The Healthy Boy Band has done it again. After they founded their magazine The Healthy Times in 2020, the third issue is already being published.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

In her artistic works, Franziska von den Driesch works with analogue and digital photography, video, and also photographic procedures that do not involve a camera.

The year of lockdown was an occasion for Markus Redl to undertake a journey in the smallest radius and to deal with the objects that surrounded him.

In 2020 the composer, concept and media artist Hofstetter Kurt was awarded the Austrian Art Prize—Media Art (State Prize of the Republic of Austria) for his internationally recognized oeuvre.

Natasza Niedziółka’s fascinating works move along the interface between painting, drawing, and textile art. The canvas constitutes the carrier for her abstract, haptic embroideries.

The renowned Polish contemporary artist is known for his participatory art projects, figurative sculptures and performative self-portraits.

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

Patricia L. Boyd’s book “Ceiling Blues” borrows its format from fabric sample books. It contains photographed fragments of frottages,

This book is not a proper catalogue raisonné, but rather an invitation to browse the library of an amateur. It allows us to consider an important aspect of Richard Prince’s work,

Stranger In Polaroid features exclusive images by Otto Grokenberger, which he took during the production of a landmark of art-house cinema, Stranger Than Paradise (1984), written and directed by Jim Jarmusch.

130 Propagandabilder, Werbe- und künstlerische Plakate von den 40er- bis Ende der 80er-J.

Throughout the history of the built environment there has been no more significant endeavor than the construction of houses of worship, which were once the focal point around which civilizations and city-states developed. Constructing the Ineffable is the first book to examine this topic across continents and from the perspective of

In Hidden Histories – Secrets of the Land, artist and writer Fiona Heron provokes a deep sense of a shared human experience.

Whip-smart, and with a ripped-from-the-headlines attitude, this book is a call to arms, demonstrating the unique ability of graphic design to speak truth to power.

Amanda is an artist's book by Olga Micińska made in the framework of The Building Institute, an experimental organisation aiming to strengthen the position of femmes builders in the domain of technical construction work.

You’ll Never Work Alone: Collective Infrastructures in Moving Images demonstrates the possibilities and challenges inherent in collective cinematic and artistic work by presenting international and local perspectives from academics and practitioners.

In our daily lives, folds, creases, and wrinkles belong to the realm of aging processes or are the unwanted result of carelessly handled pieces of fabric or paper.

Dame of the British Empire Vivienne Westwood is best known for her provocative SEX/Seditionaries boutique on Kings Road, and then perhaps her runway shows.

Bezeichnet der Begriff „Speicher“ ursprünglich einen Aufbewahrungsort für Getreide und Vorräte bildet
Nadim Vardags Künstlerbuch Erkenntnisprozesse nicht nur zu Etymologie und Semantik, sondern
insbesondere zur Ästhetik von

Stijn van der Linden's photobook is an exploration of how spaces become spaces and how photography can influence this process, presenting a scientifically detailed, in-depth analysis of an urban feature seen in every city: the concave corner.

of cities and private living rooms is a semi-fictional multi-media installation that is composed of a two-channel film installation and a photo slide projection. The work questions the hidden biography of the artist’s great-grandmother.

Künstler_innen : Diana Barbosa Gil, Cho Beom-Seok, Jojo Gronostay, Ani Gurashvili, Lukas Kaufmann, Nora Severios, Anna Spanlang (mit Textilskulpturen von Sunny Pfalzer), Chin Tsao Display von Julia Hohenwarter

Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'" -Lucy R. Lippard,

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

Aldo und Hannie van Eyck lernten sich als Architekturstudenten kennen und heirateten 1942. Sie arbeiteten bei den meisten Projekten eng zusammen, nur Ende der 1970er Jahre für einige Jahre unterbrochen.
Aldo and Hannie van Eyck met as students of architecture and married in 1942, and worked together closely on most projetcs,

Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.

A groundbreaking new insight into a rich spectrum of early Soviet art and design and its spaces of display. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art,

Auslöser ist ein zweisprachiges Indie-Print-Magazin, das sich auf die menschlichen Geschichten hinter der Kamera konzentriert. Jede Ausgabe enthält vier ausführliche Fotograf:inneninterviews, eine Hinter-den-Kulissen-Reportage und ein fotografisches Objekt im Detail.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

Die Werke des chinesischen Künstlers Ai Weiwei sind Ausdruck seiner kritischen Auseinandersetzung mit Geschichte, Kultur und Politik seiner Heimat und reflektieren auf mehr oder weniger subtile Weise seine eigene Biografie.

We see women looking at art, everything an exhibition has to offer: paintings, sculptures, installations. If we’re women, then one could say they’re women looking at women looking at art.

Georg Frauenschuh (geb. 1979) verbindet in seiner Malerei einen persönlichen Standpunkt mit einer diskursiven Herangehensweise. In seinem bis 2015 vorwiegend abstrakten Œuvre tauchen in jüngster Zeit vermehrt figurative Sujets auf.

Lieselott Beschorner blickt auf gut 70 Jahre künstlerisches Schaffen und auf eine fast ebenso lange Mitgliedschaft in der Wiener Secession zurück, in die sie 1951 als eine der ersten Frauen aufgenommen wurde.

"For my artist's book for the Secession, I reproduced my diary calendar from 1986, the year I was eighteen. The calendar is full of dense handwritten entries that obsessively revolve around questions of my identity. Finding myself was what it was about.
"Als Künstlerbuch für die Secession reproduziere ich meinen Tagebuchkalender von 1986, aus dem Jahr, in dem ich 18 war. Der Kalender ist eng handschriftlich beschrieben und verhandelt Fragen zu meiner Identität im Dauerloop.


Which man? Daniel, Olli, Arnd? My math teacher? No one? Passages that now strike me as too private were blacked out in the process. Today's digital trace masks the analogue trace from decades ago. The censorship becomes a graphical addition, a drawing that pulls together the two different periods of time, separated by thirty-three years." (Alexandra Bircken)
Die Suche war das Thema. Welcher Mann? Daniel, Olli, Arnd? Mein Mathelehrer? Keiner? Subjektiv als zu privat empfundene Passagen wurden im Prozess nachträglich geschwärzt. Die digitale Spur von heute legt sich über die analoge von damals. Die Zensur wird zu einem zeichenhaften Zusatz, einer Zeichnung, der die beiden Zeitebenen, die 33 Jahre auseinander liegen, zusammenzurrt." (Alexandra Bircken)
Berlin 2019, 216 pages, 11 x 15,5 cm, Flexocover, English

QUEER TIME — ASYMPTOPES OF ARTICULATION is about moving through queer time and language, modular and folding, communities, communal, traces, memories, collapsing and building.

Kate Newby’s works celebrate the moments in which they are created and presented; at the same time, they are open to change. Drawn from impressions collected when navigating cities and landscapes, her sculptures and interventions foreground process:

Die antikolonialen und antirassistischen Bewegungen des 20. Jahrhunderts gingen mit künstlerischen und theoretischen Gegenentwürfen zur Exklusivität der westlichen Moderne einher.

Body. Listening. Book. Library. Institution. How can art libraries be generative resources and sites of action for all who identify as queer, as women, as Black, as Indigenous, as people of colour? What does it mean to consider the art library as a collective practice that spans multiple scales?

In the Making: In the Desert of Modernity: Colonial Planning and After. A Research-Based Practice is about the working method of the artist and exhibition maker Marion von Osten.

Tabea Blumenschein (1952–2020), Hilka Nordhausen (1949–1993) und Rabe perplexum (1956–1996) waren exzentrische Künstler*innen der achtziger Jahre – sie agierten abweichend von Normen und außerhalb des Zentrums im subkulturellen Milieu.

A Female Gaze explores the paintings and drawings of contemporary artist Caroline Walker through the lens of Laura Knight, arguably Nottingham's most famous artist and the first woman to be elected a Royal Academian.

"If it is somehow identifiable as part of a referential system, we immediately understand the meaning of a line on a piece of paper. A horizontal line will be easily read as a minus, an em dash or a way on a map, no matter how sloppily it is written or drawn."

"In a house you wanted to intrude, searching for a narrative you've detected between a character, images and photographs. I remember bumping against a floor lamp, causing its glow to waver briefly. Trying to ascertain the transmissions while already standing in front of objects that demand to be looked at."

The apparent primary goal of Eric’s treatise is to define something called ‘the Real’, with the help of a patchwork of theoretical materials drawn from contemporary mathematics, mathematical physics, ‘neurophysics’ and continental theory. Other topics in the text,

Forked Apologies gathers twenty-five texts by Michael Van den Abeele, all but two written on invitation by fellow artists and architects in the course of the last ten years. Drawings by Michael Van den Abeele of the concerned works and exhibitions accompany the texts. In fiction or description,

Surreal arrangements of artifacts from skulls and teapots to fried eggs and dirty socks by Théo Mercier. Théo Mercier (born 1984) employs found objects in his photography and sculpture to subvert viewers’ expectations. His inaugural monograph reveals the impressive scope of his oeuvre.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12" vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

In “Playing with Ludwig”, artist Nikolaus Gansterer and philosopher Klaus Speidel adress fundamental questions of sense making in language and visual forms. In a playful dialogue with the writings of Ludwig Wittgenstein, they tackle subjects like pain and pictures,

This special issue is the cataLog for “Model Behavior,” a group exhibition of models, architectural and otherwise, curated by the Anyone Corporation and presented by The Irwin S. Chanin School of Architecture at The Cooper Union, in New York City. The exhibition, which ran October 4–November 18, 2022, questioned the role of the model in projecting or eliciting social behavior.

Gaëlle Lauriot-Prévost and Dominique Perrault invited the historian Frédéric Prot and the photographer Philippe Chancel to reveal, both in writing and images, this radical work by the architect Jean Dubuisson that he designed during the 1960s, as well as the commitment of his client André Weil to build a domain at Pontpoint.

Over the years 1919–20, the celebrated medical scientist and doctor Carl Julius Salomonsen began giving public lectures and publishing pamphlets regarding a new “epidemic” that had begun to affect the European populace: the increasing ubiquity of modernist art.

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations. Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology.

In the turbulent square of Martim Moniz, stands a robust building by the architect Bartolomeu Costa Cabral. Invited by TECLA PLAY Cultural Association, artist Leylâ Gediz presents an installation of paintings in the interior gallery of the building,