the vampire Christopher Columbus, ensuring his undying allegiance to the colonial project. Combining film forms and jumping across multiple timelines,

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

THE LINE – Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. This volume focuses on a segment that goes from the River Rhine to the High Alps extending through the territory of Liechtenstein. THE LINE is a project by the Institute for Linear Research, an independent research platform.

In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled “What Ought to Be Done,” followed by a survey addressed to potential collaborators and supporters.........
Mitte der 1970er Jahre schrieb Harun Farocki einen zweiseitigen Aufruf mit dem Titel „Was getan werden soll“, der von einer Umfrage unter potentiellen MitarbeiterInnen und UnterstützerInnen begleitet wurde.........

In 1976, Harun Farocki and Hanns Zischler directed Heiner Müller’s plays The Battle and Tractor for Theater Basel. For Farocki, this production remained his only directorial work for theater. With Heiner Müller, however, he remained in intellectual exchange. The two collaborated on the adaptation of Müller’s text The Hamletmachine for radio in 1978; for the May 1981 issue of the magazine Filmkritik, they conducted a conversation.

“I also don't know the five new federal states and, if I want to film there, I have to have a leading figure. It is the profiteer, development aid worker and missionary all in one. He breaks into the accession area from the West in army strength. The film is about such a salesman.” –– Harun Farocki, 1990/91

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos. By subtly distorting familiar, often intimate domestic scenarios, Bishop creates intermediate worlds in which concepts of time are suspended, and clear boundaries between private and public space, exhibition and non-exhibition are blurred.

Die Fotografien, die Annette Kelm innerhalb einer großen Bandbreite von Erscheinungsformen im Laufe der letzten fünfzehn Jahre geschaffen hat, gehören zu den faszinierendsten und bedeutendsten Beiträgen der jüngsten zeitgenössischen Kunst.

Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art.

A catalogue as reader: the enclosed texts describe the nearly one hundred works the artist produced through the year 2020 under the name “Stefan Riebel”; these texts, however, are autonomous pieces of writing * in their own right.

„The conceptual is no longer in opposite to working freely unlike historic conceptual art dictated, but for David Roth both complement each other in his endeavour of fundamental research of painting in as broad a spectrum as possible.

Eine umfassende Monografie über Amelie von Wulffen, mit eine Vielzahl neuer Bilder und Skulpturen. Sie beschäftigen sich vor allem mit emotionalen und auch psychoanalytischen Fragestellungen. Dabei interessiert die Künstlerin das Verhältnis von Unbewusstem und Bewusstem, das Mittragen von Traumata oder Schuld, wie auch versteckte Sehnsüchte, Fantasien und die Offenlegung von Scham.

Cet ouvrage est publié à l'occasion de l'exposition Amelie von Wulffen, à l'espace 315, Musée national d'art moderne du Centre Georges Pompidou, Paris, 2 mars-2 mai 2005.

Herausgegeben von . Italienischer und englischer Text. Neapel, 2020; Br., S. 152, krank. Farbe, cm 19x24. Standing on top of a building: film 2008-2019 ist liam gillicks erste publikation, die sich seiner videofilmproduktion widmet. acht Werke, die von 2008 bis heute entstanden sind, zusammen mit einer Auswahl der skulpturalen Produktion des Künstlers, ausgestellt im Muttermuseum in Neapel, kuratiert von Alberto Salvadori und Andrea Viliani:

“Dengler’s oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink’s—pop or not—sofa.

This publication explores how Heimo Zobernig (Mauthen, Austria, 1958) has become one of the most relevant artists in the current European landscape.

Verena Dengler ist eine Meisterin pointierter Anspielungen. Sie fügt Bilder, Skulpturen, Textilien und Fundmaterialien zu einem poetischen Kosmos zusammen:

R, C ist ein visueller und textlicher Streifzug durch das Leben und Schaffen in der Landschaft von Nikosia. Es kombiniert Künstlerstatement, Fotografie und Rap. R, C lässt drei Stimmen zu Wort kommen.

prefaces to appendage ist in Verbindung mit der Ausstellung appendage von Iris Touliatou erschienen. Es versammelt eine Reihe von Vorworten zur Ausstellung, geschrieben von

Diese Publikation erscheint anlässlich der Ausstellung we sat rigzd except for the parts
of our bodies that were needed for production von Sandra Lahire und Celeste Burlina.

Bianca Baldis Publikation Play-White ist zwischen ihrer jüngsten gleichnamigen Videoarbeit und einer neu in Auftrag gegebenen Serie von Textilarbeiten angesiedelt, und vereint Ideen rund um den komplizierten Akt des „Passing".

‘The persistence of thoughts of such a kind in individual memory is very rare. If they are not fixed by writing or other means, they tend to disappear in a short time. This process of erasure operates in a similar manner to what happens during the forgetting of dreams.

Bei dieser Publikation handelt es sich um ein Künstlerbuch das anlässlich der Ausstellung "Mathias Poledna. Actualité", welche im Grazer Kunstverein stattfand, erschien.

the 10 last copies:
Bernhard Cellas Panoptikum an rekonvaleszenten Männern - quer durch ein Jahrhundert - demonstriert eine Ikonografie des medizinischen Fortschritts und die Typologie der mise en scène, der bald wieder in den Alltag Zurückkehrenden. Es legt in seiner jeweiligen Inszenierung auch einen Bruch offen,

This publication documents the 2016 exhibition “One, No One and One Hundred Thousand,” which took place at Kunsthalle Wien, Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new “structures” for writing that were mathematical in nature.

Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications.