This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

Which code to read the world with? Which story to invoke the world with? Connectings (2021) is an artist book by Adéla Součková that addresses the contemporary mythological world. Součková‘s pictographic blue and red line drawings depict a human gaining self-awareness through the connection between the Sky and the Earth.

Forms of Migration explores the potential of literary and aesthetic forms of expression to shape our understanding of transnational migration processes. The volume emphasises form because it is often the compositional structure and rhetoric of texts and images – their literary nature and formal qualities – that impact readers and beholders, opening up new interpretations of im/migrant experiences and identities.

The currently favored image of the Weimar Republic is constructed as a liberal one that emphasizes the individual freedom to shape one’s life. Meanwhile, the collectivist face of the workers’ movement and the artists inspired by it were and are mostly ignored.

An overview of the various socio-political themes addressed by the Austrian artist's work. “Dengler's oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink's—pop or not—sofa.

An extensive monograph/exhibition catalog on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux.

If the 1960s and 1970s were the heyday of artists books, the 2010s (and 1920s) strike us as the heyday of publishing as (artistic) practice. IDEA POLL collected ideas regarding publishing activities and beyond. IDEA POLL 2020/21 was created through an online query and features about 100 responses from diverse international networks. Historical Note: In 1976, the periodical Art-Rite already conducted and published an IDEA POLL, marking a seminal moment in the state of affairs in the field of art and publishing.

The book was solely designed by women, from cover to paper, from typeface to printing.

Als Blinky Palermo im Alter von 33 Jahren auf den Malediven starb, studierte Förg noch an der Münchner Akademie. Die beiden sind sich nie begegnet. Kann man trotzdem von einer Freundschaft der beiden sprechen? Nein, kann man nicht. Man muss!
When Blinky Palermo died unexpectedly in February 1977 while on a trip to the Maldives, he was 33 years old and Günther Förg studied at the Munich Academy of Fine Arts. So, Förg and Palermo never met.

“Modernism/Murderism”, translated by Vasvi Oza, brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of the Gujarati-language periodical “Kumar” between 1959 and 1964.

CORNER football + society is a periodical publication that proposes a crossdisciplinary approach, taking football and its complex contemporary and historical context as a starting point.

threedscans.com is an archive of downloadable 3D scans initiated in 2012 by Oliver Laric. All scans are free to use without copyright restrictions. This book compiles examples of the scans in use.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

Featuring contributions by Tristan Duke, Christian Egger, Milano Chow, Miriam Jung, R.M. ­Erdahl, Jutta Koether, Mariam Akubardia & Guram ­Sakvarelidze, Christian Kosmas Mayer & GPT-3, Rosa Aiello, Matthias Meyer, Loji ­Höskuldsson, Oli Surel, Mathias Kessler & ­Chiara ­Juriatti, Krasimira ­Stikar & an ­Interview with Monika Rinck.

The first English translation of Karel Teige’s “The Marketplace of Art“ in two volumes includes a critical introduction, inquiries, and extensive commentaries. Originally published in the Czech language in 1936, “The Marketplace of Art“ is the summation of Teige’s artistic, political, and theoretical work.

Dear world you have made the persons slow uses the World Health Organization's collected 2020 press statements about COVID-19 as its source material. Composed using blackout poetry, the project casts light on the ongoing and mostly unconscious consumption of online information.

First published in 1961, Lorenza Mazzetti’s “The Sky is Falling” (“Il cielo cade”) is an impressionistic, idiosyncratic, and uniquely funny look at the writer’s childhood after she and her sister are sent to live with their Jewish relatives following the death of their parents. Bright and bucolic, vivid and mournful, and brimming with saints, martyrdom, ideals, wrong-doing and self-imposed torments,

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

The Healthy Boy Band has done it again. After they founded their magazine The Healthy Times in 2020, the third issue is already being published.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

In her artistic works, Franziska von den Driesch works with analogue and digital photography, video, and also photographic procedures that do not involve a camera.

The year of lockdown was an occasion for Markus Redl to undertake a journey in the smallest radius and to deal with the objects that surrounded him.

In 2020 the composer, concept and media artist Hofstetter Kurt was awarded the Austrian Art Prize—Media Art (State Prize of the Republic of Austria) for his internationally recognized oeuvre.

Natasza Niedziółka’s fascinating works move along the interface between painting, drawing, and textile art. The canvas constitutes the carrier for her abstract, haptic embroideries.

The renowned Polish contemporary artist is known for his participatory art projects, figurative sculptures and performative self-portraits.

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

Patricia L. Boyd’s book “Ceiling Blues” borrows its format from fabric sample books. It contains photographed fragments of frottages,

This book is not a proper catalogue raisonné, but rather an invitation to browse the library of an amateur. It allows us to consider an important aspect of Richard Prince’s work,

Stranger In Polaroid features exclusive images by Otto Grokenberger, which he took during the production of a landmark of art-house cinema, Stranger Than Paradise (1984), written and directed by Jim Jarmusch.

130 Propagandabilder, Werbe- und künstlerische Plakate von den 40er- bis Ende der 80er-J.

Throughout the history of the built environment there has been no more significant endeavor than the construction of houses of worship, which were once the focal point around which civilizations and city-states developed. Constructing the Ineffable is the first book to examine this topic across continents and from the perspective of

In Hidden Histories – Secrets of the Land, artist and writer Fiona Heron provokes a deep sense of a shared human experience.

Whip-smart, and with a ripped-from-the-headlines attitude, this book is a call to arms, demonstrating the unique ability of graphic design to speak truth to power.

Amanda is an artist's book by Olga Micińska made in the framework of The Building Institute, an experimental organisation aiming to strengthen the position of femmes builders in the domain of technical construction work.

You’ll Never Work Alone: Collective Infrastructures in Moving Images demonstrates the possibilities and challenges inherent in collective cinematic and artistic work by presenting international and local perspectives from academics and practitioners.

In our daily lives, folds, creases, and wrinkles belong to the realm of aging processes or are the unwanted result of carelessly handled pieces of fabric or paper.

Dame of the British Empire Vivienne Westwood is best known for her provocative SEX/Seditionaries boutique on Kings Road, and then perhaps her runway shows.

Bezeichnet der Begriff „Speicher“ ursprünglich einen Aufbewahrungsort für Getreide und Vorräte bildet
Nadim Vardags Künstlerbuch Erkenntnisprozesse nicht nur zu Etymologie und Semantik, sondern
insbesondere zur Ästhetik von

Stijn van der Linden's photobook is an exploration of how spaces become spaces and how photography can influence this process, presenting a scientifically detailed, in-depth analysis of an urban feature seen in every city: the concave corner.

of cities and private living rooms is a semi-fictional multi-media installation that is composed of a two-channel film installation and a photo slide projection. The work questions the hidden biography of the artist’s great-grandmother.

Künstler_innen : Diana Barbosa Gil, Cho Beom-Seok, Jojo Gronostay, Ani Gurashvili, Lukas Kaufmann, Nora Severios, Anna Spanlang (mit Textilskulpturen von Sunny Pfalzer), Chin Tsao Display von Julia Hohenwarter

Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'" -Lucy R. Lippard,

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

Aldo und Hannie van Eyck lernten sich als Architekturstudenten kennen und heirateten 1942. Sie arbeiteten bei den meisten Projekten eng zusammen, nur Ende der 1970er Jahre für einige Jahre unterbrochen.
Aldo and Hannie van Eyck met as students of architecture and married in 1942, and worked together closely on most projetcs,

Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.

A groundbreaking new insight into a rich spectrum of early Soviet art and design and its spaces of display. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art,

Auslöser ist ein zweisprachiges Indie-Print-Magazin, das sich auf die menschlichen Geschichten hinter der Kamera konzentriert. Jede Ausgabe enthält vier ausführliche Fotograf:inneninterviews, eine Hinter-den-Kulissen-Reportage und ein fotografisches Objekt im Detail.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

Die Werke des chinesischen Künstlers Ai Weiwei sind Ausdruck seiner kritischen Auseinandersetzung mit Geschichte, Kultur und Politik seiner Heimat und reflektieren auf mehr oder weniger subtile Weise seine eigene Biografie.

We see women looking at art, everything an exhibition has to offer: paintings, sculptures, installations. If we’re women, then one could say they’re women looking at women looking at art.

Georg Frauenschuh (geb. 1979) verbindet in seiner Malerei einen persönlichen Standpunkt mit einer diskursiven Herangehensweise. In seinem bis 2015 vorwiegend abstrakten Œuvre tauchen in jüngster Zeit vermehrt figurative Sujets auf.

Lieselott Beschorner blickt auf gut 70 Jahre künstlerisches Schaffen und auf eine fast ebenso lange Mitgliedschaft in der Wiener Secession zurück, in die sie 1951 als eine der ersten Frauen aufgenommen wurde.

"For my artist's book for the Secession, I reproduced my diary calendar from 1986, the year I was eighteen. The calendar is full of dense handwritten entries that obsessively revolve around questions of my identity. Finding myself was what it was about.
"Als Künstlerbuch für die Secession reproduziere ich meinen Tagebuchkalender von 1986, aus dem Jahr, in dem ich 18 war. Der Kalender ist eng handschriftlich beschrieben und verhandelt Fragen zu meiner Identität im Dauerloop.


Which man? Daniel, Olli, Arnd? My math teacher? No one? Passages that now strike me as too private were blacked out in the process. Today's digital trace masks the analogue trace from decades ago. The censorship becomes a graphical addition, a drawing that pulls together the two different periods of time, separated by thirty-three years." (Alexandra Bircken)
Die Suche war das Thema. Welcher Mann? Daniel, Olli, Arnd? Mein Mathelehrer? Keiner? Subjektiv als zu privat empfundene Passagen wurden im Prozess nachträglich geschwärzt. Die digitale Spur von heute legt sich über die analoge von damals. Die Zensur wird zu einem zeichenhaften Zusatz, einer Zeichnung, der die beiden Zeitebenen, die 33 Jahre auseinander liegen, zusammenzurrt." (Alexandra Bircken)
Berlin 2019, 216 pages, 11 x 15,5 cm, Flexocover, English